Video Frame Interpolation

Digital zoom transitions between dual cameras often exhibit conspicuous discontinuities in geometric structure and chromatic consistency, degrading the user experience. While recent dual-camera smooth zoom (DCSZ) methods attempt to mitigate this by fine-tuning frame interpolation (FI) models on DCSZ data, they struggle with the large cross-view disparities and complex geometric transformations. Considering that the generative prior of diffusion models is suitable for addressing this problem, we explore their application to DCSZ. However, naively applying existing diffusion-based FI models still yields low-fidelity transitions due to insufficient conditional guidance, high-frequency information loss during VAE encoding, as well as inadequate temporal consistency. To address this, we propose ZoomDiff, a high-fidelity diffusion model that leverages dual-camera inputs in both latent and pixel spaces for photo-realistic transitions. Specifically, we first strengthen dual-image conditional guidance during the multi-step denoising process to improve geometric consistency. Then we inject flow-aligned multi-scale features from the VAE encoder into the VAE decoder to recover high-frequency details, where flow-guided temporal consistency supervision are introduced to produce more smooth transitions. Extensive experiments on both synthetic and real-world datasets demonstrate that ZoomDiff outperforms state-of-the-art methods quantitatively and qualitatively. Project page: https://jiayi-hit.github.io/ZoomDiff.github.io/.

In frame interpolation tasks, motion ambiguity in the training set causes models to generate blurry intermediate frames. Moreover, the assumption of uniform motion between frames during inference further leads to inaccuracies in the generated intermediate frames. To tackle these challenges, we propose an Accurate motion estimation algorithm with Bézier Control point, ABC-Inter, for efficient frame Interpolation. Specifically, ABC-Inter designs an Accurate Flow estimation Module (AFM) by decoupling two-frame features and mapping to corresponding coordinates to better estimate the optical flow between the two frames. Furthermore, ABC-Inter eliminates motion ambiguity in the training set by introducing Bézier control points that are computed using the input frames and the intermediate ground-truth (gt) frames. This allows the model to estimate accurate optical flow between two frames during the training process, thereby solving the blurriness problem in the generated intermediate frames during inference. Benefiting from the more accurate flow estimation between two frames, we can introduce additional frames and directly use multiple flows to calculate Bézier control points for modeling non-uniform motion without retraining the model. Simultaneously, to realize the estimation of non-linear motion using only two frames, we also introduce a new Bézier control point estimation module which achieves better motion estimation between the two frames by performing fine-tuning on the model in the second stage. Experimental results demonstrate that our ABC-Inter achieves state-of-the-art performance on multiple benchmark datasets and exhibits excellent visual perception.

We propose Symmetric Nonlinear Motion-guided Generative Video Frame Interpolation (SNM-VFI), a training-free framework for motion-controllable generative video frame interpolation with pre-trained optical flow and video diffusion models. Unlike conventional diffusion-based VFI methods that synthesize intermediate frames from random noise, SNM-VFI guides the generative process with correspondence-aware frames produced by a symmetric nonlinear motion model. Specifically, we first utilize a pre-trained optical flow model to construct multi-frame nonlinear flow-based intermediate frames and confidence maps. These flow-guided frames are then encoded as latent priors to initialize and iteratively guide a pre-trained Video Diffusion model, enabling the diffusion model to preserve dense motion correspondence while improving perceptual realism. To further enhance output quality, we employ confidence maps to fuse structurally reliable flow-based predictions with diffusion-generated details in uncertain regions such as occlusions and object boundaries. Extensive evaluations on challenging benchmarks, including DAVIS, Sintel, and KITTI, demonstrate that SNM-VFI achieves strong perceptual quality, competitive reconstruction accuracy, and robust temporal coherence across diverse motion scenarios.

Latent diffusion models have recently advanced video frame interpolation by synthesizing intermediate frames between input images. However, handling large temporal gaps and complex motion remains challenging, often resulting in motion blur, structural distortions, and temporal inconsistencies. Event cameras provide high-temporal-resolution motion cues that are well suited for bridging these gaps and improving interpolation quality. To exploit this advantage without training an event-assisted model from scratch, we propose an adapter-based framework that incorporates event-derived cues into a pre-trained image-to-video diffusion model with minimal architectural changes. Specifically, our method leverages Image Warped Events (IWEs) and bidirectional sparse optical flow to provide spatially and temporally aligned guidance during generation. By injecting these event-guided structural and motion cues into the diffusion process, our approach reduces interpolation artifacts and improves both reconstruction fidelity and temporal coherence. Experimental results on real and synthetic benchmarks show that our method consistently outperforms existing state-of-the-art approaches. The project page is at https://joseph-lin-tech.github.io/BridgeEventDiT-VFI/.

