Transcription

Automated depression screening from clinical interviews requires attribution of utterances to the clinician or patient. We evaluate two datasets: DAIC-WOZ, where participant-only recordings require re-synthesizing both sides for controlled two-party evaluation, and PDCH-HAMD, comprising voice-converted real Chinese interviews for cross-lingual validation. Cascaded systems combine speaker diarization with role-assignment heuristics, so errors can propagate across stages. We propose an end-to-end model, which we named DiaWhisper, that fine-tunes Whisper-large-v3 with LoRA and an auxiliary frame-level role head for transcription and attribution, together with DiaWhisper-DPO, a failure-mined refinement that uses genuine decoding failures as DPO rejected completions without human preference annotation. On 29 DAIC-WOZ test sessions, DiaWhisper-DPO achieves 0.973 role accuracy and 0.119 DER, 72% below the strongest cascaded baseline, and reduces seed variation from σ = .205 to .002. Retrained on PDCH-HAMD, it achieves 0.757 role accuracy and improves all 78 session-seed pairs.

Automatic Music Transcription (AMT) for guitar remains limited by three challenges: existing systems often fail to capture expressive techniques such as slides, bends, and percussive hits; they often assign notes to incorrect string-fret combinations; and they are typically trained on clean recordings, limiting their generalization to noisy real-world audio. To address these challenges, we propose TART, a modular four-stage audio-to-tablature pipeline consisting of (1) an audio-to-MIDI transcription model, (2) an expressive technique classifier, (3) an audio-conditioned T5 encoder-decoder for string-fret assignment, and (4) an automated tablature generator. We evaluate TART in a zero-shot setting on GuitarSet, EGDB, and two augmented benchmarks, Noisy GuitarSet and Noisy EGDB. Averaged across these four benchmarks, TART achieves 81.35% audio-to-MIDI F50 (+6.67 points over the best prior baseline), 71.8% string-fret Tab F1 (+8.5 points over the best prior baseline), and 54.08% end-to-end Tab F1. To our knowledge, TART is the first framework to generate guitar tablature with both fingering and expressive technique annotations directly from guitar audio.

Child speech differs from adult speech in acoustics, prosody, and linguistic structures. Speech disfluencies (such as repetitions) further challenge automatic understanding. While Audio Language Models (ALMs) show strong semantic reasoning from speech audio, their ability to reason about disfluent child speech in mixed-speaker settings remains unexplored. We investigate this through two tasks: child-focused semantic summarization and speech entailment. Experiments use recordings of children who stutter in mixed speaker interviews without explicit speaker separation. Models are instruction-guided to focus on the child, preserve clinically relevant disfluencies, and avoid adult-speech leakage. Evaluation combines LLM-based judges and reference-based metrics, anchored by transcript-oracle baselines to isolate errors. Results show that while ALMs extract high-level meaning from stuttered speech, reasoning degrades significantly with increased

Generalizable Audio-to-Score (A2S) transcription is fundamentally constrained by the severe scarcity of high-quality, real-world paired data. Relying solely on existing human-annotated datasets often restricts the generalization of A2S models, limiting their efficacy primarily to single-instrumentation domains. To break this dependency on scarce real-world data, we introduce TUTTI (Transformer for Unified audio-To-score Transcription trained on Synthetic multi-Instrumentation Data), a pre-training paradigm driven by a purely synthetic, large-scale dataset. Rather than using human-composed scores, we leverage a symbolic music generation model to generate a massive, highly scalable multi-instrumentation corpus and create audio-score pairs with expressive acoustic characteristics. Capitalizing on the generated data, we employ a standard Transformer encoder-decoder architecture. We empirically demonstrate that pre-training a unified attention-based model on generated, multi-instrumentation data yields a consistently stronger foundational representation than single-instrumentation training. When fine-tuned with downstream real-world datasets, TUTTI outperforms previous approaches, establishing new overall state-of-the-art results across various A2S baselines. Notably, TUTTI shows remarkable cross-instrument transferability, effectively adapting to unseen instruments with highly competitive performance. The source code and the TuttiCorpus dataset will be made publicly available at https://github.com/a-musiclover/TUTTI.

Guitar tablature transcription requires not only accurate pitch detection but also assigning each note to a specific string-fret position, as the same pitch can be played at multiple fretboard positions. Existing approaches treat this as a standard classification problem, ignoring the musical and physical constraints that govern playable fingering sequences. We propose Noise2Fret, a diffusion model for audio-to-tablature transcription that generates tablature through a continuous latent representation of discrete fret and string targets, conditioned on spectral and audio features. To bridge the gap between pitch accuracy and physical playability, we introduce five auxiliary losses encoding Pitch-Class Distance, Positional Distance, Circle-of-Fifths Distance, String Similarity, and Hand-Span Feasibility directly into the training objective. Experiments on GuitarSet and GOAT datasets demonstrate that the model outperforms baselines while remaining computationally more efficient, and that the auxiliary losses yield consistent gains over the standard training objective.

