Audio-Visual Synchronization

Follow this topic Ask about this topic

Momentum

10 papers in the last four weeks, against 2 the four weeks before. 0.1% of all new papers.

Jul 13Week of Sep 28

Latest papers 42

Oct 6, 2026cs.CV

PVSync: A Unified Lip-Sync Expert for Timing and Articulation

Lip movements can match the timing of speech without matching the spoken sounds. We introduce PVSync, a unified model for audio-visual offset estimation and phoneme-level articulation scoring. PVSync combines window-level contrastive learning for synchronisation with a phoneme-level articulation objective that aligns audio and video embeddings of the same viseme class across clips. Visemes group phonemes with similar visible articulation. Viseme labels are derived automatically from forced-aligned transcripts, without manual annotations. On offset-corrected videos from 13 talking-head video generation models, PVSync matches human rankings of lip-sync quality more closely than LSE-C, achieving a Spearman correlation of 0.83 versus 0.34. On an automatically constructed benchmark from held-out speech, PVSync distinguishes viseme-matched from mismatched audio-visual pairs with an ROC AUC of 0.91. PVSync also outperforms SyncNet and MTD-VocaLiST in temporal offset recovery on held-out in-the-wild clips. Code and benchmark data will be released upon acceptance.

Kevin Stephen, Varun Menon, Timo Mertens +1

University of Southern California · Cantina Inc.

Audio-Visual Synchronization Audio-Visual Representation Learning

Oct 4, 2026cs.CV

Kandinsky 6.0 Video: Foundation Models for Synchronized Video and Audio Generation

We present Kandinsky 6.0 Video, a family of foundation diffusion models for synchronized text-to-audio-video generation, comprising Kandinsky 6.0 Video Lite (3B parameters) and Kandinsky 6.0 Video Pro (29B parameters). Both models generate 5-second video clips with synchronized 44 kHz audio, including lip-sync, in text-to-audio-video (T2AV) and image-to-audio-video (I2AV) modes; a built-in super-resolution model raises the output resolution to Full-HD (1920

\times

1080). Building on the video generation capabilities of Kandinsky 5.0, Kandinsky 6.0 Video employs a dual-stream CrossDiT architecture that connects a pretrained video stream and a newly trained audio stream through bidirectional cross-attention for temporal and semantic alignment. Our continuous pretraining strategy first trains the audio stream from scratch on large-scale audio corpora and then trains both streams jointly on paired audio-video data while preserving unimodal fidelity; pretraining is followed by supervised fine-tuning, reinforcement-learning-based post-training, and distillation. In side-by-side human evaluation, Kandinsky 6.0 Video Pro clearly outperforms its predecessor, Kandinsky 5.0 Video Pro, and remains competitive with leading audio-video generation models, particularly in speech quality. To accelerate open research and deployment in multimedia generation, we release the code, model checkpoints, and diffusers integration under the MIT license.

Team Kandinsky, Julia Agafonova, Bulat Akhmatov +85

Audio-Video Generation Video Diffusion Models Text-to-Video Generation Audio-Visual Synchronization

Sep 30, 2026cs.CV

Align Then Reason: A Multimodal Lip-Sync Judge for Dubbing

Dubbing quality control requires a reference-free judge that can determine whether a candidate text line matches a speaker's visible articulation in both content and timing, using only silent video and text because dubbed audio may not yet exist. Existing visual speech recognizers and video-language models are poorly suited to this setting: even when fine-tuned to recover spoken content from lip motion, they remain largely insensitive to temporal errors. We introduce

\textit{Align Then Reason}

(ATR), a multilingual lip-sync judge that first establishes a monotonic alignment between frame-level lip representations and the phonetic units of the candidate line, then reasons over this alignment to make the final judgment. An alignment scorer provides the LLM with both local evidence for each phonetic unit and a calibrated global alignment score, enabling it to reason jointly about content and timing. On a seven-language benchmark, our method improves mean AUC over the corresponding Qwen3.5 SFT baselines by 59.4%, 50.2%, and 50.8% with 2B, 4B, and 9B reasoners, respectively. The gains generalize across LLM families, reaching mean AUC improvements of 45.9% and 46.6% over the best baseline for LLaMA-3.1-8B and Mistral-7B, respectively. They also transfer across datasets to three unseen MuAViC languages. Furthermore, we evaluate on two downstream tasks built from real dubbing lines. On dub-line reranking, ATR-9B outperforms the best lip-reading baseline by 52.0%, while on script-to-clip assignment, ATR-9B improves over the best lip-reading baseline by 17.7%.

Rui Liu, Bhavin Jawade, Haoqi Li +4

University of Maryland, College Park · Netflix

Audio-Visual Synchronization Audio-Visual Alignment

Sep 30, 2026cs.CV

Soundwich: Video Generation with Layered and Controllable Audio

Recent joint audio-video generative models can synthesize realistic videos with synchronized sound, but typically generate audio as a single mixed track. This limits source-level control and differs from practical audiovisual workflows, where speech, music, sound effects, and ambient sounds are represented as separate editable tracks. We introduce Soundwich, a training-free framework that transforms a frozen joint audio-video flow-matching model into a generator of multiple synchronized, independently editable audio stems coupled to a shared video. Soundwich generates separate audio stems with explicit control over their temporal activity. To keep separately generated sounds coherent, we introduce a shared scene representation that communicates global audiovisual context across stems while preserving their source-level separation. We further route cross-modal interactions between each audio stem and its corresponding visual source, improving audiovisual consistency. The resulting stems remain synchronized with the video and can be independently retimed, muted, replaced, or remixed. Experiments and human evaluations show improved temporal control, source separation, and naturalness, while enabling flexible source-level editing within coherent audiovisual generation. Code is available at https://github.com/CodyNing/Soundwich.