Many flow-based video frame interpolation (VFI) methods synthesize an intermediate frame by estimating optical flow fields, warping the two input frames, and blending the warped observations. These latent flow fields are typically learned through image-level reconstruction supervision without direct flow annotations. In ambiguous regions containing repetitive or stochastic textures, rotating symmetric structures, or fast motion with blur, the matching evidence for a single query may contain multiple comparable and spatially separated peaks. Although the ground-truth intermediate frame provides indirect supervision, it may not uniquely identify the latent correspondence in ambiguous regions.When several locations provide multiple plausible matches, a single-flow estimator can retain only one displacement and discard the remaining candidates. If the selected match is incorrect or inconsistent with those of neighboring pixels, warping samples content from mismatched locations, producing ghosting, structural distortion, or blur.To address this limitation, we propose a multiple hypothesis flow estimation framework that preserves top-K candidate correspondences and selects one per location through a reliability-guided router. Each hypothesis is initialized from a coarse matching anchor and refined separately through anchor-centered local attention. Frame synthesis is thus conditioned on one selected flow-appearance hypothesis rather than a soft combination of candidate motions.Experiments on the proposed MA-HD benchmark and public VFI benchmarks show that our method achieves the best LPIPS and DISTS among the compared methods.

This paper addresses the problem of omnidirectional video interpolation, which plays an essential role in applications such as virtual reality and immersive video enhancement. Existing video interpolation methods are not well-suited for spherical videos, as they have difficulty handling severe distortions close to the poles. To address this issue, we propose SVI360, a dual-branch framework that combines the image frame and its rotated orthogonal view to deal with these distortions. The core methodological aspect of the approach is to reinforce equivariance of the flow displacements between the original and orthogonal views to improve intermediate frame prediction. Experiments show that our method outperforms state-of-the-art approaches in interpolation quality while maintaining accurate optical flow in four different public benchmarks. Code and pre-trained models are available at: https://icb-vision-ai.github.io/video360_interpolation/

Recovering high-quality video from sparse event streams is a challenging task. Regression methods often blur textures, while existing generative models struggle with long-term stability. We propose LongE2V, a novel approach that leverages pre-trained video diffusion priors to jointly handle event-based video reconstruction, prediction, and frame interpolation. By fine-tuning a foundational video model, our approach achieves high data efficiency and superior perceptual quality. We introduce Autoregressive Unrolling and Adaptive Context Switching to mitigate temporal drift in extremely long sequences. We also propose Reencoding Alignment with Cross Residual Correction to ensure precise bidirectional consistency during frame interpolation. Furthermore, Event Voxel Density Augmentation ensures robustness across varying sensor resolutions. Extensive experiments on real-world benchmarks demonstrate that LongE2V outperforms state-of-the-art methods across all three tasks, exhibiting exceptional temporal coherence and zero-shot generalization. Project page: https://cdfan0627.github.io/LongE2V-page/

Vertigo Vertigo is a scene-for-scene AI reconstruction of Hitchcock's Vertigo (1958), generated from only 2.78% of the original film's frames. Using this sparse set of keyframe anchors, we perform first-last frame interpolation via a large video diffusion model to predict the intervening sequences. Vertigo is itself a film about the obsessive reconstruction of an artificial ideal; Vertigo Vertigo extends this logic to the material of the film, treating the canonical text as a probe for the normative conventions of classical cinema encoded within generative systems. Evaluated through computational analysis and critical feedback from media theorists (Lev Manovich, Shane Denson, Kevin L. Ferguson), the artifact demonstrates remarkable structural fidelity: 73.1% of frames are recognizable as plausible renditions of Vertigo and only 3.6% fail catastrophically. This fidelity suggests that cinematic norms are deeply compressed within the model's latent priors. Aesthetically, the reconstruction is rendered as an unstable overlay between the original film and its predictive shadow, fueling a persistent doubt in the viewer's perception of authenticity -- a 21st-century vertigo. The work argues that generative media is not a paradigm shift from cinema but an acceleration of its logic of desire and false authenticity, extending from classical Hollywood through to the predictive media environments now reshaping contemporary perception.

Video frame interpolation (VFI) remains a challenging task, particularly when dealing with large, non-linear motions and complex occlusions. While flow-based methods are prevalent, they often struggle with ambiguous correspondences. Recent VFI methods based on selective State Space Models (SSMs) are still limited by static grid-based scanning that misaligns with physical motion. In this paper, we propose Motion-Aligned Selective Scan (MASS), a novel framework that reformulates feature scanning from static spatial grids to dynamic motion trajectories. MASS builds a feature sequence along each pixel's flow-guided trajectory and aggregates it with an SSM. Specifically, we introduce a learnable non-linear path integration to approximate complex curved trajectories via residual velocity updates, and a velocity-aware SSM that dynamically adjusts the sampling budget and step size based on motion magnitude. This adaptive strategy allocates denser sampling to fast-motion regions while keeping static regions efficient. Furthermore, the aggregated states guide a refinement module to rectify intermediate flows and masks in an end-to-end manner. Extensive experiments indicate that MASS achieves highly competitive overall performance on standard benchmarks, establishing state-of-the-art results particularly in challenging scenarios with large displacements and complex dynamics.

