Beauty Is Human: When People Love AI-Generated Art, They Think a Human Made It
Organizations: Stevens Institute of Technology, Hoboken, NJ, USA · University of Massachusetts Boston, Boston, MA, USA
Abstract
Generative AI now produces images and poems that people cannot reliably distinguish from human-made work, so people often judge for themselves who made a work. We examine how these perceived-authorship judgments relate to aesthetic preference. In a public online AI Art Turing Test, 11,123 people judged whether each of 50 pictures (26 AI-generated) was made by a human and were asked for their favourite. Among the 9,152 respondents who judged their favourite, a picture was 22.1 percentage points more likely to be judged human-made when it was the respondent's favourite, holding respondent and picture fixed. The association was similar for AI-generated and human-made favourites, was positive for all 50 pictures, and appeared under every reported detection strategy. Respondents most negative about AI art chose fewer AI-generated favourites (47% against 60% among the most positive) but more often believed them human-made, partly because others also judged those pictures human. As a result, in every opinion group a third to two fifths of respondents named an AI-generated favourite they believed human-made. A reanalysis of a published experiment on AI-generated poetry, in which 230 people rated each poem before judging its authorship, found the same pattern, although the AI poems were rated higher. When provenance is hidden, liking and perceived human authorship travel together, consistent with aesthetic response serving as evidence of a human maker and with beliefs about the maker shaping enjoyment. The findings qualify research on bias against AI art, which typically uses explicit labels, and inform AI disclosure policy.
Figures & tables
| Study | Medium; participants; works | Liking measure | Source judgment | Order | Adjustment for people and works | Moderators |
|---|---|---|---|---|---|---|
| Chamberlain et al. [22] , Study 1 | Images; 65; 60 (30 computer-generated) | Attractiveness, 1–7 | Binary | Randomized between participants (blocks) | Mean ratings by own categorization, within participants | Order; art education |
| Shank et al. [13] , Study 1 | Music; 146 and 149; 20 human-composed excerpts per genre | Liking, 7 points | Binary | Source judgment, then liking | Random intercepts for participants and excerpts | Genre |
| Grassini and Koivisto [24] | Images; 201; 40 (20 AI-made) | Liking, 0–100 | Continuous, 0–100 | Liking listed before origin | Random intercepts for participants and images | Personality, creative identity, technology attitudes |
| Porter and Machery [5] , Study 2 | Poems; 230 of 696 guessed the source; 10 (5 AI-generated) | 14 qualities, 7 points | Binary | Ratings, then source judgment | Random intercepts for participants and poems (factor scores) | Framing arms |
| This paper, Study 1 | Images; 9,152 of 11,123; 50 (26 AI-made) | One favourite | Binary | Favourite after all judgments | Respondent and picture fixed effects; picture-specific estimates | Opinion of AI art, strategy, familiarity |
| This paper, Study 2 | Reanalysis of Porter and Machery [5] , Study 2 | Quality, 1–7 | Binary | Ratings, then source judgment | Participant and poem fixed effects | Source of poem; label benchmark |
| Study 1: AI Art Turing Test | Study 2: poetry experiment | |
|---|---|---|
| Source | Public response file of an online test run by a blog [ 1 , 39 ] | Open data of Porter and Machery [5] , Study 2 [ 40 ] |
| Works | 50 pictures: 24 human-made, 26 AI-made | 10 poems: 5 human-written, 5 AI-generated |
| Respondents | 11,123; analysis sample of 9,152 who named and judged a favourite | 696; analysis sample of 230 in the condition that judged the source |
| Judgments | 542,208 source judgments (453,865 in the analysis sample) | 2,300 source judgments |
| Liking | One favourite picture, named after all judgments | Fourteen 7-point ratings per poem, given before each judgment |
| Explanations | 49,268 free-text explanations for six pictures | 5,238 free-text explanations from Porter and Machery ’s Study 1 |
| Specification | Estimate, pp (SE) | Respondents |
| Baseline: respondent and picture fixed effects | 22.1 (0.4) | 9,152 |
| Same, standard error clustered by respondent and picture | 22.1 (1.3) | 9,152 |
| Favourite was AI-made | 21.8 (0.6) | 5,092 |
| Favourite was human-made | 22.4 (0.5) | 4,060 |
| Respondent co-judgment-cluster fixed effects (4 clusters) | 20.0 (0.4) | 9,152 |
| Respondent co-judgment-cluster fixed effects (6 clusters) | 19.7 (0.4) | 9,152 |
| Opinion of AI art on an artistic level | |||||
|---|---|---|---|---|---|
| 1 (loathe) | 2 | 3 | 4 | 5 | |
| Respondents | 1,106 | 1,891 | 2,181 | 2,620 | 1,270 |
| Favourite was AI-made | 47% | 53% | 55% | 60% | 60% |
| Favourite believed human-made | 88% | 84% | 78% | 72% | 64% |
| AI-made favourite believed human-made | 80% | 78% | 69% | 64% | 56% |