Zhuo Ning, AmirHossein Naghi Razlighi, Sagi Polaczek +2

Simon Fraser University · University of Cyprus · CYENS Centre of Excellence +1

Audio-Video Generation Audio-Visual Synchronization Audio-Visual Alignment

Sep 29, 2026cs.CV

HelixWorld: A Real-time Interactive Audio-Visual World Model

World simulation is inherently multisensory, demanding synchronized visual and acoustic dynamics in real time. Yet prevailing interactive world models remain strictly silent, focusing exclusively on visual rendering and control while overlooking the acoustic dimension. We present HelixWorld, a real-time interactive audio-visual world model where visual scenes and camera-grounded spatial stereo sound co-evolve natively under user interaction. We curate a high-fidelity spatial audio-visual dataset with true stereo acoustics and metric camera poses, upon which we pre-train a bidirectional teacher conditioned on 6-DoF camera trajectories and user actions. To enable low-latency causal interaction, we distill the teacher into a few-step streaming student via an online trajectory distillation loss, sustaining drift-free joint audio-visual rollouts at 24 FPS on a single GPU. Furthermore, we formalize spatial-acoustic consistency and introduce HelixBench to evaluate whether synthesized sound fields faithfully track dynamic viewpoint motion. Extensive experiments demonstrate that HelixWorld matches state-of-the-art silent world models in visual fidelity and responsiveness, while significantly surpassing existing baselines in camera-aligned spatial-acoustic immersion.

Lei Ke, Jiahao Pan, Zeyue Tian +13

The Hong Kong University of Science and Technology · Noiz AI

World Model Learning Real-Time Interactive Video Generation Audio-Visual Synchronization Spatial Audio World Model Evaluation Interactive World Models

Sep 29, 2026cs.CV

Beyond Lip Sync: Reference-Grounded Oral Refinement for Audio-Driven Portrait Animation

We present RGOR (Reference-Grounded Oral Refinement), an audio-driven lip-sync framework that renders the mouth of the specific person being dubbed rather than a generic one. Existing lip-sync systems follow the audio closely and keep the face recognizable, yet the mouth they render is an average mouth: the shape and texture of the lips, the arrangement of the teeth, and how much of them shows as the mouth opens are not that person's. The problem persists because nothing in current training or evaluation asks for the person's own mouth: perceptual losses accept any plausible mouth, face identity is carried mostly by the skin around it, and the released inference code of inpainting systems uses the unmasked target frame as the reference, which hides the gap. To address this, RGOR conditions every generated frame on frames from separate enrollment recordings of the same person and on HD patches of the mouth that bypass the VAE, and trains the generator against a paired judge that compares each rendered mouth with the person's reference and learns to reject a realistic mouth of someone else. We further build an evaluation protocol and use it to compare open-source and commercial lip-sync systems on held-out identities. Experiments show that RGOR achieves the best or second-best result on most metrics, and preserves the person's own lip and dental detail while keeping synchronization and the rest of the face intact.

Bangxun Tang

University of California, Irvine

Audio-Visual Synchronization Audio-Driven Facial Animation

Sep 29, 2026cs.CV

BeatDance: Generating Beat-Consistent 3D Dance with Hierarchical Spatial-Temporal Modeling

Generating realistic 3D dance from music is a challenging task that requires accurate synchronization with musical rhythms while capturing the spatial complexity of human motion. Although existing methods can generate physically plausible dance motions, they often struggle to achieve precise alignment with music, such as the beat. To address this limitation, we propose a novel diffusion-based framework, BeatDance, with two components: 1) We present a Hierarchical Decoupled Attention (HDA) module, which first disentangles the learning of human pose and temporal dynamics. A hierarchical structure is then employed to capture both short-term and long-term dependencies, thereby enhancing spatial-temporal modeling. 2) We adopt cycle-consistent learning by introducing an auxiliary dance-to-music module. During training, discrepancies between the reconstructed and original music induce a stronger loss signal, effectively encouraging the consistency property between the music and dance motion. Extensive experimental results demonstrate that our proposed approach outperforms recent competitive methods on two benchmark datasets.

Xiaojian Shen, Dahu Shi, Jianrong Zhang +7

College of Software, Jilin University, Changchun, 130012, China · College of Computer Science and Technology, Zhejiang University, Hangzhou, 310007, China · ReLER, AAII, University of Technology Sydney, Sydney, Australia +5

Human Motion Generation Audio-Visual Synchronization Diffusion Models

Sep 28, 2026cs.CV

SyncRA: Learning Temporal Correspondence in Omni-Modal Models

Recent omni-modal models demonstrate strong perception of audio and visual inputs, yet often struggle to connect what they hear with what they see at the same moment. This weakness in temporal correspondence can cause models to associate spoken cues with the wrong visual scenes, producing plausible answers grounded in incorrect audio-visual pairings. We diagnose this problem through controlled temporal swaps, revealing that model answers do not reliably follow changes in these pairings. To address it, we propose Synchrony-Guided Representation Alignment (SyncRA), a lightweight method for strengthening temporal correspondence between audio and vision. Specifically, SyncRA contrasts intermediate audio-visual representations within each video, aligning matching moments while separating mismatched ones to capture local temporal correspondence within a shared global context. The objective derives supervision directly from existing input timing, requiring no additional annotations and leaving inference unchanged. We evaluate SyncRA across four open omni-modal models spanning different sizes and architectures on five public video benchmarks. SyncRA consistently outperforms answer-only fine-tuning across all model-benchmark combinations, while substantially improving the ability to track changing audio-visual pairings in controlled evaluations. These results demonstrate that lightweight, targeted supervision can effectively strengthen temporal correspondence and translate into broad improvements in audio-visual question answering.