Long-paragraph detailed audio captioning, which requires dense and transcript-faithful descriptions of fine-grained audio content, remains unsolved for current audio-visual multimodal language models. We attribute this failure to two structural problems. The first is data poverty, as no public corpus jointly provides long clips, paragraph captions, and verbatim-transcript fidelity. The second is generation-mode failure, evidenced by a 44.8 to 46.4 percentage-point gap between right-audio and shuffled-audio multiple-choice question (MCQ) accuracy. We address both within Self-Check Captioning (SCC), a unified framework that instantiates audio-grounded question answering as the verification primitive at every lifecycle stage. SCC yields three artifacts. Long-paragraph Audio Caption 50k (LACap-50k) is a 50,222-clip audio-visual corpus with 491.5-word captions and a post-hoc automatic speech recognition (ASR) audit. Layer-Curvature Supervised Fine-Tuning (LC-SFT) is the first on-policy supervised fine-tuning method to weight tokens by intermediate-layer evidence, motivated by our identification of Late-Layer Semantic-Entropy Collapse (SEC). SCC-Verifier arbitrates among caption rollouts via audio-grounded self-answering at inference. Across multiple benchmarks, our system attains state-of-the-art among open-source captioners and is competitive with proprietary baselines. We release LACap-50k to fill the resource gap for long-paragraph detailed audio captioning research.

Existing audio-to-score (A2S) systems primarily focus on classical music, and the application to popular music remains underexplored. This paper first presents the new SheetSage-A2S Dataset, which includes 61 hours of audio with \texttt{**kern} score encodings for 9,468 clips originating from 6,066 unique songs, the first of its kind to facilitate A2S research for popular music. Additionally, we improve on existing A2S approaches by using data augmentation and MuQ, a pretrained feature-extraction model for music audio, to enhance generalisation abilities and extract meaningful audio features. Results show that the proposed A2S model achieves 4.98% symbol error rate (SER) on the Quartets collection for classical music, which significantly outperforms the 15.3% SER from the existing state-of-the-art \cite{alfaro-contrerasTransformer2024}. Additionally, our model achieves 20.92% SER on the SheetSage-A2S dataset for popular music, serving as a strong benchmark for future research. The dataset, model, and code are made publicly available at: https://github.com/Multimodal-Music-Research-Lab/SheetSage2Kern_model.

Automatic Drum Transcription (ADT) is commonly formulated as a direct mapping from a music mixture to symbolic drum events. While effective for transcription, this formulation discards the acoustic stems that are useful for editing, remixing, and production. We revisit an alternative separate-and-detect formulation, where a drum source separation front end first produces five editable drum stems, and a fixed onset detector then converts each stem into symbolic events. The separator is built on a five-stem latent diffusion model that jointly generates kick, snare, toms, hi-hats, and cymbals in a compact VAE latent space. We further study two training-only auxiliary branches--an onset branch (OB) and a timbre branch (TB)--which shape the separator during learning but are discarded at inference. Trained on synthetic drum multitracks and evaluated on MDB Drums and ENST-Drums, the proposed pipeline consistently improves over a strong U-Net-based drum separation baseline in overall transcription F1. It also outperforms a representative end-to-end ADT system on kick and snare F1 under our evaluation protocol, while additionally providing separated audio stems. The ablation results show that OB gives the most stable transcription gains, whereas TB changes the trade-off between reconstruction, acoustic stem quality, and onset detection. These results suggest that generative drum demixing can serve not only as a source separation model, but also as a practical front end for interpretable drum transcription.

Audio-encoder-LLM-decoder architectures have become the dominant paradigm for modern automatic speech recognition (ASR), improving transcription quality through large-scale language modeling. However, the cost of autoregressive decoding scales with decoder size, creating a fundamental trade-off between recognition quality and serving latency. We argue this trade-off is not inherent: unlike open-ended text generation, ASR outputs are strongly anchored to the input speech signal, providing a natural inductive bias toward high-parallelism decoding. Building on this, we introduce ParaASR, an ASR system that leverages Multi-Token Prediction (MTP) to let a 4B LLM decoder emit multiple tokens per forward step. Starting from a publicly available audio-language foundation, the model first establishes a robust autoregressive recognizer and then aligns five future-token branches through a staged optimization recipe. At inference, it proposes a six-token continuation per step and admits only the verified prefix into the transcript, preserving the safety of standard autoregressive decoding. The average accepted length reaches 5.0 out of 6 proposed tokens, confirming that the deterministic structure of speech makes ASR an especially natural setting for multi-token decoding. ParaASR further retains a native 32K-context window and transcribes up to 30 minutes of audio in a single pass. Across diverse benchmarks, it attains average error rates of 2.97%, 3.68%, and 3.70% on Chinese, English, and long-form evaluations, respectively, while reaching a real-time factor (RTF) as low as 0.0053. These results show that decoder scaling, low-latency inference, and long-context transcription need not be competing goals when future-token proposals are anchored by the acoustic signal and guarded by autoregressive verification.