| Same pictures judged human by others | 54% | 52% | 47% | 43% | 38% |
| Respondents | Accuracy | Favourite association, pp (SE) | |
| Main strategy (self-reported) | |||
| Looked for minor errors, e.g. hands | 3,703 | 61.9% | 23.4 (0.6) |
| Looked for textural tells | 2,054 | 62.3% | 20.2 (0.8) |
| Guessed themes humans would paint | 1,396 | 58.9% | 19.6 (1.1) |
| Judged good/creative art as human | 1,209 | 59.3% | 23.8 (1.0) |
| Judged technically impressive art as AI | 477 | 58.5% | 17.1 (1.8) |
| Quantity | Estimate (SE) | Unit |
|---|---|---|
| Told-nothing condition: judged “written by a human” | ||
| Each point on “How good is this poem?” (1–7) | 11.5 (0.9) | pp |
| AI-written poems | 11.7 (1.4) | pp |
| Human-written poems | 11.4 (1.1) | pp |
| Human minus AI | 0.3 (1.5) | pp |
| Top-rated poem(s) vs. the respondent’s other poems | 23.6 (2.8) | pp |
| Pictures (Study 1) | Poems (P&M Study 1) | |||||
|---|---|---|---|---|---|---|
| Explanation mentions… | Share | Human | Diff. (95% CI) | Share | Human | Diff. (95% CI) |
| Merit: beauty, soul, emotion, meaning, creativity | 1.7% | 80% | 20 [ 17, 22] | 8.5% | 90% | 40 [ 36, 43] |
| Intention: deliberate, thoughtful | 2.9% | 68% | 11 [ 9, 14] | 0.4% | 78% a | 27 [ 11, 42] |
| Personal liking: I like / love it | 3.3% | 61% | 7 [ 5, 10] | 4.2% | 60% | 7 [ 1, 14] |
| Technical cue: hands, errors, inconsistency | 13.9% | 33% | 19 [ 20, 18] | 3.2% | 26% | 26 [ 33, 18] |
| Polish: too perfect, too clean, too smooth | 1.4% | 28% | 19 [ 22, 15] | 0.7% | 19% | 36 [ 49, 23] |
Appendix figures & tables5 assets
Supplementary material from the paper’s appendix.
Appendix
| Included | Excluded | |
|---|---|---|
| Respondents | 9,152 | 1,971 |
| Pictures judged (of 50) | 49.6 | 44.8 |
| Accuracy | 60.9% | 59.5% |
| Share of “human” answers | 51.7% | 52.0% |
| Opinion of AI art (1–5) | 3.12 | 2.99 |
| Opinion of AI art missing | 1% | 42% |
| No. | Picture | Source | Judged human | Fav. | Fans: human | Others: human | Gap | Adjusted (SE) | Cl. |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Angel Woman | Human | 46% | 221 | 80% | 45% | 35.2 | 35.2 (2.8) | 4 |
| 2 | Saint In Mountains | Human | 78% | 329 | 89% | 77% | 12.1 | 12.9 (1.8) | 2 |
| 3 | Blue Hair Anime Girl | Human | 51% | 67 | 71% | 51% | 19.9 | 17.4 (6.2) | 4 |
| 4 | Girl In Field | AI | 38% | 42 | 60% | 38% | 22.0 | 21.1 (7.4) | 1 |
| 5 | Double Starship | Human | 56% | 146 | 79% | 57% | 21.9 | 21.9 (3.5) | 4 |
| 6 | Bright Jumble Woman | AI | 52% | 63 | 70% | 51% | 18.7 | 19.9 (5.7) | 3 |
| Rated quality (1–7) | Per SD, pp (SE) |
|---|---|
| good (overall quality) | 18.7 (1.5) |
| meaningful | 18.0 (1.6) |
| beautiful | 17.8 (1.6) |
| conveys a mood or emotion | 17.7 (1.5) |
| imagery | 16.9 (1.5) |
| moving | 16.6 (1.6) |
| Category | Terms |
|---|---|
| Merit | beaut*, gorgeous, lovely, stunning, soul, soulful, emotion, emotions, emotional*, emotive, evocative, expressive, meaningful, meaning, profound, creativ*, imaginative, inspired, inspiring, passion*, charm*, personality, alive, lively, vision, mood, whimsical, playful, humanity, human touch, human experience, sincer*, authentic* |
| Intention | intention*, deliberate*, thoughtful*, purposeful* |
| Personal liking | I like / love / enjoy / adore (optionally “really”), like it, love it, like this, love this, favourite, favorite, my fav |
| Technical cue | hand(s), finger(s), error(s), mistake(s), inconsisten*, incoheren*, nonsens*, doesn’t make sense, makes no sense, no sense, artifact(s), artefact(s), glitch*, warp*, distort*, merg*, melt*, perspective, anatom*, proportion*, asymmetr*, physics, illogical, garbled, deformed, malformed |
| Polish | too perfect / polished / clean / smooth / good / neat / detailed / precise / crisp / sharp / symmetric* / pretty / glossy / shiny / refined / well done; sheen; glossy; overly polished / smooth / detailed / perfect |
| Lack of merit | soulless, lifeless, generic, bland, boring, cheesy, tacky, clich*, trite, meaningless, pointless, uninspir*, uninteresting, sterile, vapid, emotionless, doesn’t say anything, says nothing, nothing to say, no point; negated merit terms |
| Category | Source | Judged | Explanation |
|---|---|---|---|
| Merit | images | human | “Use of positive and negative space, feels vaguely creative” |
| Merit | images | human | “i dont feel like ai would be this creative” |
| Merit | images | AI | “first impression was creatively-arranged cut paper, but then i noticed bizarre irregular silhouettes.” |
| Merit | images | AI | “Same structure as there was before, mess behind does have meaning” |
| Lack of merit | images | human | “Every small stroke has a meaning, making a shape or a light. No meaningless or unclear spots” |
| Lack of merit | images | human | “Looks too boring for an AI” |
Authorship Attribution
Authorship attribution identifies or verifies who wrote a text, code sample, or other creative work from patterns in its style and content.
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