Zelong Xu, Yan Li, Wenhe Hu +1

University of Wisconsin–Madison · University of Alberta · Arizona State University

Audio-Visual Representation Learning Audio-Visual Synchronization Audio-Visual QA Audio-Visual Alignment Multimodal Contrastive Learning

Sep 24, 2026cs.CV

ComplexSync: High-Fidelity and Real-Time Lip Sync in Complex Scenarios

Lip synchronization aims to generate visual lip dynamics that align precisely with speech audio. Despite the high generation quality of diffusion models, they often struggle in complex scenarios and suffer from prohibitive inference latency, limiting real-world deployment. We present ComplexSync, a unified diffusion-based framework that enables real-time, high-fidelity lip sync under complex conditions. First, we introduce a dual-stream joint training strategy to mitigate information leakage from reference frames while preserving natural dynamics. Second, we develop a distillation-based acceleration scheme for single-step denoising, achieving a throughput of over 70 FPS. Third, we propose a relational alignment loss that leverages structural priors from Vision Foundation Models (VFMs) to enhance robustness against complex scene factors. Furthermore, we present the first benchmark specifically designed for complex lip synchronization, comprising over 200 challenging video sequences and specialized metrics. Extensive experiments demonstrate that ComplexSync achieves state-of-the-art performance across both standard and complex scenarios while enabling real-time inference.

Jiaran Cai, Xingpei Ma, Shenneng Huang

Guangzhou Quwan Network Technology

Video Diffusion Models Audio-Visual Synchronization Audio-Driven Facial Animation Diffusion Model Inference Acceleration

Sep 22, 2026eess.AS

Not Quite My Tempo: Voice Activity-aware Speech Synthesis for Lip-Synchronous Dubbing

Automatic lip-synchronous dubbing requires a speech synthesis model to generate alternating voice and silence patterns in the target language that match the timing of the source clip precisely to ensure an optimal viewing experience. Prior works address this problem by conditioning the speech synthesis process on lip movements extracted from the video signal. In this work, we condition the speech generation on a binary voice-activity signal, which has a lightweight representation and can be produced in multiple ways. We show that the model follows the voice-activity signal with high accuracy while maintaining natural prosody and semantically appropriate pause placement within sentences, as demonstrated through extensive objective and subjective evaluations. By randomly masking this condition during training, we make the feature entirely optional during inference, allowing editors to enforce or relax lip-sync constraints when desired.

Alejandro Pérez-González-de-Martos, Florian Lux, Angelina Elizarova +3

AppTek GmbH, Germany

TTS Synthesis Audio-Visual Synchronization Controllable Speech Generation

Sep 17, 2026cs.CV

AVTrace: Diagnosing Audio-Visual Temporal Reasoning in Omni Models

Omni models can describe video content, but can they locate events in time, preserve event order, and judge audio-visual synchronization? We introduce AVTrace (Audio-Visual Temporal Reasoning Assessment and Capability Evaluation), a silver-standard diagnostic suite spanning onset and span grounding, synchronization, next-step prediction, cross-modal localization, chain parsing, and event-conditioned comprehension. It contains 34,114 training examples and category-balanced development and test splits of 3,500 and 7,000 examples. We evaluate five open omni models under their respective input configurations using reference-blind response normalization followed by deterministic scoring. All five off-the-shelf systems score below the test split's majority-label baseline of 0.556 on synchronization verification, and obtain low scores on chain parsing and event-conditioned grounding and comprehension. Development-set perturbations reveal task-dependent sensitivity in Qwen3-Omni-30B to modality removal and changes in visual input processing, without isolating their underlying causes. Parameter-efficient temporal post-training improves Gemma4-E4B-it on several benchmark metrics. On three external image benchmarks, task metrics change modestly, including some degradations, while teacher-forcing perplexity decreases. Together, these findings show that semantic reference-text overlap should not be treated as a proxy for temporal localization, and that AVTrace can identify task-specific weaknesses while providing a testbed for temporal post-training.

Longyin Zhang, Parth Sakhare Mahendra, Chengwei Wei +4

Institute of Advanced Intelligence and Computing (IAIC), A*STAR, Singapore · Centre for Frontier AI Research (CFAR), A*STAR, Singapore

Temporal Video Grounding Audio-Visual Understanding Audio-Visual Synchronization Multimodal Model Evaluation

Aug 12, 2026cs.CV

HarmoniDPO: Video-guided Audio Generation via Preference-Optimized Diffusion

Video-to-audio (V2A) generation faces significant challenges in achieving precise temporal synchronization and high perceptual quality due to the complex, ambiguous relationship between visual and auditory cues. Existing methods typically compress video inputs into single feature representations, leading to significant loss of temporal dynamics and fine-grained visual information. These approaches also rely on reconstruction-based training objectives that poorly correlate with human perceptual judgments of audio quality and appropriateness. We propose HarmoniDPO, a novel framework that integrates preference-based optimization into diffusion-based V2A generation to address these limitations. (1) Our approach leverages a dual video representation: combining global context with frame-wise features to preserve temporal dynamics and semantic detail. (2) Inspired by reinforcement learning from human feedback (RLHF), HarmoniDPO employs online Direct Preference Optimization (online-DPO) to fine-tune a diffusion-based V2A model from preference judgments, enhancing perceptual quality and alignment. (3) Additionally, we introduce Dual-scale Diffusion Search (DDS), a test time scaling algorithm that adaptively optimizes output fidelity during inference. Experiments demonstrate that HarmoniDPO outperforms state-of-the-art methods in audio-video synchronization and subjective audio quality, offering a robust solution for generating realistic, human-preferred audio from video.

