Computational Literary Studies
Momentum
3 papers in the last four weeks, against 1 the four weeks before. 0.0% of all new papers.
Latest papers 24
Automatically extracted narrative networks -- graphs with entities as nodes and their relations as edges -- have proven useful for revealing central narrative structures through salient entities and their connections (Tangherlini et al. 2020; Labatut and Bost 2019). But a narrative is more than those central structures that everything else revolves around. This work is concerned with the everything else: brief sub-plots, small clusters of descriptions, or associations between minor characters that go under the radar at the macro-level. We present an approach to unearth such peripheral structures. They involve rare entities with limited textual presence, overshadowed by dominant entities and lost among each other in the long tail of many but rare entities (Baayen 2001). We leverage the known tendency of pointwise mutual information (PMI, Church and Hanks 1990) to inflate for rare events, turning its weakness into a strength by weighting edges with PMI to foreground peripheral entity configurations. Communities extracted from the resulting network are structural traces of underlying narrative elements. We demonstrate the approach on The Lord of the Rings. From measures of how concentrated or dispersed a community's activations are across the text, a typology emerges that reveals that peripheral structures form more than a single class: episodic passages, echoing long-distance connections, and recurring threads each surface as distinct configurations. The approach is conceptually simple and surfaces fine-grained narrative details that are lost in abundance, though its deliberate amplification of weak signals comes with inherent sensitivity -- best understood as a lens for exploration rather than a robust extraction pipeline.
Retrieving Biblical Intertextual References in Karen Blixen's Seven Gothic Tales
Identifying intertextual references is central to literary scholarship, but computationally difficult when source material is transformed through paraphrase, allusion, historical language, and translation. We investigate this problem through biblical intertextuality in Karen Blixen's Seven Gothic Tales. Drawing on the commentary to a critical edition, we construct a benchmark of 189 annotated references and evaluate retrieval against all 31,170 verses of historically plausible Danish Old and New Testament translations. We compare TF-IDF and BM25 with multilingual and Danish sentence encoders, examine the effect of linguistic normalization, and fine-tune a Danish encoder using hard negatives and five-fold cross-validation. We analyze performance across automatically derived lexical-overlap strata representing quotations, paraphrases, and allusions. Linguistically normalized BM25 provides a strong zero-shot baseline, attaining an overall R@10 of 0.365 and retrieving every quotation within its ten highest-ranked verses. The best zero-shot dense model achieves a comparable overall score of 0.360 while performing better on allusions. Fine-tuning DFM-large raises its overall R@10 from 0.265 to 0.508 and more than doubles its performance on allusions, from 0.138 to 0.339. However, evaluation against editorial annotations alone understates the model's scholarly usefulness: a literary scholar judged seven of 30 selected rank-one predictions counted as false positives to be meaningful additional references. These findings show both the potential and the epistemic limits of computational intertextual retrieval. Rather than treating scholarly annotations as exhaustive or model outputs as discoveries, we propose retrieval models as heuristic co-readers that recover documented references and generate candidates for expert-led close reading.
When Victorian Becomes a Prompt: Literary Periodization as a Generative Constraint in 100 AI-Generated Novels
Generative AI inverts the typical periodization of literary history: the periodizing tag Victorian can now come first and influence what is written. Generative periodization, defined and tested here, describes the use of literary-period designations in generating texts. I test this approach on 100 book-length novels produced under Victorian and Zero-Style conditions using GPT, Qwen, and Llama workflows. The Period Alignment Score (PAS), trained on nineteenth-century literature and benchmarked against human Zero-Style prose, assesses alignment using topic-reduced grammatical features. Victorian prompts produce consistent historical-direction shifts in GPT and Qwen, but not robustly in Llama. Victorian-only recalibration and harder comparison corpora preserve the GPT and Qwen effects. Cross-model transfer also shows a shared direction of grammatical change. The measurable target is the broader nineteenth century rather than the Victorian period per se.
