Acoustic environments often contain multiple overlapping sound events, and the same acoustic scene can be described using diverse textual expressions, making audio-text alignment inherently ambiguous. This paper proposes a probabilistic audio-language pretraining framework to model many-to-many correspondence ambiguity in audio-text alignment. Unlike conventional contrastive methods that learn deterministic point embeddings, our approach represents each modality as a distribution and learns uncertainty-aware cross-modal alignment. Rather than relying on masking-based uncertainty simulation, we mix audio-text pairs to create overlapping sounds that better reflect real acoustic mixtures and capture semantic inclusion relations among sound events. We further introduce a multi-level inclusion loss to enforce representations consistent with these relations. Experiments on audio-text retrieval benchmarks show that the proposed method outperforms deterministic baselines.
Audio-text retrieval enables semantic alignment between audio content and natural language queries, supporting applications in multimedia search, accessibility, and surveillance. However, current state-of-the-art approaches struggle with long, noisy, and weakly labeled audio due to their reliance on contrastive learning and large-batch training. We propose a novel multimodal retrieval framework that refines audio and text embeddings using a cross-modal embedding refinement module combining transformer-based projection, linear mapping, and bidirectional attention. To further improve robustness, we introduce a hybrid loss function blending cosine similarity, L1, and contrastive objectives, enabling stable training even under small-batch constraints. Our approach efficiently handles long-form and noisy audio (SNR 5 to 15) via silence-aware chunking and attention-based pooling. Experiments on benchmark datasets demonstrate improvements over prior methods.
Audio-language models (ALMs) often follow text that conflicts with audio, even when the audio evidence is clear. This raises a basic question: is the audio-supported answer unavailable, or is it represented but overridden by the conflicting text? We examine this question using a same-audio counterfactual that keeps the audio fixed, removes only the conflicting text, and measures the resulting shift in model preference. Across five ALMs and four conflict tasks, 64.1% of conflict samples show a sign flip: the same-audio branch prefers the audio-supported answer, whereas the joint branch prefers the text-supported answer. This pattern suggests that the relevant audio evidence is encoded but loses in arbitration. Activation patching further localizes the reversal to answer-position computation, and patching effects closely track output candidate-score differences (Spearman rho=0.93). Using this diagnostic, we propose Gated Audio Counterfactual Logit Correction (GACL), a training-free decoding rule that interpolates between joint and same-audio scores. Under a strict 5 pp faithfulness-drop budget, GACL improves nAUC by 17.8 points over the best contrastive baseline and transfers without retuning to vision-text arbitration (up to +40.5 pp).
We propose HILBERT (HIerarchical Long-sequence Balanced Embedding with Reciprocal contrastive Training), a cross-attentive multimodal framework for learning document-level audio-text representations from long, segmented sequences in low-resource data settings. HILBERT leverages frozen pre-trained speech and language encoders to extract segment-level features, which are aggregated via cross-modal attention and self-attentive pooling to form modality-specific document representations and a joint cross-attentive embedding. To align modalities while preserving modality-specific structure under severe audio-text dimensional imbalance, we introduce a reciprocal dual contrastive objective that simultaneously aligns audio-to-joint and text-to-joint representations, rather than directly contrasting audio and text alone. Two auxiliary regularizers further stabilize long-sequence fusion: a Centered Kernel Alignment (CKA) loss that preserves structural consistency between each modality and the joint embedding, and a mutual information balancing loss that prevents dominance of a single modality by equalizing information flow from audio and text into the joint space. For downstream prediction, HILBERT employs a Mixture-of-Experts (MoE) classifier over concatenated audio, text, and joint representations to accommodate heterogeneous label regimes. Extensive evaluation across multiple audio-text backbone combinations demonstrates that HILBERT learns semantically meaningful long-sequence representations and achieves superior performance on highly imbalanced multi-class settings.
Habibeh Naderi, Behrouz Haji Soleimani, Stan Matwin