Wenshuo Peng, Kaipeng Zhang

Electornic Engineering Department, Tsinghua University, Haidian District, Beijing, 100084 China. · OpenGVlab, Shanghai AI Laboratory, Xuhui District, Shanghai, 200030, China.

Audio-Video Generation Audio Diffusion Models Audio-Visual Synchronization

Aug 12, 2026cs.CV

UniSwap: Streaming Audio-Visual Identity Swapping for Talking Videos

Talking-video character replacement requires coordinated transfer of appearance and voice while preserving the source motion, scene, linguistic content, and audio-video timing. Existing methods use separately optimized models for the two modalities, making audio-visual consistency difficult to enforce. We present UniSwap, the first framework for streaming joint audio-visual identity replacement in talking videos. Given a source video, a reference image, and a reference voice clip, UniSwap transfers the reference appearance and vocal timbre within a single audio-visual diffusion transformer while preserving the source content and dynamics. To address the scarcity of aligned cross-identity training pairs, we introduce a swap-and-reconstruct pipeline that removes visual and vocal identity from real clips and uses the original clips as reconstruction targets. Starting from a bidirectional backbone, we progressively adapt the model through In-context Pretraining for joint replacement, Conditional Streaming Adaptation for block-causal KV-cached generation, and Efficient Self-forcing DMD for mitigating exposure bias and reducing sampling from 30 to 3 denoising steps per block. Efficient Multi-LoRA Switching enables the three DMD roles to share a single frozen backbone. Feature-RoPE Decomposition keeps cached positions within the training range, supporting stable long-form inference. Experiments demonstrate strong audio-visual synchronization, competitive identity preservation, efficient streaming, and stable long-form generation.

Yuxuan Zhang, Haozhong Xiong, Jiayi Song +5

The Chinese University of Hong Kong · Qwen Applications Business Group of Alibaba

Audio-Video Generation Video Diffusion Models Streaming Video Generation Audio-Visual Synchronization

Aug 6, 2026cs.CV

Vorch-Streamer: Extending Human Audio-Visual Generation to Real-Time Long-Form Streaming

Real-time long-form avatar audio-video generation requires causal, continuous synthesis while maintaining audiovisual synchronization and visual consistency. Adapting a pretrained bidirectional model to this setting presents two key dilemmas. First, autoregressively reusing generated blocks as context creates exposure bias, causing errors and visual drift to accumulate over long rollouts. Second, a global speech utterance does not indicates a causal generator which portion should be spoken next when only limited local audio-video context is available. We present Vorch-Streamer, a post-training framework that addresses these challenges and enables real-time long-form Text-to-Audio-Video (T2AV) streaming. We construct a synthetic corpus of 80K avatar clips spanning 12-21 seconds and first train a causal generator with mixed Teacher Forcing and Diffusion Forcing. We then apply long-horizon Self Forcing with DMD distillation, exposing the model to its own rollout distribution while preserving the quality of the pretrained bidirectional teacher. To explicitly control speech progression, an external language model predicts discrete 25-Hz speech-planning tokens, whose continuous features condition the audio diffusion branch and align each causal block with the content it should speak. With bounded causal context and four-step denoising, Vorch-Streamer jointly generates audio and video from text at 27.12 FPS, exceeding the 24-FPS real-time playback rate while maintaining competitive audio-lip synchronization and strong identity preservation over long-form generation.

Menglin Han, Yang Ding, Yulei Lu +6

Vorch Team · Tongji University · Harbin Institute of Technology, Shenzhen +1

Text-to-Video Generation Long-Horizon Video Generation Streaming Video Generation Audio-Visual Synchronization

Aug 5, 2026cs.AI

PD-GS: Phoneme-Driven 3DGS for Audio-Driven Talking Heads

3D Gaussian Splatting (3DGS) enables fast, photorealistic talking-head rendering, yet accurate lip articulation remains elusive: mouth motion is often over-smoothed and may violate hard articulatory constraints such as bilabial closures, producing the notorious ``leaky mouth'' artifact. A key difficulty is that brief, discrete articulatory events are inferred from a continuous acoustic embedding under a regression objective, which biases predictions toward averaged mouth configurations. While modern self-supervised speech encoders provide rich prosodic and phonetic cues, they do not provide an explicit, frame-aligned linguistic target that reliably disambiguates closure-level events. We propose \textbf{Phoneme-Driven Gaussian Splatting (PD-GS)}, which augments a 3DGS talker with time-aligned phoneme tokens obtained from an automatic ASR and forced-alignment pipeline. Our core component, the \textbf{Linguistic Fusion Module (LFM)}, adaptively fuses continuous audio context with discrete phoneme embeddings through a learned gate, allowing the model to preserve smooth audio-driven dynamics while strengthening phoneme guidance on articulation-critical segments. PD-GS is trained purely from monocular video using image reconstruction and lip landmark supervision. On HDTF, PD-GS achieves the best lip geometry among the compared baselines (LMD 2.66) and qualitatively reduces closure violations in challenging phoneme sequences, yielding more linguistically faithful neural avatars.