Syntactic Patterns and Stylistic Functions in Narrative Prose: A Rule-Based and Machine-Learning Approach
This paper presents a small-scale quantitative experiment that links syntactic structure to stylistic functions in narrative prose. Starting from a dependency-parsed corpus of 3,300 sentences, we derive sentence-level stylistic labels across five categories --- descriptive, introspective, causal, ideological, and neutral --- using a transparent rule-based procedure that inspects lemmas, universal part-of-speech tags, and syntactic relations. For each sentence we construct a compact representation of its syntactic profile as a sequence of linearised triples combining lemma, POS tag, and dependency relation. These patterns serve as input to standard machine-learning classifiers trained to predict sentence-level style. The best-performing model achieves a macro-F1 of 0.948 under 10-fold cross-validation. The experiment is implemented entirely in Python using open-source tools. Our goal is not to propose a fully fledged stylistic theory, but to offer a reproducible and extensible workflow for exploring how grammatical structure contributes to narrative interpretation.
How LLMs Build Fictional Worlds: Setting and Narrative Space in AI-Generated Creative Storytelling
In this paper, we analyze how Large Language Models (LLMs) employ worldbuilding strategies, focusing on setting as one measurable dimension of storyworld construction. We compare 1,000 AI-generated stories per model in English and German with human-authored fiction from Project Gutenberg. Building on prior work, we operationalize setting through five types of narrative space: "action", "perceived," "visual," "descriptive" and "no space", identified using fine-tuned BERT classifiers for German and English. We generate narratives using GPT 4.1, LlaMA 3.3, Mistral 3.2, and Gemma 3 and compare their spatial distributions to a human-authored baseline. We find that human-authored texts predominantly employ "action space," grounding narratives in embodied character-environment interaction, whereas LLMs systematically overproduce "perceived space," emphasizing atmosphere and affect. This divergence remains stable across narrative time. Overall, our findings show that LLMs exhibit worldbuilding patterns that differ consistently from human-authored fiction in ways that are both model-specific and language-sensitive.
Constructing Parallel Multidimensional Chromatic Lexicons for Corpus-Assisted Analysis of Russian and English Texts
This article addresses the relative scarcity of research tools for the corpus-assisted linguistic analysis of colour terms in literary texts. It describes the development of two multidimensional chromatic lexicons: one for Russian (224 entries) and one for English (141 entries). Lexicon construction involved sourcing colour vocabulary from specialised resources and research literature, comparing the two language inventories, manually checking translated candidates, and addressing language-specific morphological features. In addition to identifying colour terms and visual descriptors, the lexicons classify entries according to hue, saturation, and temperature. To demonstrate their practical application, a pilot study was conducted on purposively sampled corpora of poetry by Andrei Bely (20,373 tokens) and Emily Dickinson (28,479 tokens). All retrieved matches were checked in context and classified as Confirmed_chromatic, Ambiguous_visual, or Excluded. The analysis was implemented in two main stages: a strict analysis including confirmed chromatic lexis only, followed by a sensitivity analysis incorporating both confirmed and ambiguous chromatic lexis to determine whether coding decisions about borderline cases affected the main findings. The quantitative results indicated marked differences in the use of colour terms, visual descriptors, hue, saturation, and temperature. Specifically, the analysis revealed that confirmed chromatic terms occurred 3.4 times more frequently in the sampled Bely corpus than in the Dickinson corpus. These findings demonstrate the analytical value of a multidimensional approach, with the main contribution of this study being a transparent and reusable procedure for constructing and applying multilingual chromatic lexicons.
Detecting Experiential Intertextuality Across Migration Routes: Beyond Surface Similarity in French Narratives
Migrants traversing geographically distinct routes such as the Trans-Saharan and Balkan corridors often recount strikingly parallel lived experiences: police violence, smuggler exploitation, dangerous crossings, and family separation. We introduce the task of experiential intertextuality detection: automatically identifying shared experiential echoes across migration narratives without requiring annotated training data. From 108 French migration narratives spanning both corridors, we automatically generate sentence pairs and score them using annotation-free methods: lexical baselines, sentence embeddings, POS-based structural features, a migration-specific theme lexicon, context-aware narrative features, and zero-shot LLM scoring with Qwen2.5-7B and Mistral-7B under three prompting strategies. We validate all methods against 816 expert-annotated intertextuality judgments (inter-annotator Krippendorff's ). Our results reveal that all surface, structural, and embedding methods correlate only weakly with expert judgments (); Qwen2.5-7B zero-shot achieves the best single-method correlation (); few-shot examples degrade Qwen but dramatically improve Mistral; narrative position significantly predicts intertextuality, with departure-phase pairs showing the highest experiential echoes; and a supervised hybrid combining all 31 features achieves , a 21% improvement over the best individual method.