Guitar tablature transcription predicts the string and fret position for each note so that the resulting tablature reproduces the target musical part. Prior sequence-to-sequence approaches have shown promising results on large-scale datasets, but their generalization behavior across different dataset scales remains less explored. In this work, we propose a guitar tablature transcription framework with explicit note-event tokenization and regularized training. The proposed decoder token representation incorporates note-event tokens together with TAB tokens, allowing note boundaries, pitch-related events, and string-fret positions to be represented more explicitly. We evaluate the proposed framework on DadaGP, a large-scale dataset, and Francois Leduc, a small-scale dataset. Our method improves tablature accuracy over the Fretting Transformer baseline on DadaGP, with especially strong gains when trained directly on the small-scale Leduc dataset. We further introduce a pitch-validity constrained decoding strategy that masks pitch-invalid TAB candidates during generation rather than correcting them after decoding and simultaneously preserves the original timing and note structure from the input. This constraint improves tablature accuracy and provides a controlled setting for measuring how much error remains after pitch-invalid predictions are removed. Our code will be released at:https://github.com/MusicGuitarTab/GuitarTab

Automatic Text Recognition (ATR) now supplies digital humanities with large volumes of unstructured, heterogeneous, and often noisy text in ancient languages. Downstream semantic analysestext reuse identification, alignment, and semantic search-rely on sentence embeddings, yet existing methods transfer poorly to ancient languages: generic multilingual encoders underperform, specialized language models yield anisotropic representation spaces, and labeled similarity data is unavailable. We study two fully unsupervised strategies - TSDAE and contrastive sentence embedding (CSE) - that adapt a specialized token-level language model into a corpus-specific sentence encoder using only raw sentences. On the philologically central case of biblical reuse in patristic literature (2,935 expert-verified parallels in Latin and Ancient Greek, from Augustine, Jerome, and Athanasius), we decompose reuse identification into two separately evaluated tasks-binary detection and correspondence retrieval-and benchmark the adapted encoders against multilingual, specialized, distilled, and supervised fine-tuned baselines, as well as on artificially noised data simulating HTR artifacts and scribal abbreviations. The adapted encoders outperform all baselines on both tasks, with complementary profiles: TSDAE leads detection given a large in-domain corpus, while CSE leads retrieval, reaches its optimum with as few as 4-8k raw in-domain sentences-a few tens of seconds of training on a laptop GPU-and transfers across works and authors, including to noisy post-ATR text when retrained directly on it. UMAP atlases relate the geometric effect of each strategy to the measured gains, and the full pipeline-segmentation, fine-tuning, cross-corpus semantic search-is made available to non-specialists through the online tool Paraphrasis.

Modern ASR models trained on heterogeneously annotated data treat transcription style (verbatim vs. intended) as an uncontrolled latent variable, causing measurable decoding instability, evaluation confounding (up to 60% of reported WER attributable to style mismatch), and unreliable word-level timing. We show that models already encode both styles; the challenge is controlled activation. Using coverage-aware decoder task tokens trained on parallel verbatim/intended transcript pairs, we raise German disfluency F1 from 10% to 79% zero-shot, despite English-only training. Full English-only fine-tuning surpasses all baselines in verbatim accuracy, disfluency detection, and intended-mode quality across both languages. We further introduce supervised cross-attention fine-tuning that improves word-level timestamps on disfluent speech beyond forced-alignment baselines. Finally, we propose verbatimize, a new task enabling scalable creation and enrichment of speech corpora with high-quality canonical verbatim transcriptions.

This paper describes TalTech's submissions to the Beyond Transcription Challenge (BeTraC), which requires generating SOAP notes directly from long doctor-patient conversation recordings, without intermediate transcription. After screening open-weight speech LLMs for long-audio robustness, we adapted Voxtral Mini (lightweight track) and Voxtral Small (heavyweight track) with LoRA supervised fine-tuning followed by DAPO reinforcement learning that uses the challenge metric, Open Medical Concept F1, as its reward. Our systems ranked first in both tracks, and an independent LLM-as-a-judge evaluation showed the lowest hallucination rate among all submissions, indicating that reinforcement learning against a concept-matching metric need not compromise factual reliability. We also find that fine-tuning on text transcripts transfers well to speech input and appears to improve robustness on out-of-domain real recordings.

Existing methods for automatic music transcription are often limited to single-instrument recordings or fail on complex, real music mixes. Although previous work utilizes synthetic training data, the resulting models generalize poorly, leading to largely unusable transcription output in realistic, multi-instrument settings. In this work, we analyze the effectiveness of synthetic data for pre-training while combining it with fine-tuning on real music audio and post-training using reinforcement learning. We further introduce conditioning on instrument presence to customize transcriptions. Finally, we release MuScriptor, an open-weight multi-instrument music transcription model that works on real-world music recordings from across a diverse range of musical genres.

Historical encrypted manuscripts present a challenging problem at the intersection of cryptology, linguistics, paleography, and computer vision. Current automatic decipherment approaches usually rely on a two-stage pipeline: transcription of cipher symbols from manuscript images, followed by decryption into plaintext. However, this design is sensitive to transcription errors, which propagate to the final output. We present Direct Image Decryption, an end-to-end approach that directly maps encrypted manuscript images to plaintext, bypassing the intermediate transcription stage. Using the Copiale cipher as a case study, we build a synthetic data generation pipeline to create large-scale cipher-like training data and compare the traditional pipeline with the proposed joint architecture. Results show that joint image-to-plaintext modeling is a promising alternative to traditional transcription-based pipelines.

Scam phone calls exploit vulnerable communities worldwide, yet research on detection has focused almost exclusively on English and other high-resource languages. In low-resource settings such as Turkish, detection is especially difficult, as annotated data is scarce and technological defenses remain limited. This research investigates how large language models (LLMs) can support scam detection in Turkish by introducing the first public multi-modal dataset of 100 aligned audio-transcript pairs of scam and benign conversations. We evaluate seven LLMs spanning three model families: Gemini 2.5 (Flash, Flash-Lite, Pro), GPT-4o, and Qwen (Max, Plus, Turbo), under three input conditions: raw audio, automatic speech-to-text transcripts, and transcripts refined by a native speaker. Our results suggest that transcript-based inputs consistently outperform direct audio processing, while human-corrected and uncorrected transcripts perform comparably. By centering a low-resource language and real world threat, this work highlights the urgent need for culturally and linguistically inclusive AI safety research and more robust multi-modal systems for fraud prevention.