Ao Fu, Yi Zhou

School of Computer Science and Engineering, Southeast University, Nanjing, China, Key Laboratory of New Generation Artificial Intelligence Technology and Its Interdisciplinary Applications and Ministry of Education, Nanjing, China

3D Gaussian Splatting Audio-Visual Synchronization Audio-Driven Facial Animation

Aug 4, 2026cs.CV

OmniVR: Audio-Video Conditional Generation for Archival Footage Restoration

Archival footage often suffers from coupled visual and acoustic degradations, yet most restoration systems process the two modalities separately. To address this problem, we present OmniVR, the first systematic framework for joint audio-video restoration, covering data construction, model adaptation, efficient inference, and evaluation. We construct a high-quality audio-video corpus with detailed captions and use a joint degradation pipeline to produce aligned clean and degraded pairs. Using these pairs, we adapt a pretrained text-to-audio-video model (T2AV) by introducing degraded audio-video conditions (TAV2AV), then progressively replace sample captions with a fixed restoration prompt while retaining caption/null rehearsal. The resulting AV2AV model requires no user-provided text. Under a compatible residual-learning model, we prove that this condition-annealing schedule reduces gradient variance and expected restoration risk relative to direct fixed-prompt adaptation at the same training budget. For efficient deployment, OmniVR-Flash combines reduced-resolution video conditioning, MeanFlow-based one-step distillation, and Turbo VAE, achieving approximately 38 fps at 1K and 18 fps at 2K on a single B200 GPU. We further introduce OmniVRBench to evaluate four complementary dimensions: visual quality, audio quality, temporal consistency, and audio-visual synchrony. OmniVR achieves state-of-the-art results on public benchmarks and OmniVRBench. Data, code, and model weights will be released. Project Page: https://xin1u.github.io/OminiVR_PAGE/

Xin Lu, Zihao Fan, Jie Huang +4

University of Science and Technology of China · JD Explore Academy

Audio-Visual Synchronization Video Restoration

Jul 26, 2026cs.SD

OmniVAE: An Audio-Video VAE with Cross-Modal Alignment for Joint Generation

Recent generative models are moving beyond silent video or standalone audio synthesis toward the joint generation of synchronized audio and video. Despite this progress, jointly generating audio and video with fine-grained cross-modal correspondence remains challenging due to their fundamental structural differences. Most existing methods use audio and video VAEs trained separately. As a result, the two latent spaces lack cross-modal alignment, leaving the downstream generative model to learn cross-modal synchronization from scratch. We present OmniVAE, a jointly trained audio-video VAE that learns fine-grained semantic alignment between audio and video latent representations. Beyond reconstruction, OmniVAE uses a segment-level audio-video contrastive objective to capture temporal-semantic correspondence and align the two latent spaces. In parallel, it distills features from pretrained modality-specific semantic encoders into each modality, improving the downstream learnability of both latent spaces. Extensive experiments show that both objectives consistently improve the learnability of the latent spaces, translating into higher generation quality and more accurate cross-modal synchronization in downstream text-to-audio-video generation. These findings underscore the importance of learning unified representations as a foundation for omnimodal modeling.1

Jun Zhan, Chen Yang, Yitian Gong +23

1Fudan University · 2Shanghai Innovation Institute · 3MOSI Intelligence +1

Variational Autoencoders Audio-Video Generation Audio-Visual Synchronization Audio-Visual Alignment

Jul 10, 2026cs.CV

Wan-Dancer: A Hierarchical Framework for Minute-scale Coherent Music-to-Dance Generation

Generating long-duration, high-definition, and rhythmically synchronized dance videos directly from music remains a significant challenge, primarily due to the temporal constraints of current diffusion models, which typically fail beyond 20 seconds. Existing approaches, whether they rely on intermediate 3D skeletons or on end-to-end video synthesis, suffer from temporal drift, identity inconsistency, and repetitive motion patterns when extended to longer horizons. To address these limitations, we propose a novel hierarchical framework for minute-scale coherent music-to-dance generation. Our method decouples the process into global keyframe planning and local temporal refinement, leveraging full-track musical context to ensure long-range coherence. Key innovations include dynamic frame rate adaptation via time-mapped RoPE embeddings for precise alignment, an optical-flow-based loss function to enhance motion continuity, and motion-speed control to preserve high-fidelity details during rapid movements. Extensive experiments demonstrate that our framework surpasses the conventional duration barrier, generating stable, 720p/30fps videos exceeding one minute with superior temporal stability. Furthermore, the model exhibits robust versatility across five distinct dance genres, conditioned on both audio and textual prompts, establishing a new state-of-the-art in coherent, long-form dance video synthesis.

Mingyang Huang, Peng Zhang, Li Hu +2

Tongyi Lab, Alibaba Group

Video Diffusion Models Long Video Generation Audio-Visual Synchronization Temporal Consistency in Video Generation

Jul 10, 2026cs.CV

Beyond Time Shifts: Adapting Omni-LLM as a Reference-Free Evaluator for Generative Audio-Visual Models

As audio-visual generative models evolve into world simulators, cross-modal synchronization stands as a critical proxy for assessing the consistency of world dynamics and causality in generated content. However, existing evaluation metrics presume structural correctness, reducing synchronization to mere temporal alignment. Consequently, they fail on generative outputs, especially when exhibiting structural hallucinations and asymmetric cross-modal relations, which currently \textbf{mandate expert human annotation to assess synchronization.} This dependency introduces a critical paradox: \emph{human evaluators rely on relative, reference-dependent comparisons, whereas automated metrics require reference-free, absolute scalars.} We resolve this paradox by proposing a framework that distills relative human perception into a continuous, globally consistent metric. First, we introduce SynthSync, a dataset of generative failures ranked via pairwise human annotations. Second, we adapt the Omni-LLM equipped with a continuous latent projection to translate relative human rankings into continuous absolute values. Third, we propose Real-Valued Group Relative Policy Optimization (

\mathbb{R}

-GRPO) to internalize the global causal structure of synchronization via listwise score distributions. Empirically, our metric achieves state-of-the-art human preference alignment. We leverage this estimator to establish a standardized benchmark, advancing AV-Gen assessment from low-level signal correlation to visually grounded causality.