Creative Transformation in Literary Texts: Modelling Change Across Representational Levels
Creativity is often framed as the production of novelty, yet many cultural works emerge through transformation of earlier artifacts and not through isolated invention. Drawing on theories of imitation by Gabriel Tarde and James Mark Baldwin, this paper models creativity as selective transformation across multiple levels of textual representation. We introduce a multi-level framework that compares literary texts across lexical, semantic, conceptual, structural, and narrative dimensions using directional alignment and control calibrated similarity measures. Applying the model to historically documented literary relationships, we show that different pairs preserve source structure at different representational levels while diverging in others. These transformation profiles provide a quantitative method for characterizing how imitation persists and where creative divergence occurs within literary works.
Beyond Similarity: Grounded Agentic Extraction and Expert-Adjudicated Evaluation of Intertextuality in Classical Chinese Histories
Computational approaches to intertextuality have advanced from string matching to neural retrieval, yet their outputs, similarity scores and parallel-passage lists, identify where texts reuse one another without characterizing how or why. We recast fine-grained intertextuality extraction as an agentic task in which a large language model (LLM) reads two text units in full and, through a constrained tool interface, must ground each proposed reuse in exact character spans on both sides and label it under a five-dimension typology of reuse (form, aspect, source-marking, function, stance). We validate the approach on an exhaustive comparison of the Analects with the Book of Han, where three domain experts adjudicate a pooled multi-model candidate set into a benchmark of 2,533 intertextual pairs. Against this standard we study twelve LLMs, reporting precision (56%-93%), a 51 cost spread at comparable quality, and how well their confidence is calibrated. Expert agreement traces a reliability gradient: dimensions legible on the textual surface are annotated consistently, while those requiring inference of intent are contested, delimiting the claims such annotation supports. Scaling the validated extractor to the full Twenty-Four Histories (65,380 comparisons, 5,766 pairs) recovers corpus-level structure a similarity score cannot express. The interpretive composition of citation shows no systematic change across eighteen centuries, yet the same passage is quoted less and less literally. Stability in the aggregate with drift in the individual case is what a cultural-attraction account expects. We release the extraction protocol and the expert-adjudicated benchmark.
Theatre Chapbooks At Scale: A Statistical Comparative Analysis of Typography
We propose a statistical methodology that quantifies the similarity of typefaces between printed historical books. This provides a tool that accelerates philological analysis. Using character prototypes derived from clustering and aligning automatically extracted character images, the method defines a typeface distance between any two books. To produce actionable outputs, we develop an a contrario statistical framework to interpret the significance of the computed typeface distances. We apply the method to the philological study of 17 th -century Spanish printed theatre chapbooks in a quantity that exceeds the capabilities of systematic visual inspection by human experts. Our method enables the automatic comparison of Roman and Italic types extracted from different books. After validation by human experts, our method has led to new printer attributions being discovered, and former printer attributions being revised. This success strongly suggests that our method has the potential to enable digital bibliography on a larger scale than was previously possible.
Automatic Thematic Indexing of Large Literary Corpora: A Machine Learning Approach to Voltaire's Complete Works
Thematic indexing -- the practice of assigning structured conceptual labels to sections of text -- is essential to scholarly access in large-scale literary and historical editions, yet it remains a largely manual, labour-intensive process. This paper explores the application of machine learning to automatic thematic indexing, using two substantial sub-corpora of the Complete Works of Voltaire as a test case: the Essai sur les mœurs et l'esprit des nations and the Questions sur l'Encyclopédie. The task is framed as a multi-label classification problem, in which a model must assign the set of index entries that a professional indexer would apply to a given page of text. We compare a range of approaches -- from encoder-based models with classification heads to generative large language models (LLMs) fine-tuned via Low-Rank Adaptation (LoRA) -- spanning model sizes from approximately 3 to 120 billion parameters. Our best-performing model, from the Mistral family in a 4-bit quantised configuration, achieves F1 scores of up to 0.67; we argue that these figures represent lower bounds, given the inherent subjectivity of professional indexing and the frequency with which model predictions prove semantically valid despite diverging from the print index. We further evaluate cross-corpus generalisation and conduct a detailed qualitative analysis of model behaviour on literary and rhetorical features of the source texts that prove particularly resistant to automated treatment. Our findings have implications for the broader challenge of providing structured thematic access to large-scale literary and historical corpora.