Speech-to-IPA transcription is useful when the desired output is pronunciation rather than orthographic text, but competitive multilingual systems are often large and evaluation is sensitive to normalization choices. This paper presents BranchShine, a 33M-parameter raw-audio CTC recognizer with a lightweight convolutional front end and a 19-block RoPE E-Branchformer encoder. We find that BranchShine provides a compact and competitive operating point for IPA transcription under matched normalization and scoring. On a 16,660-utterance multilingual test set covering 41 language labels, BranchShine obtains 9.19% whitespace-insensitive IPA character error rate, compared with 9.78% for the 575.00M-parameter PhoneticXEUS baseline. A secondary child speech reading analysis shows a complementary operating profile: BranchShine is more conservative on incorrect readings, while Whisper-Medium is stronger on exact acceptance of correct readings. Overall, the results indicate that a compact raw-audio-to-IPA model can approach much larger baselines on character-level IPA transcription.

Code-switching (CSW) remains challenging for large multi-lingual ASR systems in real-world deployment. While fine-tuning on synthetic CSW data is possible, it generally degrades strong monolingual baselines. Our goal is to preserve these capabilities while extending models to handle complex code-switching, including morphological variations across languages. We propose Bayesian factorized adaptation, which learns to efficiently integrate switching-relevant knowledge into strong pretrained models without overwriting existing capabilities. Requiring only a small amount of synthetic data, our approach reduces transcription errors by 32.87% on code-switched words while improving overall WER by 5.31%, all while maintaining mono-lingual performance. Our results demonstrate that effective CSW adaptation depends more on knowledge integration than data complexity.

Automatic Music Transcription (AMT) models have achieved a high level of success in polyphonic transcription of various instruments. Velocity, typically a measure of note intensity, is less commonly predicted in these models due to the absence of velocity labels in available datasets and lack of a proper definition for instruments other than piano. We present a methodology and model for velocity prediction in Automatic Guitar Transcription (AGT) which uses virtual instruments to generate synthetic training data with velocity labels. We first pretrain a model on this synthetic data. These weights are then transferred to a different model and trained on real guitar audio, allowing the model to retain the working velocity prediction while also achieving high performance and generalisability from the real training data. The velocity prediction is shown to outperform a baseline model which does not use the pretrained velocity weights, when evaluated on synthetic data. In addition, using the pretrained velocity weights offers a small improvement in note transcription, though the magnitude of this improvement is limited and not always significant depending on the testing data. Overall the model achieves results comparable to the state of the art in guitar transcription, while also successfully predicting velocity.

Quran Automatic Speech Recognition (ASR) aims to convert Quranic recitation into text, enabling applications such as aided memorisation tools and Quranic search engines. However, existing ASR models often exhibit high Word Error Rates (WER) on user-recited verses and lack full coverage of the Quranic corpus. This paper presents a systematic empirical study of domain-specific fine-tuning of pretrained Transformer-based models for Quranic ASR, using advanced speech feature extraction methods: Wav2Vec2.0, HuBERT, and XLS-R. These models apply self-supervised learning by masking portions of input audio and using Transformer architectures to learn context-aware speech features. The pretrained models are fine-tuned on a filtered Quranic dataset exceeding 870 hours of professional and user recitations. Through comprehensive ablation studies across feature extractors, output label formats, training strategies, and clip durations, we identify the key factors that affect transcription accuracy in this domain. Our best-performing configuration achieves a WER of 0.08 on the EveryAyah subset and 0.11 on the combined EveryAyah+Tarteel setting, representing roughly a five-percentage-point gain over the Citrinet baseline (WER = 0.163) while reducing combined-model training time from 140 hours to 40 hours. Arabic text without diacritics yields the best fine-tuning results, and Wav2Vec2-XLSR-53 provides the strongest overall representation. Future work includes improving dataset quality and developing phoneme-aware models to extract deeper speech feature representations for Tajweed-sensitive applications.

Expert phonetic annotation is costly, especially for non-standard dialects and atypical speech. A common alternative is using Grapheme-to-Phoneme (G2P) models to auto-generate phonetic labels from text transcripts at scale. We study how automatic phonetic transcription performance scales with human and G2P supervision in English. Using a curated 80-hour benchmark spanning native, non-native and post-stroke speech, we identify a supervision quality threshold: G2P supervision helps only when fewer than 20-30 hours of human annotation are available. Beyond this threshold, it provides no significant benefit and can reduce cross-dialect robustness. What is effective after this threshold is ASR pretraining which we use to achieve a 2.3x reduction in weighted phone feature error rate over prior systems, with strong gains on non-native and aphasic speech. These results suggest that quantity-driven G2P scaling may yield diminishing returns for robust generalization.