Yijie Qian, Juncheng Wang, Chao Xu +6

Zhejiang University, Hangzhou, China · IROOTECH TECHNOLOGY, China · The Hong Kong Polytechnic University, Hong Kong, China +1

Audio-Video Generation Group Relative Policy Optimization Audio-Visual Synchronization Generative AI Evaluation

Jul 7, 2026cs.MM

Precise Video-to-Audio Generation with Cross-Modal Alignment in Latent Space

Video-to-audio (V2A) generation aims to synthesize realistic audio that is both semantically consistent with and temporally synchronized to a silent video. Despite recent progress, many methods still rely on multi-stage training, resulting in high computational costs and long runtimes, or transform visual input into text to leverage pretrained text-to-audio models, sacrificing fine-grained temporal cues. To overcome these limitations, we propose Flowley, an end-to-end, single-stage training architecture that produces soundtracks by combining visual features with textual prompts. Crucially, we introduce Progressive Soft-masked Cross-Attention, which embeds audio-visual synchronization directly within its attention mechanism, adding zero additional computational cost compared to standard attention layers. We further observe that existing V2A benchmarks lack sound-oriented descriptive captions, which can potentially degrade the quality of the synthesized audio. To remedy this, we propose SoundCap, a plug-and-play pipeline for creating detailed, sound-aware captions that guide the model. Remarkably, without integrating any pretrained audio-visual alignment modules, Flowley achieves state-of-the-art performance on VGGSound across multiple metrics. Moreover, by incorporating SoundCap, we further exceed the performance of the strongest existing close-sourced methods in terms of audio quality in the zero-shot setting.

Thanh V. T. Tran, Ngoc-Son Nguyen, Luong Tran +4

FPT Software AI Center, Vietnam · NVIDIA Corporation, USA

Audio-Video Generation Audio-Visual Synchronization

Jul 1, 2026cs.CV

AV-SyncBench: Decoupled Benchmarking of Temporal and Semantic Audio-Visual Synchronization

Audio-visual feature extraction is a fundamental component of multimodal understanding and generation tasks. However, existing evaluation protocols for feature extraction models exhibit dimensional bias, typically focusing on either semantic matching or temporal offset detection. Moreover, their data construction remains coupled, preventing independent assessment of temporal and semantic consistency. We propose AV-SyncBench, the first benchmark to fully separate temporal and semantic evaluation for audio-visual synchronization. Built from in-the-wild videos, it spans Voice, Music, and Sound across 10 scenarios and 5 challenge tasks. Data are automatically filtered and manually verified to ensure on-screen sound sources. The benchmark contains 3,269 videos and 38,390 samples, and we evaluate five representative models to quantify feature quality for alignment and downstream tasks. The code and dataset are available at: https://fgt7t6g.github.io/AV-SyncBench.

Tianhong Zhou, Mingyang Han, Boyu Li +8

Tsinghua University, Beijing, China · Alibaba Group, China · Fudan University, Shanghai, China

Audio-Visual Synchronization Audio-Visual Alignment Multimodal Model Evaluation

Jun 15, 2026cs.RO

WaveSync: Constrained Wavefront Optimization for Synchronized Co-Speech Gestures in Humanoid Robots

Expressive co-speech gestures are crucial for natural human--robot interaction, yet generating them on physical humanoid robots remains challenging because, unlike virtual avatars, robots must synchronize gestures with speech under strict kinematic and actuator constraints. We present \textbf{WaveSync}, a hybrid framework in which a Large Language Model decomposes dialogue responses into structured semantic schemas and assigns per-word importance weights, forming a continuous Semantic Importance Wave. Gesture trajectories are shaped through Dynamic Movement Primitives to ensure kinematic feasibility while enhancing expressiveness. A Wavefront Optimization stage aligns gesture stroke peaks with speech emphasis peaks and resolves residual temporal conflicts through gesture-duration compression and forward propagation. Experimental evaluation across five dialogue scenarios demonstrates effective gesture--speech alignment and favorable performance in both objective and subjective evaluations. The results further show that the key components of WaveSync contribute to producing gestures that are expressive, semantically grounded, and kinematically feasible. The code, resources, and videos are available at WaveSync.

Thang Tran Viet, Thanh Nguyen Canh, Gia Huy Uong +4

University of Engineering and Technology, Vietnam National University, 10000, Hanoi, Vietnam. · School of Information Science, Japan Advanced Institute of Science and Technology, Nomi, 923-1211, Ishikawa, Japan. · School of Electronics and Computer Science, University of Southampton, SO17 1BJ Southampton, United Kingdom. +1

Human Motion Generation Audio-Visual Synchronization Robot Motion Generation Co-Speech Gesture Generation Human-Robot Interaction Humanoid Robotics

Jun 12, 2026cs.SD

FoleyGenEx: Unified Video-to-Audio Generation with Multi-Modal Control, Temporal Alignment, and Semantic Precision

We present FoleyGenEx, a unified video-to-audio (VTA) framework integrating multi-modal control, frame-level temporal alignment, and fine-grained semantics, enabling synchronized, versatile audio synthesis for diverse tasks. Existing VTA methods either have multi-modal control but weak temporal alignment or strong alignment but lack reference audio conditioning and semantic precision. FoleyGenEx fills this gap via three core innovations: a conditional injection mechanism for audio-controlled VTA and Foley extension, a multi-modal dynamic masking strategy preserving training synchronization, and an adverb-based data augmentation algorithm leveraging signal processing and large language models to enhance textual supervision with nuanced semantics. Experiments on AudioCaps, VGGSound, and Greatest Hits demonstrate its competitive controllable VTA performance against existing methods. Demo samples are available at https://foleygenex.github.io/FoleyGenEx.

