Crossing the Gender Binary: Modelling Gendered Reference in Science Fiction and General Fiction
Organizations: School of the Arts, Queen Mary University of London, Mile End Road, E1 4NS, London, United Kingdom · School of Electronic Engineering and Computer Science, Queen Mary University of London, Mile End Road, E1 4NS, London, United Kingdom · Cambridge Digital Humanities, University of Cambridge, 2 Trumpington Street, CB2 1QA, Cambridge, United Kingdom
Abstract
Science fiction is widely credited with unsettling gender. This article asks whether that holds at the linguistic level, in how readily gendered reference gives way to its counterpart, a neutral term, or other social category, and whether it separates the genre from general fiction. It does so by masking man/men, woman/women, and person/people across same-period science fiction and general fiction corpora and classifying RoBERTa's five likeliest substitutes by gender. Retention and displacement are permutation-tested over five resampling rounds, and the underlying sentences are read closely. Both corpora cross the gender binary in both directions, but unequally: where woman is masked, the model predicts a masculine term about twice as often as it predicts a feminine term where man is masked. Each mismatch marks a statistical surprise, a word the corpus did not expect there. Against this shared pattern, science fiction shows greater gender permeability than the general fiction corpus, placing man in feminine contexts more often than general fiction while the reverse rate holds steady. Its degendering tendency is stronger too, drawing both gendered terms toward the neutral. Beyond the binary, a masked woman also draws substitutes naming a social category and no gender far more often than a masked man does. In measuring the gender permeability of man, woman, and person in linguistic distribution and testing whether genre changes it, the study gives science fiction studies linguistic evidence for thematic claims and computational literary studies a pipeline applicable to other category vocabularies, such as race and class.
Figures & tables
| \toprule Corpus | Work | Sentence ([MASK] = man/men ) | Rank-1 prediction (p) |
| \midrule Gollancz | H. G. Wells, The First Men in the Moon (Wells 1901) | ‘the last [MASK] in the world’ | person (0.727) |
| Gollancz | James Morrow, This Is the Way the World Ends (Morrow 1986) | ‘there’s a limit to what one [MASK] can do’ | person (0.693) |
| Gollancz | Gene Wolfe, Shadow and Claw (Wolfe 1994) | ‘I was a whole [MASK] again’ | person (0.799) |
| NovelTM | Hugh Walpole, The Duchess of Wrexe (Walpole 1914) | ‘the first [MASK] who breaks her trust’ | person (0.819) |
| NovelTM | Arthur Christopher Benson, Father Payne (Benson 1916) | ‘If I see another [MASK] behaving well where I should behave ill’ | person (0.785) |
| NovelTM | Mary Fisher, The Treloars (Fisher 1917) | ‘the shavings of other [MASK]’s minds’ | people (0.989) |
| \toprule Corpus | Work | Sentence ([MASK] = woman/women ) | Rank-1 prediction (p) |
| \midrule Gollancz | Joseph O’Neill, Land Under England (O’Neill 1935) | ‘the type of [MASK] who would normally have an influence over him’ | person (0.868) |
| Gollancz | Philip K. Dick, The Three Stigmata of Palmer Eldritch (Dick 1965) | ‘the sort of [MASK] who has active imagination’ | person (0.699) |
| Gollancz | Karen Joy Fowler, Sarah Canary (Fowler 1991) | ‘[MASK] of a certain age are so prone to this’ | People (0.614) |
| NovelTM | Louis Joseph Vance, The Fortune Hunter (Vance 1910) | ‘one of those [MASK] who can rise to any emergency’ | people (0.621) |
| NovelTM | Martha Dickinson Bianchi, The Sin of Angels (Bianchi 1912) | ‘another sort of [MASK] who take it up because they are idle and miserable’ | people (0.670) |
| NovelTM | George Gibbs, Madcap (Gibbs 1913) | ‘the kind of [MASK] who seeks to pry into the affairs of other people’ | person (0.834) |
| \toprule Corpus | Work | Sentence ([MASK] = woman/women ) | Rank-1 prediction (p) |
| \midrule Gollancz | Olaf Stapledon, Sirius (Stapledon 1944) | ‘This quick-witted and sensitive young [MASK] taught biology, but was also a lover of literature’ | man (0.734) |
| Gollancz | Ursula K. Le Guin, The Word for World Is Forest (Le Guin 1972) | ‘In all the Forty Lands, [MASK] ran the cities and towns, and almost every town had a Men’s Lodge’ | men (0.747) |
| Gollancz | Christopher Priest, The Affirmation (Priest 1981) | ‘Two other young [MASK], both wearing the smart company outfit, were working behind desks: one was speaking on the telephone, the other was typing’ | men (0.685) |
| NovelTM | Edward S. Moffat, Hearts Steadfast (Moffat 1915) | ‘You are a [MASK] whose mind deals in big things first, and you’d go through hell fire to do them’ | man (0.647) |
| NovelTM | Jerome K. Jerome, All Roads Lead to Calvary (Jerome 1919) | ‘Clever, brilliant young [MASK], accustomed to sweep aside all opposition with a blaze of rhetoric’ | men (0.610) |
| NovelTM | Meredith Nicholson, Blacksheep! Blacksheep! (Nicholson 1920) | ‘Dr. Reynolds is a skilful young [MASK], and of course Isabel and Ruth are strong, vigorous girls’ | man (0.702) |
Computational Literary Studies
Computational Literary Studies uses data analysis and language technologies to examine literary style, themes, narratives, influence, and change.
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