Comparing text strings is crucial when evaluating and understanding the performance of various text processing tasks such as document recognition and audio transcription. With an increasingly complex landscape of AI-based handwritten text recognition (HTR), optical character recognition (OCR) and automatic speech recognition (ASR) models, there is a need for tools that facilitate evaluation in a flexible and reproducible way. This paper presents Stringalign, a Python library designed to simplify the evaluation process for automatic transcription projects and facilitate transparent evaluation. Stringalign's tools to examine and visualise both the rate of errors and the types of errors a model makes, give insights into possible improvements and help inform model selection for a particular task. Widely used string comparison metrics, such as the character and word error rates (CER and WER), although useful, can be ambiguous due to varying definitions of what constitutes a character and a word. Stringalign addresses this challenge by ensuring all preprocessing (i.e. normalisation and tokenisation) is transparent and easily replicable, and by providing tools to move beyond summary statistics and analyse common model errors. Moreover, Stringalign adheres to FAIR (Findable, Accessible, Interoperable, and Reusable) principles for research software while staying lightweight and easy to adapt into researchers existing workflows. In this paper, we discuss challenges with character and word level string comparisons and show through examples that where existing tools can yield opaque and sometimes confusing results, Stringalign provides an easy-to-use and unambiguous alternative.

Precise note-level annotations are critical for training automatic music transcription (AMT) systems, in particular note-onset labels, which form a core component of many recent AMT systems. However, high-quality annotations for real-world recordings are scarce. Sequence-level score--audio alignment methods such as dynamic time warping provide only coarse correspondence, making a local refinement step necessary. This refinement step, known as snapping, adjusts aligned score onsets using peaks in a neural onset posteriorgram and often determines whether weakly aligned score--audio pairs become usable training data at all. Despite its practical importance, snapping is typically treated as a simple post-processing heuristic and implemented with greedy local decisions. We present a systematic analysis of snapping strategies for training instrument-agnostic transcribers, demonstrating that snapping is essential for learning from weakly aligned data. Building on this, we formulate snapping as a per-pitch assignment problem and solve it via bipartite graph matching, yielding context-aware onset decisions under overlapping refinement windows and uncertain initial alignments. Extensive cross-dataset experiments across piano, chamber, and orchestral recordings show improved onset alignment and transcription accuracy over greedy snapping, with gains increasing for wider snapping windows and coarser initial alignments. Qualitative examples are provided on our project page: https://abhirupsaha8.github.io

Automatic Speech Recognition (ASR) systems operating in real-time settings must process acoustic input under strict temporal constraints, where transcription decisions are inherently made on incomplete information. This causal constraint serves as an information bottleneck on attackers, significantly limiting attack performance. Our new Semantic Gambit attack breaks this causal limitation by augmenting the adversary with predictive context derived from a Large Language Model in real-time. Our experiments show that this form of augmentation can elevate the corpus-level Word Error Rate to 35.6% -- a three-fold increase over the current state-of-the-art. Ultimately, this work reveals how common, low-latency LLM tooling can be exploited to systematically subvert real-time ASR pipelines.

Text-to-speech (TTS) evaluation for low-resource non-Latin-script languages can fail when it relies on a single ASR round-trip word error rate (WER). A system may produce no audio, speak a neighbouring language, preserve target script text only in an ASR transcript, or sound unnatural to native listeners. We introduce INSV (Intelligibility, Naturalness, Script fidelity, and Verification), a reporting framework that separates these cases. This paper reports INSV-A, the automated screening subset: synthesis completion, ASR WER/CER, transcript Script Fidelity Rate, and audio language identification. Native MOS and phonetic annotation are specified but not claimed in this release. We instantiate INSV-A as PashtoTTS-Bench, a dated benchmark for Pashto TTS. The April-May 2026 run evaluates Edge GulNawaz, Edge Latifa, OmniVoice clone, OmniVoice auto, and an Urdu negative control on 200 FLEURS and 200 filtered Common Voice 24 prompts. Under the independent omniASR_CTC_300M_v2, OmniVoice auto has the lowest WER (24.1% FLEURS, 27.4% CV24), followed by Edge GulNawaz (32.8%, 39.5%), Edge Latifa (35.6%, 47.7%), and OmniVoice clone (45.4%, 34.8%). WER below the natural-speech baseline reflects clean synthetic audio and should not be read as better than native speech. Whisper Large V3 returns 0.0% Pashto labels on checked Pashto TTS audio, while MMS-LID-4017 and SpeechBrain VoxLingua107 separate Pashto outputs from the Urdu control. The release provides provider metadata, per-sentence scores, LID audits, failure logs, and scripts for adding systems.

In recent years, thanks to advances in automatic music transcription (AMT), several large-scale datasets of automatically transcribed piano solo music have been released. While these datasets undoubtedly offer extensive material for performance studies, they vary substantially in quality. In the case of classical music, performances often differ not only in expressive aspects such as tempo, but also in their structural interpretation of the score (including repeat patterns and edition-specific variants). To meaningfully use large-scale transcribed datasets for performance research, transcriptions of the same piece must be grouped according to their underlying structural realisation to support valid comparison. We address this by applying sequence-to-sequence alignment followed by hierarchical clustering: we create pairwise alignments for all pairs of transcriptions of a given piece, and use the alignment cost and (dis)similarity of performed sequence lengths to resolve structural mismatches as features for grouping. We propose this approach as a first step towards automatically evaluating large-scale transcribed datasets that lack ground-truth score and/or audio, shifting the evaluation criterion from truth-based accuracy to musical coherence and plausibility. We demonstrate our score-agnostic approach on around 1,500 transcriptions of 88 compositions from a recently published large-scale transcribed piano performance dataset.