Shiyao Wang, Xijuan Zeng, Hui Wang +4

Academy for Advanced Interdisciplinary Studies, Nankai University, Tianjin, China · Kling Team, Kuaishou Technology, Beijing, China

Audio-Video Generation Audio-Visual Synchronization Sound Effects Generation Audio-Visual Alignment Audio Generation

Jun 9, 2026cs.CV

Lip Forcing: Few-Step Autoregressive Diffusion for Real-time Lip Synchronization

Diffusion-based lip synchronization models achieve strong visual quality and audio-visual alignment, but full-sequence bidirectional attention and many denoising steps make them impractical for real-time inference. We present Lip Forcing, to our knowledge the first autoregressive diffusion method for video-to-video (V2V) lip synchronization, which distills a 14B audio-conditioned bidirectional video diffusion teacher into causal students. At inference, the students generate each chunk in only two denoising steps without inference-time CFG, enabling real-time lip synchronization. A lip-sync-specific teacher-trajectory analysis reveals a CFG fidelity-sync tradeoff: no-CFG predictions favor reference fidelity, whereas CFG-guided predictions favor synchronization within a mid-trajectory band. Lip Forcing translates this finding into three analysis-derived components: Sync-Window DMD, a two-step inference schedule, and a SyncNet-based reward. We validate Lip Forcing at two student scales, both distilled from the 14B teacher. The 1.3B student crosses into real-time streaming at 31 FPS,

17.6\times

faster than its same-scale bidirectional model. The 14B student, the largest diffusion model reported for V2V lip synchronization, runs

39.8\times

faster than its teacher at comparable reference fidelity. Time-to-first-frame is sub-millisecond at both scales, far below every diffusion baseline.

Paul Hyunbin Cho, Jinhyuk Jang, SeokYoung Lee +7

KAIST AI · 1KAIST AI · AIPARK +1

Diffusion Model Distillation Audio-Visual Synchronization Autoregressive Video Generation Diffusion Model Inference Acceleration

Jun 2, 2026cs.MM

Inference-Time Scaling for Joint Audio-Video Generation

Joint audio-video generation aims to synthesize realistic audio-video pairs that are both semantically aligned with text prompts and precisely synchronized. While existing joint audio-video generation models often require substantial training resources to improve fidelity, Inference-Time Scaling (ITS) has recently emerged as a promising training-free alternative in single-modality domains. However, extending ITS from a single modality to multimodal domains is non-trivial, as it requires balancing multiple heterogeneous objectives. In this paper, we present the first comprehensive study of ITS for joint audio-video generation. We first demonstrate that a multi-verifier framework is essential to address the limitations of single-objective guidance, including asymmetric performance trade-offs and verifier hacking. Through systematic analysis, we then identify an optimal multi-verifier combination that yields balanced improvements across all quality dimensions. Finally, to effectively aggregate diverse reward signals, we propose Adaptive Reward Weighting (ARW), a novel test-time optimization algorithm. ARW treats reward aggregation as an online optimization problem, utilizing learnable parameters to calibrate reward variances without requiring prior knowledge of reward distributions, thereby ensuring robust multi-objective selection. Experimental results on VGGSound and JavisBench-mini benchmarks demonstrate that our framework significantly enhances semantic alignment, perceptual quality, and audio-visual synchronization of generated outputs. Synthesized samples and code are available on the project page: https://jung-jaemin.github.io/ITS-AVGen-Proj.

Jaemin Jung, Kyeongha Rho, Inkyu Shin +1

Korea Advanced Institute of Science and Technology · Luma AI

Audio-Video Generation Inference-Time Scaling Audio-Visual Synchronization Audio-Visual Alignment Multi-Objective Optimization

May 28, 2026cs.CV

Native Audio-Visual Alignment for Generation

Joint audio-video generation aims to synthesize temporally synchronized and semantically coherent visual-acoustic content. However, existing open-source methods mainly rely on either dual-tower designs with posterior alignment or fully unified tri-modal designs that mix textual context, audio and video in one shared space. The former weakens fine-grained audio-video co-evolution, while the latter couples semantic conditioning with low-level synchronization. To address these limitations, we propose NAVA, a Native Audio-Visual Alignment framework for joint audio-video generation. NAVA is built upon context-conditioned native audio-visual alignment: it first establishes audio-video correspondence in a dedicated interaction space, and then uses external context to condition the joint denoising process. Specifically, NAVA is instantiated with an Align-then-Fuse MMDiT architecture, which transitions from modality-aware audio-video alignment to modality-shared joint denoising. Furthermore, we introduce Timbre-in-Context Conditioning to associate reference timbre cues with corresponding speech spans to achieve controllable speech timbre. Experiments on Verse-Bench and Seed-TTS, together with a user study, demonstrate that NAVA achieves superior video quality, precise audio-visual synchronization, competitive audio quality, and stronger reference-timbre controllability using only 6.3B parameters.

Longbin Ji, Guan Wang, Xuan Wei +6

ERNIE Team, Baidu Inc.

Audio-Video Generation Audio-Visual Synchronization Audio-Visual Alignment Multimodal Diffusion Models

May 25, 2026cs.CV

LongAV-Compass: Towards Unified Evaluation of Minute-Scale Audio-Visual Generation Across T2AV, I2AV, and V2AV

Audio-visual generation is rapidly advancing from short clips to minute-long content, while existing evaluation protocols remain largely confined to short-form settings. Existing benchmarks primarily focus on 5--10 second text-conditioned generation and rarely support unified evaluation across text, image, and video conditioning modalities. Moreover, they provide limited insight into how identity consistency, narrative coherence, and audio-visual alignment degrade over extended temporal horizons. To bridge this gap, we introduce LongAV-Compass, a systematic benchmark for minute-long audio-visual generation. LongAV-Compass contains 284 curated test cases spanning text-to-audio-video (T2AV), image-to-audio-video (I2AV), and video-to-audio-video (V2AV), organized by application scenario and generation complexity. The benchmark combines taxonomy-guided benchmark construction with a unified evaluation framework that integrates MLLM-assisted assessment with complementary perceptual and multimodal metrics, including DINO-v2, ArcFace, CLIP, and ImageBind. The framework evaluates more than 20 fine-grained dimensions covering within-segment quality, cross-segment consistency, global narrative coherence, semantic alignment, and audio-visual synchronization. Through experiments on 11 representative models together with human-alignment validation, LongAV-Compass provides a diagnostic testbed for analyzing the limitations of current systems in sustaining coherent, semantically aligned, and temporally consistent minute-scale audio-visual generation across diverse input modalities.

