Sep 28, 2026, cs.AIJ/K move · Enter open · S save
Josef Pavlíček, Petra Pavlíčková, Irena Štrausová
Faculty of Information Technology, CTU, Thákurova 9, Prague 6, 160 00, Czech Republic · University of South Bohemia in České Budějovice, Faculty of Economics, Department of Applied Mathematics and Informatics, Branišovská 1645/31a, České Budějovice, Czech Republic
Contemporary AI-based music generation can produce compositions that satisfy formal requirements of tonality and musical coherence. However, whether musical expression can be described by mathematical properties alone remains a fundamental question. Human composers operate within personal and cultural contexts that influence harmonic decisions and deliberate departures from established patterns. This study investigates six narrative-driven popular songs by Bob Dylan, Johnny Cash, and Ritchie Valens. Original human harmonies are compared with outputs of an explainable computational harmonizer operating on the same melodies without access to the original chord progressions. We examine harmonic vocabulary, functional persistence, repetition, non-diatonic events, and tension-resolution patterns using Chord Wheel Diagrams and BPMN-based representations. Results show that high melody-chord compatibility does not necessarily imply preservation of the original human harmonic decision pattern. Some generated harmonizations retain the economical structure of the reference, while others alter harmonic diversity or suppress distinctive events while remaining compatible with the melody. Rather than quantifying artistic quality, the study introduces narrative-conditioned harmonic structure as a complementary perspective for computational music analysis. The findings suggest that generative systems may benefit from modeling not only harmonic correctness, but also structural identity, context, and human compositional intention.