Real-time streaming joint audio-video generation for character animation requires a generator to speak the requested transcript, maintain visual identity across chunks, and run within a strict playback budget. These requirements are difficult to satisfy simultaneously: chunk-wise autoregressive generation can accumulate transcript-audio misalignment and visual drift, while the few-step distillation needed for low latency often degrades spatial diversity and temporal quality. We present StreamChar, a streaming framework that separates long-horizon orchestration from short-window audio-video denoising. An LLM-based orchestrator uses the transcript and historical context to produce frame-aligned audio conditions, and a joint audio-video DiT performs local bidirectional denoising with reference and motion-frame conditioning. For efficient deployment, we use a two-stage distillation pipeline that first compresses the sampler and then fine-tunes the student under online chunk rollouts. A progress-aware pointer aligns partial transcripts with generated audio during rollout training, and a sink-chunk memory provides a persistent visual anchor for reducing long-horizon drift. Experiments on short-clip and long-horizon protocols show that StreamChar runs in real time on a single H100 GPU and provides a favorable system-level trade-off among transcript fidelity, audio-visual synchronization, visual quality, and streaming stability compared with recent joint and audio-driven baselines.

Cascaded Automatic Speech Recognition -- Large Language Model (ASR-LLM) pipelines remain popular for industrial Spoken Dialogue Systems (SDS), primarily because their decoupled design ensures perceptual verifiability. However, cascaded systems suffer from error propagation, as transcription failures inevitably cascade to subsequent components, thereby degrading the final interaction quality. Although ASR confidence scores offer a simple filter for unreliable inputs, this approach is fundamentally limited because it typically fails to detect deletion errors or to distinguish between acoustic (inability to hear clearly) and linguistic (inability to understand) mismatches, both of which require targeted recovery strategies. In this paper, we propose a cause-aware error recovery paradigm that fundamentally rethinks robustness in SDS. Unlike traditional confidence filtering, we introduce a suite of small precision-focused detectors that exploit deep ASR latent representations to disentangle token-level errors into perception, comprehension, and deletion failures. This fine-grained diagnostic intelligence empowers the LLM to orchestrate targeted, multi-turn clarification strategies, effectively transforming ambiguous signals into seamless user interactions. Experimental results validate the precision of our approach, which more than doubles the recall on domain-shift errors (57.96% vs. 23.66%) compared to baselines. Crucially, this diagnostic precision yields up to a 30% reduction in WER and a 17% improvement on the downstream task across diverse accents, distortions, and domains.

Competitive music transcription models require large amounts of paired audio-score data, which is scarce due to collection costs, alignment difficulty, and copyright restrictions. Meanwhile, vast quantities of unpaired audio recordings and symbolic scores are freely available but have gone unused. We adopt a cycle-consistent translation framework in which a small amount of paired data acts as a minimal anchor, unlocking the full potential of the unpaired pool. We find that: unpaired data yields surprisingly large gains, especially under limited supervision; unpaired audio contributes more than unpaired scores; incorporating unlabeled audio from a new instrument during training improves transcription for that instrument without any paired supervision. Together, these results suggest that scaling unpaired data offers a practical path toward high-quality transcription for instruments where labeled data remains scarce.

Audio-to-score alignment is a long-standing challenge in music information retrieval and arguably the most widely applicable alignment task for music research. Alignment algorithms match two versions of a piece of music, and for this to work these versions need to be in comparable formats. Audio-to-audio alignment matches audio features; when matching audio files to scores, they must either synthesize the score or derive audio-like features by means of piano rolls or similar feature sequences. Symbolic alignment, by contrast, matches symbolically encoded notes; in an audio-to-score scenario these would be obtained by a transcription of the audio file. In this article, we present an algorithm that bridges audio-like and symbol-level features directly. Sequential audio features encoding onset and spectral activation are matched to score positions by a bespoke dynamic programming-based matching algorithm derived from symbolic alignment methods. The resulting method is both precise - surpassing widely used audio-to-audio approaches based on synthesized scores -, and remains flexible in its digital signal processing components, i.e., the method is adaptable to diverse timbral characteristics without requiring a separate transcription model. Furthermore it inherits some of the symbolic alignment runtime advantages with an algorithmic complexity that is at worst linear in the length of the (typically short) symbolic score and (typically long) audio feature sequence. In the following sections, we provide a detailed algorithm description and evaluate its alignment quality on a large-scale dataset of solo piano recordings.

This paper describes a novel paradigm that formalizes automatic piano transcription (APT) as an optimal transport (OT) problem, not as a frame-level multi-label binary classification problem. Our method learns to minimize the cost of transporting a predicted distribution of note events to the ground-truth distribution over time and frequency. The OT loss can thus accommodate temporal misalignment, leading to perceptually relevant optimization. We also propose a convolutional recurrent neural network (CRNN) with a harmonics-aware attention mechanism to capture the spectro-temporal dependencies inherent in music.Our experiments using the MAESTRO dataset showed that our method attained a state-of-the-art performance in onset detection. We confirmed the versatility of the OT loss in application to existing models.

