Metaphors in Literary Post-Editing: Opening Pandora's Box?
Authors: Aletta G. Dorst, Mayra O. Nas, Katinka Zeven
Organizations: Leiden University Centre for Linguistics
Abstract
This paper investigates how post-editors of literary texts react and respond to the way metaphors have been translated by Neu ral Machine Translation (NMT) and Large Language Models (LLMs). The results show that one in three metaphors in the output were changed by the post-editors, demonstrating that the translation of fig urative language is indeed problematic in literary MT (LitMT). The responses indi cate that the post-editors were aware of overly literal translations, though mostly for multiword expressions. Moreover, at times they found it difficult to determine whether solutions were acceptable. They rated the overall quality of the MT out put as quite poor and stated that the post editing was more work and more effort than it would have been translating from scratch. This supports previous studies ar guing that post-editing constrains transla tors in their creativity and diminishes their sense of text ownership.
This paper investigates whether LLM translations exhibit identifiable emotional profiles and how post-editing reshapes them toward human-like norms. We compare LLM translations of Margaret Atwood's Oryx and Crake with their post-edited versions and a human translation, using a large-scale corpus of contemporary Italian science-fiction as a baseline. We examine emotion through lexicon-based and multilingual modeling, conducting a fine-grained analysis of emotional variation across systems. We find that MT systems introduce model-specific and statistically significant emotional fingerprints across translations, leading to a limited preservation of an author's voice.
In this opinion paper, we propose MetaHOPE, an error severity-aware annotation framework for evaluating metaphor translations. Metaphors present challenges for machine translation (MT) and natural language understanding and processing (NLU, NLP), because it presents the features of semantic complexity, contextual dependency, and cultural embeddings that can lead to ambiguity issues for NLP models. To investigate how state-of-the-art NLP models perform on translating metaphors, we select three representative systems, i.e., GoogleMT, GPT5.4, and Hunyuan-7b as Neural MT (NMT) models and LLMs. We used two human-annotated metaphor corpora, including VUAMC and PSUCMC for English-to-Chinese and Chinese-to-English translation purposes. The original corpora we used are monolingual, where we carried out error annotation using the MetaHOPE framework, and also produced the human post-edited gold reference for bilingual use as a new resource. We believe the MetaHOPE evaluation framework for metaphor translation annotation, the parallel corpora resources, and the error analysis on SOTA automatic translation models can be useful and shed some light for the field of metaphor translation study. We share our resources publicly upon paper acceptance.
This article investigates the performance of automatic evaluation metrics (AEMs) and LLM-as-a-judge evaluation on literary translation across multiple languages, genres, and translation modalities. The aim is to assess how well these tools align with professionals when evaluating translation, creativity (creative shifts & errors), and see if they can substitute laborious manual annotations. A dataset of literary translations across three modalities (human translation, machine translation, and post-editing), three genres and three language pairs was created and annotated in detail for creativity by experienced professional literary translators. The results show that both AEMs and LLM-as-a-judge evaluations correlate poorly with professional evaluations on creativity, with LLM-as-a-judge showing a systematic bias in favour of machine-translated texts and penalising creative and culturally appropriate solutions. Moreover, performance is consistently worse for more literary genres such as poetry. This highlights fundamental limitations of current automatic evaluation tools for literary translation and the need to create new tools that do not frequently consider out of routine translations as errors.