Music Information Retrieval

Also known as MIR

Overview

Music Information Retrieval studies how computers can identify and organize music, extract musical features, and connect recordings, scores, and descriptions to support search, analysis, and creative work. Approaches range from audio fingerprints, signal-processing features, and dynamic time warping to CNNs, transformers, self-supervised representations, and audio-language models. Common tasks include transcription and beat tracking, chord and genre recognition, music similarity and version retrieval, source separation, and recommendation, evaluated on datasets such as MAESTRO and MUSDB18. The field has strong systems for many benchmark tasks, but performance can falter on noisy or unfamiliar music and underrepresented traditions; aligning model scores with human judgments and verifying fine-grained audio understanding remain open challenges.

Latest papers

153 papers25 papers in the last four weeks, up 32% on the four weeks before. 0.1% of all new papers.

Feb 19, 2026

MusicSem: A Semantically Rich Language--Audio Dataset of Natural Music Descriptions

Music representation learning is central to music information retrieval and generation. While recent advances in multimodal learning have improved alignment between text and audio for tasks such as cross-modal music retrieval, text-to-music generation, and music-to-text generation, existing models often struggle to capture users' expressed intent in natural language descriptions of music. This observation suggests that the datasets used to train and evaluate these models do not fully reflect the broader and more natural forms of human discourse through which music is described. In this paper, we introduce MusicSem, a dataset of 32,493 language-audio pairs derived from organic music-related discussions on the social media platform Reddit. Compared to existing datasets, MusicSem captures a broader spectrum of musical semantics, reflecting how listeners naturally describe music in nuanced and human-centered ways. To structure these expressions, we propose a taxonomy of five semantic categories: descriptive, atmospheric, situational, metadata-related, and contextual. In addition to the construction, analysis, and release of MusicSem, we use the dataset to evaluate a wide range of multimodal models for retrieval and generation, highlighting the importance of modeling fine-grained semantics. Overall, MusicSem serves as a novel semantics-aware resource to support future research on human-aligned multimodal music representation learning.
Jan 16, 2026

Scalable Music Cover Retrieval Using Lyrics-Aligned Audio Embeddings

Music Cover Retrieval, also known as Version Identification, aims to recognize distinct renditions of the same underlying musical work, a task central to catalog management, copyright enforcement, and music retrieval. State-of-the-art approaches have largely focused on harmonic and melodic features, employing increasingly complex audio pipelines designed to be invariant to musical attributes that often vary widely across covers. While effective, these methods demand substantial training time and computational resources. By contrast, lyrics constitute a strong invariant across covers, though their use has been limited by the difficulty of extracting them accurately and efficiently from polyphonic audio. Early methods relied on simple frameworks that limited downstream performance, while more recent systems deliver stronger results but require large models integrated within complex multimodal architectures. We introduce LIVI (Lyrics-Informed Version Identification), an approach that seeks to balance retrieval accuracy with computational efficiency. First, LIVI leverages supervision from state-of-the-art transcription and text embedding models during training to achieve retrieval accuracy on par with--or superior to--harmonic-based systems. Second, LIVI remains lightweight and efficient by removing the transcription step at inference, challenging the dominance of complexity-heavy pipelines.
Oct 29, 2024

CHORDONOMICON: A Dataset of 666,000 Songs and their Chord Progressions

Chord progressions encapsulate important information about music, pertaining to its structure and conveyed emotions. They serve as the backbone of musical composition, and in many cases, they are the sole information required for a musician to play along and follow the music. Despite their importance, chord progressions as a data domain remain underexplored; existing datasets lack the scale, structural annotation, and metadata diversity required for rigorous evaluation of music understanding models. In this work, we present Chordonomicon, the largest dataset of its kind, containing over 666,000 song-level symbolic chord progressions, annotated with structural parts (verse, chorus, bridge, etc.), genre, and release date, created by scraping various sources of user-generated progressions and associated metadata, showing strong similarity to well-established prior datasets. Beyond the dataset itself, we propose a reproducible benchmark suite for next chord prediction, evaluating three sequence modeling architectures (RNN, GRU, LSTM) across multiple context window sizes and data scales under strict exact-match evaluation. Our experiments reveal that structural part annotations consistently improve prediction performance. Chordonomicon is released as an open benchmark, providing split methodology, baselines, and evaluation protocols to enable fair and reproducible comparison for future work on chord prediction, classification, generation, and beyond.