This paper introduces WARDEN, an early language model system capable of transcribing and translating Wardaman, an endangered Australian indigenous language into English. The significant challenge we face is the lack of large-scale training data: in fact, we only have 6 hours of annotated audio. Therefore, while it is common practice to train a single model for transcription and translation using large datasets (like English to French), this practice is no longer viable in the Wardaman to English context. To tackle the low-resource challenge, we design WARDEN to have separate transcription and translation models: WARDEN first turns a Wardaman audio input into phonemic transcription, and then the transcription into English translation. Further, we propose two useful techniques to enhance performance. For transcription, we initialize the Wardaman token from Sundanese, a language that shares similar phonemes with Wardaman, to accelerate fine-tuning of the transcription model. For translation, we compile a Wardaman-English dictionary from expert annotations, and provide this domain-specific knowledge to a large language model (LLM) to reason and decide the final output. We empirically demonstrate that this two-stage design works better than data-hungry unified approaches in extremely low data settings. Using a mere 6 hours of annotated data, WARDEN outperforms larger open-source and proprietary models and establishes a strong baseline. Data and code are available.

Automatic speech recognition (ASR) evaluation compares system output to ground truth transcripts, with Word Error Rate (WER) quantifying the distance between them. But ground truth transcripts are not discovered - they are produced by human annotators following conventions that encode normative assumptions about which speech features matter. Different conventions (verbatim, non-verbatim, legal) produce different transcripts of identical speech and judge the same ASR output differently. This paper argues that reference monism - enforcing a single transcription convention as ground truth - commits epistemic injustice. Speakers with aphasia, whose speech includes clinically meaningful disfluencies, are systematically disadvantaged when evaluated against "clean" references that treat those disfluencies as errors. The harm is not merely differential performance, but that evaluative infrastructure lacks interpretive resources to recognize their contributions as legitimate. We develop a philosophical framework introducing the hermeneutical gap, formalize Epistemic Injustice Distance (EID) to measure reference monism's cost, and demonstrate empirically using AphasiaBank that WER varies depending on which convention defines ground truth. We propose WER-Range: reporting performance across legitimate conventions rather than assuming a single correct answer.

The most commonly used metrics for evaluating automatic speech transcriptions, namely Word Error Rate (WER) and Character Error Rate (CER), have been heavily criticized for their poor correlation to human perception and their inability to take into account linguistic and semantic information. While metric-based embeddings, seeking to approximate human perception, have been proposed, their scores remain difficult to interpret, unlike WER and CER. In this article, we overcome this problem by proposing a paradigm that consists in incorporating a chosen metric into it in order to obtain an equivalent of the error rate: a Minimum Edit Distance (minED). This approach parallels transcription errors with their human perception, also allowing an original study of the severity of these errors from a human perspective.

Automatic speech recognition (ASR) systems remain brittle on dysarthric and other atypical speech. Recent audio-language models raise the possibility of improving performance by conditioning on additional clinical context at inference time, but it is unclear whether these models can make use of such information. We introduce a benchmark built on the Speech Accessibility Project (SAP) dataset that tests whether diagnosis labels, clinician-derived speech ratings, and progressively richer clinical descriptions improve transcription accuracy for dysarthric speech. Across matched comparisons on nine models, we find that current models do not meaningfully use this context: diagnosis-informed and clinically detailed prompts yield negligible improvements and often degrade word error rate. We complement the prompting analysis with context-dependent fine-tuning, showing that LoRA adaptation with a mixture of clinical prompt formats achieves a WER of 0.066, a 52% relative reduction over the frozen baseline, while preserving performance when context is unavailable. Subgroup analyses reveal significant gains for Down syndrome and mild-severity speakers. These results clarify where current models fall short and provide a testbed for measuring progress toward more inclusive ASR.

This paper presents the first comprehensive comparative analysis of modern machine learning architectures for transliteration between Tajik (Cyrillic script) and Persian (Arabic script). A key contribution is the creation and validation of a unique parallel corpus aggregated from multiple heterogeneous sources, including crowdsourced projects, lexicographic pairs, parallel texts of "Shahnameh", diplomatic articles, texts of "Masnavi-i Ma'navi", official terminology lists, and transliterated correspondences. The initial dataset comprised 328,253 sentence pairs; a representative subset of 40,000 pairs was formed using stratified random sampling. The experiment compared six classes of models: rule-based baseline, LSTM with attention, character-level Transformer, G2P Transformer (trained from scratch), pre-trained multilingual models (mBART, mT5 with LoRA), and byte-level ByT5. Results demonstrate the overwhelming superiority of ByT5 (chrF++ 87.4 for Tajik to Farsi, 80.1 for reverse). The G2P Transformer significantly outperformed mBART (72.3 vs. 62.2 chrF++) despite limited data. Models using subword tokenization (mT5) failed completely (chrF++ less than 18.5). The findings demonstrate that for accurate transliteration of the Tajik-Farsi pair, architectures operating at the byte or character level are unequivocally more effective than traditional multilingual Seq2Seq models relying on subword tokenization.

Automatic speech recognition systems often produce confident yet incorrect transcriptions under noisy or ambiguous conditions, which can be misleading for both users and downstream applications. Standard evaluation based on Word Error Rate focuses solely on accuracy and fails to capture transcription reliability. We introduce an abstention-aware transcription framework that enables ASR models to explicitly abstain from uncertain segments. To evaluate reliability under abstention, we propose RAS, a reliability-oriented metric that balances transcription informativeness and error aversion, with its trade-off parameter calibrated by human preference. We then train an abstention-aware ASR model through supervised bootstrapping followed by reinforcement learning. Our experiments demonstrate substantial improvements in transcription reliability while maintaining competitive accuracy.