High frame-rate RGB-D videos are crucial for a variety of downstream tasks, including motion analysis, dynamic scene understanding, and 3D reconstruction. However, due to hardware and sensing constraints, practical RGB-D cameras are typically limited to low frame rates, making it difficult to capture rapid scene dynamics. Existing video interpolation methods have achieved strong performance on RGB data, but they are not readily applicable to RGB-D scenarios, where they often yield blurry boundaries, visible artifacts, and degraded geometric consistency. Furthermore, motion estimation from only two boundary frames is inherently under-constrained in complex dynamic scenes. Event cameras, by contrast, provide asynchronous measurements with ultra-high temporal resolution, offering dense motion cues. In this paper, we propose a unified multimodal framework for RGB-D video interpolation that jointly exploits RGB appearance, depth geometry, and event-based temporal cues. Specifically, it first extracts and fuses RGB, depth and event cues, then estimates bidirectional flow with motion basis refinement for RGB and Z-axial refinement for depth, and finally synthesizes the target RGB-D frame via bidirectional warping and soft blending. In addition, we construct a new RGB-D-Event dataset to alleviate the scarcity of tri-modal training data. Extensive experiments on a public benchmark and the proposed dataset demonstrate that our method achieves superior photometric fidelity for RGB interpolation and stronger geometric accuracy for depth interpolation than existing approaches.

Embodied world models have emerged as a promising paradigm in robotics by predicting how robot actions affect the surrounding scene. However, the rollout inference remains computationally expensive in pixel space, as long-horizon manipulation videos typically have to be generated frame by frame. This cost cannot be easily reduced by indiscriminately dropping frames, since downstream policies rely on complete preservation of sparse task-relevant events such as approach, contact, grasp, and release. To address this challenge, we propose Sparse Keyframe Interpolation Paradigm (SKIP), an event-preserving sparse-to-dense framework that avoids dense frame-by-frame generation. SKIP first identifies task-relevant keyframes by leveraging robot-aware multimodal features. It then synthesizes only these keyframes with a sparse video diffusion model. A learned gap predictor and an action-conditioned interpolator subsequently reconstruct the missing intervals according to the robot actions. On LIBERO, SKIP generates dense rollouts $4.16\times$ faster than a dense baseline while improving visual fidelity and reducing aggregate FVD by $89.0\%$. Importantly, SKIP-generated videos are effective policy-training data. Even when they fully replace real demonstrations, $π_{0.5}$ success drops only $1.3$ pp in LIBERO simulation and $6.7$ pp on the real robot, whereas fully dense frame-by-frame generation collapses by $48$ to $58$ pp.

In the era of Large Video-Language Models (LVLMs), the computational necessity of sparse frame sampling creates a fundamental ``temporal gap'', rendering models blind to critical causal transitions. Existing solutions relying on generative hallucination (e.g., latent diffusion) or autoregressive extrapolation often fail to maintain semantic consistency over long horizons, suffering from object vanishing and energetic instability. We propose a paradigm shift from probabilistic generation to variational mechanics with the \textbf{Semantic Least Action Principle (SLAP)}. Drawing a rigorous isomorphism between classical mechanics and semantic dynamics, we model the latent video trajectory as a path on a Riemannian manifold governed by a Semantic Lagrangian. By formulating the interpolation task as a Boundary Value Problem (BVP) solved via the discrete Euler-Lagrange equations, SLAP naturally enforces object persistence without pixel-level rendering. Extensive experiments show the effectiveness of our proposed SLAP.

This paper addresses the problem of reconstructing missing or dropped frames in top-down drone video of autonomous surface vehicles performing structured maritime manoeuvres. We propose a pipeline that converts raw GPS telemetry and a single reference frame into a trajectory-guided video sequence using a pre-trained image-to-video diffusion model, requiring no domain-specific fine-tuning. GPS coordinates from onboard telemetry logs are projected into image space via an equirectangular mapping, producing per-vessel motion cues that condition the SG-I2V diffusion model. The generated frames are evaluated against ground-truth video using perceptual, temporal and trajectory-based metrics, and benchmarked against optical flow extrapolation and RIFE interpolation baselines. SG-I2V produces the most naturally appearing frames among all methods (BRISQUE 25.52, closest to ground-truth 23.64), the most realistic motion magnitude (temporal smoothness 1.14 vs. ground truth 1.42), and the strongest GPS trajectory adherence (9.31px vs. 28.70px for ground-truth, the latter reflecting approximate temporal alignment between footage and GPS logs rather than generation error), demonstrating that trajectory-guided diffusion synthesis is a viable approach to maritime video reconstruction under challenging low-texture, small-object conditions.