From Gentlemen to Frontiermen: Masculine Formations in English-Language Fiction (1771--1930)
Masculinity in nineteenth-century fiction is not a single ideal but a field of competing scripts. Drawing on 150 British and American canonical novels from the txtLAB Novel450 corpus, published between 1771 and 1930, this paper examines the changing relative prominence of competing models of masculine authority. To focus the analysis on masculine characterisation, the study extracts male-character-centred text windows by using coreference resolution to group names, nominal mentions, and pronouns into character-specific reference chains. It then fits an unsupervised structural topic model with publication year and author gender as topic-prevalence covariates. The model identifies six distinct masculine formations: aristocratic-chivalric, Christian manhood, gentlemanly respectability, country squire, professional-commercial, and imperial/adventure. Across the corpus, formations tied to inherited rank and sacred authority decline, while those organised around paid work and adventure rise. The largest increase occurs not in professional-commercial breadwinning but in imperial/adventure masculinity, particularly the frontier-wilderness register. The trajectory points to a reallocation from inherited and sacred status towards achieved, commercial, and expansionary forms of masculine authority. Adventurous and commercial formations are also more prevalent in novels by authors recorded as male. Because these formations emerge without a seeded vocabulary yet align with categories established in independent scholarship, the article offers a reproducible method for measuring the reorganisation of gendered authority across the long nineteenth century.
Story Operators: Decomposing the Original Sequel Transformation in Embedding Space
I treat a book as a point in a sentence-embedding space and a literary transformation as an operation on points. Given an original novel and its sequel, I ask what it takes, geometrically, to turn the first into the second. Using all-mpnet-base-v2 paragraph embeddings drawn from a precomputed index of the PG19 corpus, I form the displacement and greedily decompose it along a content basis obtained by PCA over the two books' own paragraphs. Each component is an interpretable axis anchored by real passages at its poles. Across thirteen verified author pairs from Project Gutenberg, the decomposition reveals a small taxonomy of sequels: formulaic (a tiny, low-rank change: Doyle's Holmes collections, ), concentrated (one dominant axis: Alcott's Little Women Little Men, 75% on a single move), and compositional (many small axes: Twain, Burroughs's Barsoom, Nesbit). For the canonical case, Tom Sawyer Huckleberry Finn, the dominant recovered axis is structural -- the collapse of sheltering domesticity into a picaresque road -- rather than the famous surface themes of vernacular voice or slavery, which ride later, smaller axes; and the transformation routes through adventure-journey space rather than diluting toward generic realism. I corroborate the recovered geometry against Twain's documented authorial intent (his 1875--76 letters to Howells), which names the first-person picaresque move years in advance, and I quantify, with an explicit representation caveat, how much of the realized transformation his stated intentions span. All computations are reproducible from the released scripts and data.
Three Buddhist Vocabularies: Computational Stylometry of the English Pali Canon across Sutta, Vinaya, and Abhidhamma
We present a computational stylometric analysis of the Tipitaka across all three Pitakas in English translation, extending earlier work on the Sutta Pitaka alone. The corpus spans 134,831 segments from Bhikkhu Sujato's Sutta Pitaka (114,591 segments, CC0), Bhikkhu Brahmali's Vinaya Pitaka (7,923 segments, CC0 2026), I.B. Horner's 1938 Vinaya translation (2,826 segments), three English translations of the Abhidhammattha Sangaha compendium (2,077 segments), and cross-tradition Vinaya texts from the Dharmaguptaka and Mulasarvastivada schools. We compute Zipf rank-frequency distributions with OLS-fitted exponents, Moving Average TTR (MATTR-500), numeral-word density, and vocabulary overlap (Jaccard and Szymkiewicz-Simpson coefficients). Main findings: (1) all corpora show Zipf-consistent distributions (R2 > 0.989); the Vinaya is closest to ideal Zipf slope -1 and the Sangaha corpus deviates most, with 'consciousness' displacing grammatical particles at rank 8; (2) MATTR-500 shows the Sutta and Vinaya Theravada are nearly identical in lexical diversity (0.399 and 0.400), while the Sangaha corpus is genuinely more diverse (0.560), confirmed by size-controlled subsampling; (3) the Sangaha corpus has the highest numeral-word density (3.26%), consistent with its systematic enumeration of mental and material categories; (4) the Mulasarvastivada Vinaya shares 20.0% vocabulary (Jaccard) and 49.1% (overlap coefficient) with the Theravada Vinaya, reflecting shared legal heritage across two millennia; (5) two English translations of the same Vinaya source text share only 24.2% of their vocabulary across 88 years, with 'musing' versus 'absorption' for jhana and 'defeat' versus 'expulsion' for parajika as the most diagnostic shifts. All results are point estimates; no significance testing is conducted. Code and data are released as open-source extensions to the Darshana Graph corpus (arXiv:2606.18222).
