DIRECT: Video Mashup Creation via Hierarchical Multi-Agent Planning and Intent-Guided Editing
Organizations: School of Electronics Engineering and Computer Science, Peking University · School of Computer Science, Peking University · Huazhong University of Science and Technology
Abstract
Video mashup creation represents a complex video editing paradigm that recomposes existing footage to craft engaging audio-visual experiences, demanding intricate orchestration across semantic, visual, and auditory dimensions and multiple levels. However, existing automated editing frameworks often overlook the cross-level multimodal orchestration to achieve professional-grade fluidity, resulting in disjointed sequences with abrupt visual transitions and musical misalignment. To address this, we formulate video mashup creation as a Multimodal Coherency Satisfaction Problem (MMCSP) and propose the DIRECT framework. Simulating a professional production pipeline, our hierarchical multi-agent framework decomposes the challenge into three cascade levels: the Screenwriter for source-aware global structural anchoring, the Director for instantiating adaptive editing intent and guidance, and the Editor for intent-guided shot sequence editing with fine-grained optimization. We further introduce Mashup-Bench, a comprehensive benchmark with tailored metrics for visual continuity and auditory alignment. Extensive experiments demonstrate that DIRECT significantly outperforms state-of-the-art baselines in both objective metrics and human subjective evaluation. Project page and code: https://github.com/AK-DREAM/DIRECT
Figures & tables
| Semantic Rele. | Visual Cont. | Auditory Align. | Human Eval. | ||||||
| Method | Prom. ( ) | Seg. ( ) | Mot. ( ) | Fram. ( ) | Sync. ( ) | Ener. ( ) | Glob. | Loc. | Qual. |
| T2V* ( Xiong et al., 2022 ) | 25.89 | 81.80 | 61.72 | 76.21 | 91.46 | 52.67 | 3.6 | 2.6 | 2.7 |
| MMSC ( Zhu et al., 2025a ) | 25.63 | 90.24 | 61.64 | 76.43 | 88.25 | 48.23 | 3.3 | 3.5 | 3.1 |
| VideoAgent ( HKUDS, 2025 ) | 25.09 | 82.59 | 62.24 | 78.85 | 88.43 | 51.88 | 5.1 | 3.8 | 4.6 |
| w/o Screenwriter | 25.96 | 84.80 | 76.93 | 83.35 | 98.62 | 82.41 | 4.4 | 4.8 | 5.0 |
| w/o Director | 25.30 | 84.73 | 75.38 | 83.20 | 98.34 | 82.29 | 5.3 | 3.5 | 4.4 |
Appendix figures & tables7 assets
Supplementary material from the paper’s appendix.
Appendix
| Genre | Movie Example | Key Characteristics |
|---|---|---|
| Action | Mission Impossible | Dynamic motion, fast-paced |
| Sci-Fi | Interstellar | Grand scale, futuristic |
| Fantasy | The Lord of the Rings | Epic narrative, sweeping |
| Thriller | Joker | Psychological tension, moody |
| Animation | Zootopia | Vibrant visuals, expressive |
| Count ( ) | Latency (s) | ||||||
|---|---|---|---|---|---|---|---|
| (Greedy) | 25.22 | 84.78 | 75.10 | 82.36 | 98.73 | 80.24 | 380 |
| (Ours) | 25.49 | 84.97 | 77.26 | 83.37 | 98.69 | 82.40 | 646 |
| 25.54 | 85.36 | 77.95 | 83.61 | 98.70 | 83.15 | 891 |
| Template Name | Suitable Scenarios | Prioritization |
|---|---|---|
| <Semantic_Priority> | Narrative focus or specific subjects | stricter shot pool, |
| <Motion_Continuity_Priority> | Fluid action sequences (e.g., chases, racing) | |
| <Composition_Similarity_Priority> | Static framing or match-cutting (e.g., close-ups) | |
| <Hybrid_Visual_Coherent> | Intricate action balancing motion and framing | |
| <Default_Priority> | Balanced, general-purpose retrieval | - |
Video Editing
Video editing uses AI to alter, compose, relight, or reorganize moving footage while controlling how changes persist across frames.
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