3D Gaussian Splatting (3DGS) enables high-quality real-time 3D rendering but faces challenges in efficiently scaling to ultra-dense scenes and high-resolution due to computational bottlenecks that limit its use in latency-sensitive applications. Instead of optimizing the splatting pipeline itself, we propose \textbf{3DGS$^3$}, a unified post-rendering framework that jointly performs super sampling and frame interpolation through differentiable processing of low-resolution outputs to achieve both high-resolution and high-frame-rate rendering. Our \textbf{Gradient- -Aware Super Sampling (GASS)} module leverages the continuous differentiability of 3DGS to extract image gradients that guide a GRU-based refinement network to enable high-fidelity super sampling. Furthermore, a \textbf{Lightweight Temporal Frame Interpolation (LTFI)} module based on a compact U-Net-like backbone fuses temporal and differentiable spatial cues from consecutive frames to synthesize temporally coherent intermediate frames. Experiments on public datasets demonstrate that 3DGS$^3$ achieves superior rendering efficiency and visual quality when compared with state-of-the-art methods and remains compatible with existing 3DGS acceleration techniques. The code will be publicly released upon acceptance.

Reconstructing high-fidelity fluid dynamics from sparse temporal observations is quite challenging, mainly due to the chaotic and non-linear nature of fluid transport. Standard deep learning-based interpolation methods often tend to regress to the mean, which results in spatial blurring and temporal strobing, especially noticeable around the observed anchor frames where transitions become discontinuous. In this work, we propose a novel Temporal U-Net architecture that integrates a VGG-based perceptual loss along with a Physics-Informed Bridge to overcome these issues. By introducing time-weighted feature blending and enforcing a parabolic boundary condition defined by t(1 - t), the model ensures smooth transitions while also maintaining perfect consistency at the endpoints. Experimental results on multi-channel RGB fluid data show that our method clearly outperforms standard models, both in terms of structural fidelity and texture preservation. In particular, the model achieves a Mean Absolute Error of 0.015, compared to 0.085 for a standard L1 baseline. Further Spatial Power Spectral Density (PSD) analysis reveals that the model is able to retain high-frequency turbulent details that are usually lost in deterministic reconstructions.

Event cameras excel at high-speed, low-power, and high-dynamic-range scene perception. However, as they fundamentally record only relative intensity changes rather than absolute intensity, the resulting data streams suffer from a significant loss of spatial information and static texture details. In this paper, we address this limitation by leveraging the generative prior of a pre-trained video diffusion model to reconstruct high-fidelity video frames from sparse event data. Specifically, we first establish a baseline model by directly applying event data as a condition to synthesize videos. Then, based on the physical correlation between the event stream and video frames, we further introduce the event-based inter-frame residual guidance to enhance the accuracy of video frame reconstruction. Furthermore, we extend our method to video frame interpolation and prediction in a zero-shot manner by modulating the reverse diffusion sampling process, thereby creating a unified event-to-frame reconstruction framework. Experimental results on real-world and synthetic datasets demonstrate that our method outperforms previous reconstruction approaches on most quantitative metrics and achieves superior qualitative results, while achieving competitive zero-shot performance compared with dedicated methods explicitly trained for interpolation and prediction tasks. We also refer the reviewers to the video demo contained in the supplementary material for video results. The code will be publicly available at https://github.com/CS-GangXu/UniE2F.

Event-based scene synthesis reconstructs target RGB frames from sparse image observations and asynchronous event streams, encompassing both video frame prediction and interpolation. Existing event-based synthesis methods commonly estimate optical flow to warp the observed frames toward the target time, but are vulnerable to inaccurate flow under large motion and occlusion and often rely on flow supervision or pretrained estimators. In this work, we propose EvFRA, an Event-based scene synthesis framework based on inter-Frame Residual Alignment. We identify a structural correspondence between event measurements and frame-to-frame scene changes, and exploit this correspondence for target frame synthesis. Our training pipeline consists of two stages: 1) an Event-to-Residual Alignment Variational Autoencoder (ER-VAE) aligns the event frame captured between the anchor and target frames with the corresponding inter-frame residual, and 2) a ControlNet-conditioned diffusion model is fine-tuned to denoise the residual latent using event data. Our method outperforms state-of-the-art methods by up to 2.61 dB and 1.85 dB in PSNR for frame prediction and interpolation, respectively, with consistent SSIM improvements. Code is available at https://github.com/jiyun-kong/EvFRA.