Predicting Poets' Origins from Verse: A Computational Analysis of Regional Linguistic Fingerprints in the Complete Tang Poems
We ask whether the geographic origin of Tang-dynasty poets leaves a detectable linguistic trace in their work. Aggregating every poem attributed to each author in the Complete Tang Poems (Quan Tang Shi) and linking poets to their administrative circuit of origin via the China Biographical Database (CBDB), we build a poet-level corpus of 357 poets across the ten Tang circuits and frame origin prediction as multi-class classification. Using character -gram TF-IDF together with interpretable domain features (imagery, season, and allusion), classical and neural models predict a poet's broad region (South vs.\ North) at accuracy, well above the majority baseline, and finer circuit-level origin above chance. Beyond classification, three findings emerge. (i) Linguistic distance between circuits grows with geographic distance (Mantel , over nine circuits), evidence of a distance-decay effect in poetic language. (ii) The signal interacts with time: South/North separability is at chance in the High Tang and strongest in the Late Tang, consistent with court-driven homogenization at the empire's height followed by regional divergence. (iii) The model's confident errors are historically meaningful -- in the Early Tang, every misclassification is a southern poet read as northern, reflecting the prestige of the northern court idiom. We further show that, when given the whole corpus through a hierarchical frozen-encoder representation, a classical-Chinese transformer (GuwenBERT) only matches -- not beats -- simple TF-IDF, and that combining them adds nothing, indicating that character -grams already capture the regional signal. Our results position interpretable machine learning as a hypothesis generator for literary history.
AI as a Tool for Simulation-Based Experiments in Literary Studies
Generative artificial intelligence (AI) systems open new possibilities for experimentation in literary studies via controlled, grounded, large-scale, low-cost simulations of cultural production. Current systems have not yet been shown to produce high-quality, book-length narrative texts that reliably reflect arbitrarily specified cultural constraints or stylistic features. But there exists substantial relevant research on each of the components required for literary-historical simulation. These include the use and validation of AI systems as proxies for differentiable human populations; the narrative and stylistic properties of AI-generated texts; the stability and coherence of multiagent, multiturn AI simulations of human actors; and technical methods through which to alter in predictable ways the knowledge and behavior of generative systems. Together, these areas could provide a starting point for more ambitious AI-based modeling of cultural systems of literary production. We describe the possibilities and challenges of simulation-based experiments in literary studies, summarize the current state of the art in relevant fields, and explain key technical aspects of the work. To provide an example directly relevant to literary scholars, we present the results of experiments on literary text generation, including comparisons to high-status, human-authored novels. Our results include the first demonstration of (limited) in-distribution outputs by AI models in this domain. We conclude with a description of future work on full counterfactual literary-historical simulations using AI.
GraphLit: Learning Text-Enriched Dynamic Character Network Representations for Literary Study
Methods to represent literary texts as graphs or sequences of graphs mainly focus on representing character interactions, and often overlook another crucial aspect: the textual context in which characters interact. We introduce Dynamic Heterogeneous Character Networks (DHCNs), which organize long novels into temporally localized heterogeneous graphs that align characters with their textual contexts. We extract around 20,000 DHCNs from Project Gutenberg, and propose GraphLit, a self-supervised learning framework that learns rich literary representations through a masked graph autoencoder objective. Across a wide range of 12 character-related tasks, GraphLit improves over text-only, graph-only and prior hybrid baselines. Ablations over different kinds of dynamic graph structures and architectural elements show that grounding characters in their context is the main performance driver, while explicitly encoding narrative order and character relationships provide task-dependent improvements. Finally, we demonstrate the applicability of DHCNs and GraphLit for literary analysis by studying the link between narrative non-linearity and dynamic social features.