Tengfei Liu, Yang Shi, Xuanyu Zhu +17

Peking University · Kling Team · Nanjing University +6

Audio-Video Generation Long-Horizon Video Generation Audio-Visual Synchronization Temporal Consistency in Video Generation Generative AI Evaluation Video Generation Evaluation

May 25, 2026cs.CV

StreamChar: Long-Horizon Streaming Character Audio-Video Generation with Decoupled Orchestration

Real-time streaming joint audio-video generation for character animation requires a generator to speak the requested transcript, maintain visual identity across chunks, and run within a strict playback budget. These requirements are difficult to satisfy simultaneously: chunk-wise autoregressive generation can accumulate transcript-audio misalignment and visual drift, while the few-step distillation needed for low latency often degrades spatial diversity and temporal quality. We present StreamChar, a streaming framework that separates long-horizon orchestration from short-window audio-video denoising. An LLM-based orchestrator uses the transcript and historical context to produce frame-aligned audio conditions, and a joint audio-video DiT performs local bidirectional denoising with reference and motion-frame conditioning. For efficient deployment, we use a two-stage distillation pipeline that first compresses the sampler and then fine-tunes the student under online chunk rollouts. A progress-aware pointer aligns partial transcripts with generated audio during rollout training, and a sink-chunk memory provides a persistent visual anchor for reducing long-horizon drift. Experiments on short-clip and long-horizon protocols show that StreamChar runs in real time on a single H100 GPU and provides a favorable system-level trade-off among transcript fidelity, audio-visual synchronization, visual quality, and streaming stability compared with recent joint and audio-driven baselines.

Linrui Tian, Qi Wang, Bang Zhang

Tongyi Lab, Alibaba Group

Audio-Video Generation Long-Horizon Video Generation Audio-Visual Synchronization Multimodal Diffusion Models

May 24, 2026cs.CV

SpongeBob: Sync-Aware Harmonious Audio-Visual Generative Editing

Visual and acoustic events in the physical world are inherently coupled, yet existing video editing methods typically adopt decoupled pipelines, lacking bidirectional modality interaction. This results in two key limitations: (i) audio-visual desynchronization and (ii) contextual conflicts between generated audio and preserved content. To address these, we propose SpongeBob, the first end-to-end audio-visual joint editing framework featuring bidirectional cross-modal interaction. For synchronization, a Sync-Aware Mechanism aligns visual edits with sound events via bidirectional attention, temporal alignment, and spatial constraints. For contextual consistency, a Context-Aware Module leverages acoustic and visual context attention to prevent semantic clashes. Additionally, we introduce Sync-Preserving Training and Guidance (SPTG) to enhance alignment without degrading quality. Due to the scarcity of paired data, we construct a scalable data pipeline and a large-scale subject-level dataset. We also propose SpongeBob-Bench for systematic evaluation. Experiments show SpongeBob significantly outperforms existing baselines, improving Sync-C by 30% and Ctx-F1 by 12.5%. Our project page is available at: https://hy-spongebob.github.io/.

Sen Liang, Cong Wang, Fengbin Guan +6

University of Science and Technology of China · 2Tencent Hunyuan

Video Editing Audio-Visual Synchronization Audio-Visual Alignment

May 17, 2026cs.CV

Omni-Customizer: End-to-End MultiModal Customization for Joint Audio-Video Generation

The landscape of joint audio and video generation has been fundamentally transformed by the advent of powerful foundation models. Despite these strides, achieving cohesive multimodal customization for the simultaneous preservation of visual identities and vocal timbres across multiple interacting subjects remains largely underexplored. To bridge this gap, we present Omni-Customizer, an end-to-end framework targeted at the precise binding and seamless fusion of multimodal identity information. Specifically, we introduce an Omni-Context Fusion (OCF) module that effectively enriches the base textual prompt with dense, multimodal identity cues, along with a Masked TTS Cross-Attention (MTP-CA) mechanism explicitly designed to prevent the severe "speech leakage" problem. Within this architecture, we propose Semantic-Anchored Multimodal RoPE (SA-MRoPE) to anchor visual and audio reference tokens, along with TTS embeddings, to their corresponding semantic descriptions, enabling structured multimodal fusion and robust identity binding. Furthermore, we devise a comprehensive training strategy that incorporates interleaved audio-video scheduling to rapidly adapt the audio branch to multilingual scenarios without degrading foundational priors, and a progressive in-pair to cross-pair curriculum to facilitate the learning of high-level and robust identity features. Extensive experiments demonstrate that Omni-Customizer achieves state-of-the-art performance in dual-modal customized generation, excelling across visual identity similarity, timbre consistency, precise audio-video synchronization, and overall video-audio fidelity.

Yuheng Chen, Qingdong He, Teng Hu +4

Shanghai Jiao Tong University · University of Electronic Science and Technology of China · Zhejiang University

Audio-Video Generation Audio-Visual Synchronization Multimodal Fusion Conditional Generation