A Fine-Tuned BERT Classifier for Personal-Letter Titles in Late-Ming and Early-Qing Collected Works
I present Lepton (Letter Prediction), a fine-tuned BERT classifier that predicts whether a title in a Classical Chinese wenji table of contents is a personal letter or a closely confusable preface (particularly the farewell-preface). Lepton fine-tunes bert-base-chinese on 5438 hand-labeled wenji titles from thirty-three late-Ming and early-Qing literati. I've deployed the model on Hugging Face and has been used at the China Biographical Database (CBDB) to identify approximately fifty-five thousand letters across mid-Ming through early-Qing wenji, populating the Ming Letter Platform.
QOuLiPo: What a quantum computer sees when it reads a book
What does a book look like to a quantum computer? This paper takes eight classical works of the Renaissance and its late-antique inheritance -- from Augustine to Galileo -- and runs each through a neutral-atom quantum processor. The bridge is graphs: each textual unit becomes an atom, and graph edges are physical blockade constraints for engineered exact unit-disk designs, or a 2D approximation to the semantic graph for natural texts. Three contributions follow. First, we introduce rigidity rho, a metric for how unique a book's structural backbone is -- distinguishing Marguerite de Navarre's Heptameron (rigid, twelve-nouvelle hard core) from Boethius (fully fungible, every chapter substitutable). Second, we invert the pipeline: rather than extracting a graph from existing prose, we pick a target graph the hardware encodes natively, and write a book whose structure matches it. The twenty-nine texts written this way, collected under the name QOuLiPo, extend the OuLiPo tradition to graph-topological constraints and, together with the eight natural texts, form a benchmark distribution against which neutral-atom hardware can be tracked as it scales. Third, we run both natural and engineered texts on Pasqal's FRESNEL processor up to one hundred atoms; engineered texts reach high approximation ratios, the cleanest instances returning the exact backbone. A cloud-accessible quantum machine plus an agentic coding environment now lets a single investigator run this pipeline end-to-end. What is reported is an application layer, not a speedup -- humanistic instances ready to load onto neutral-atom processors as they scale, already complementing classical text analysis. The Digital Humanities community has a stake in building familiarity with this hardware now: the engineered-corpus design choices made today fix the benchmark distribution future hardware will be measured against.
SAGE: Hierarchical LLM-Based Literary Evaluation through Ontology-Grounded Interpretive Dimensions
Evaluating literary quality requires assessing interpretive dimensions such as cultural representation, emotional depth, and philosophical sophistication that resist straightforward computational measurement. We introduce SAGE, a hierarchical evaluation framework that decomposes literary quality into ontology-grounded interpretive dimensions assessed through structured large language model evaluation with multi-round iterative reflection and independent validation. We validate the framework on 100 short stories (50 canonical works, 30 pulp fiction, 20 LLM-generated narratives) across three analytical layers (cultural, emotional-psychological, existential-philosophical) using dual-mode assessment. Across 600 evaluations, the framework achieves 98.8% score convergence and greater than 94% inter-rater agreement, with near-perfect mode invariance between content-based and metadata-based evaluation. Statistical analysis reveals a consistent genre hierarchy (Canonical > Pulp > LLM, all p<0.001) with layer-specific discrimination: cultural critique and philosophical depth exhibit very large effect sizes (Cohen's d>2.4), while emotional representation shows smaller gaps (d=1.68), suggesting that affective patterns are more learnable from training data than critical stance or philosophical depth. Cross-layer correlations (r=0.649-0.683) confirm the three dimensions capture empirically distinguishable quality facets. These findings demonstrate that theory-driven LLM evaluation can achieve measurement-grade reliability and support systematic identification of where current generative models fall short of human literary production, with direct implications for scalable automated evaluation of open-ended text generation.
From graphemic dependence to lexical structure: a Markovian perspective on Dante's Commedia
This study investigates the structural organisation of Dante's Divina Commedia through a symbolic representation based on vowel-consonant (V/C) encoding. Modelling the resulting sequence as a four-state Markov chain yields a parsimonious index of graphemic memory, capturing local persistence and alternation patterns. Across the poem, this index shows a slight but consistent increase from the Inferno to the Paradiso, indicating a directional shift in local dependency structure. Trigram analysis identifies a restricted set of recurrent configurations acting as graphemic probes, linking Markov patterns to lexical environments and orthographic phenomena such as apostrophised forms. A complementary classification analysis identifies cantica-specific lexical anchors, showing that local symbolic dependencies reflect both the separation among the three cantiche and a continuous progression across the poem. The results provide an interpretable framework connecting local symbolic structure with higher-level textual organisation.
Markov reads Pushkin, again: A statistical journey into the poetic world of Evgenij Onegin
This study applies symbolic time series analysis and Markov modeling to explore the phonological structure of Evgenij Onegin-as captured through a graphemic vowel/consonant (V/C) encoding-and one contemporary Italian translation. Using a binary encoding inspired by Markov's original scheme, we construct minimalist probabilistic models that capture both local V/C dependencies and large-scale sequential patterns. A compact four-state Markov chain is shown to be descriptively accurate and generative, reproducing key features of the original sequences such as autocorrelation and memory depth. All findings are exploratory in nature and aim to highlight structural regularities while suggesting hypotheses about underlying narrative dynamics. The analysis reveals a marked asymmetry between the Russian and Italian texts: the original exhibits a gradual decline in memory depth, whereas the translation maintains a more uniform profile. To further investigate this divergence, we introduce phonological probes-short symbolic patterns that link surface structure to narrative-relevant cues. Tracked across the unfolding text, these probes reveal subtle connections between graphemic form and thematic development, particularly in the Russian original. By revisiting Markov's original proposal of applying symbolic analysis to a literary text and pairing it with contemporary tools from computational statistics and data science, this study shows that even minimalist Markov models can support exploratory analysis of complex poetic material. When complemented by a coarse layer of linguistic annotation, such models provide a general framework for comparative poetics and demonstrate that stylized structural patterns remain accessible through simple representations grounded in linguistic form.
Rank-Turbulence Delta and Interpretable Approaches to Stylometric Delta Metrics
This article introduces two new measures for authorship attribution - Rank-Turbulence Delta and Jensen-Shannon Delta - which generalise Burrows's classical Delta by applying distance functions designed for probabilistic distributions. We first set out the theoretical basis of the measures, contrasting centred and uncentred z-scoring of word-frequency vectors and re-casting the uncentred vectors as probability distributions. Building on this representation, we develop a token-level decomposition that renders every Delta distance numerically interpretable, thereby facilitating close reading and the validation of results. The effectiveness of the methods is assessed on four literary corpora in English, German, French and Russian. The English, German and French datasets are compiled from Project Gutenberg, whereas the Russian benchmark is the SOCIOLIT corpus containing 639 works by 89 authors spanning the eighteenth to the twenty-first centuries. Rank-Turbulence Delta attains attribution accuracy comparable with Cosine Delta; Jensen-Shannon Delta consistently matches or exceeds the performance of canonical Burrows's Delta. Finally, several established attribution algorithms are re-evaluated on the extended SOCIOLIT corpus, providing a realistic estimate of their robustness under pronounced temporal and stylistic variation.
'The Order in the Horse's Heart': A Case Study in LLM-Assisted Stylometry for the Discovery of Biblical Allusion in Modern Literary Fiction
We present a dual-track pipeline for detecting biblical allusions in literary fiction and apply it to the novels of Cormac McCarthy. A bottom-up embedding track uses inverse document frequency to identify rare vocabulary shared with the King James Bible, embeds occurrences in their local context for sense disambiguation, and passes candidate passage pairs through cascaded LLM review. A top-down register track asks an LLM to read McCarthy's prose undirected to any specific biblical passage for comparison, catching allusions not distinguished by word or phrase rarity. Both tracks are cross-validated by a long-context model that holds entire novels alongside the KJV in a single pass, and every finding is checked against published scholarship. Restricting attention to allusions that carry a textual echo--shared phrasing, reworked vocabulary, or transplanted cadence--and distinguishing literary allusions proper from signposted biblical references (similes naming biblical figures, characters overtly citing scripture), the pipeline surfaces 349 allusions across the corpus. Among a target set of 115 previously documented allusions retrieved through human review of the academic literature, the pipeline independently recovers 62 (54% recall), with recall varying by connection type from 30% (transformed imagery) to 80% (register collisions). We contextualise these results with respect to the value-add from LLMs as assistants to mechanical stylometric analyses, and their potential to facilitate the statistical study of intertextuality in massive literary corpora.