Historical encrypted manuscripts require both paleographic interpretation of cipher symbols and cryptanalytic recovery of plaintext. Most existing computational workflows rely on a transcription-first paradigm, in which handwritten symbols are transcribed prior to decipherment. This intermediate step is labor-intensive, error-prone, and not always aligned with the goal of direct plaintext recovery. We propose an end-to-end, transcription-free approach that directly maps handwritten cipher images to plaintext. Using the Copiale cipher as a case study, we introduce the first text-line-level dataset pairing cipher images with German plaintext. We show that pretraining on generic handwriting data followed by cipher-specific fine-tuning substantially improves decipherment accuracy. Our results demonstrate that transcription-free image-to-plaintext decipherment is both feasible and effective for historical substitution ciphers, offering a simplified and scalable alternative to traditional pipelines. https://github.com/leitro/Decipher-from-Pixels-Copiale

We present an audio-to-analysis pipeline that produces composer-level information-theoretic profiles : reflecting compositional vocabulary as it emerges from aggregated performances : from raw recordings, built on a transcription layer whose accuracy we certify on a standard benchmark (F1 = 0.9791 on the MAESTRO v3.0.0 test set). Applied to 1,238 pieces and 15 MAESTRO composers with at least ten attributed pieces, spanning the Baroque through the early twentieth century, the pipeline derives empirical distributions over harmonic scale degrees and analyzes them through Shannon entropy, asymmetric Kullback-Leibler divergence, and Zipfian rank-frequency modeling. The resulting profiles (i) order composers along an interpretable axis of harmonic predictability, with a narrow entropy range (3.33-3.86 bits) that reveals the marginal-level similarity of tonal vocabularies; (ii) recover known stylistic lineages (Haydn-Beethoven, Liszt-Rachmaninoff, Schubert-Schumann) through the smallest KL divergences in the corpus, with Mendelssohn emerging as a stable outlier within this corpus; and (iii) separate contemporary neoclassical artists (Richter, Frahm, Glass, Arnalds, Jóhannsson) from historical composers on the quality of Zipfian fit to the transition distribution, with mean $R^2 = 0.78$ for neoclassical versus 0.46 for historical (N $\geq$ 10 pieces each). This gap is larger than the spread within either group and is consistent with a minimalist compositional tendency: a compact transition vocabulary used with sharper frequency-rank regularity than historical composers. All estimates are reported with Laplace-smoothed bootstrap 95% confidence intervals.

As part of the MediSpeech project, we aim to develop a system that transcribes and diarizes Dutch conversations between doctors and patients in real-time. In this research (in-progress) we explore ways of efficiently combining Whisper with speaker diarization (SD). After trying to prompt Whisper with text that contains speaker labels, we observed that it is able to insert labels into the transcription with promising accuracy. We continued this line of research by fine-tuning Whisper with speaker-labelled prompts to generate transcriptions in a format similar to that of Serialized Output Training (SOT). Fine-tuning Whisper yielded more consistent speaker IDs across the chunks of long-form audio and improved verbatim transcription. The study uncovered new challenges as Whisper's SD performance suffers because of mistakes that get propagated through prompts and inaccurate timestamps assigned to overlapping speech.

Phone recognition (PR) serves as the atomic interface for language-agnostic modeling for cross-lingual speech processing and phonetic analysis. Despite prolonged efforts in developing PR systems, current evaluations only measure surface-level transcription accuracy. We introduce PRiSM, the first open-source benchmark designed to expose blind spots in phonetic perception through intrinsic and extrinsic evaluation of PR systems. PRiSM standardizes transcription-based evaluation and assesses downstream utility in clinical, educational, and multilingual settings with transcription and representation probes. We find that diverse language exposure during training is key to PR performance, encoder-CTC models are the most stable, and specialized PR models still outperform Large Audio Language Models. PRiSM releases code, recipes, and datasets to move the field toward multilingual speech models with robust phonetic ability: https://github.com/changelinglab/prism.

Music Cover Retrieval, also known as Version Identification, aims to recognize distinct renditions of the same underlying musical work, a task central to catalog management, copyright enforcement, and music retrieval. State-of-the-art approaches have largely focused on harmonic and melodic features, employing increasingly complex audio pipelines designed to be invariant to musical attributes that often vary widely across covers. While effective, these methods demand substantial training time and computational resources. By contrast, lyrics constitute a strong invariant across covers, though their use has been limited by the difficulty of extracting them accurately and efficiently from polyphonic audio. Early methods relied on simple frameworks that limited downstream performance, while more recent systems deliver stronger results but require large models integrated within complex multimodal architectures. We introduce LIVI (Lyrics-Informed Version Identification), an approach that seeks to balance retrieval accuracy with computational efficiency. First, LIVI leverages supervision from state-of-the-art transcription and text embedding models during training to achieve retrieval accuracy on par with--or superior to--harmonic-based systems. Second, LIVI remains lightweight and efficient by removing the transcription step at inference, challenging the dominance of complexity-heavy pipelines.

Longform audio recordings obtained with microphones worn by children-also known as child-centered daylong recordings-have become a standard method for studying children's language experiences and their impact on subsequent language development. Transcripts of longform speech audio would enable rich analyses at various linguistic levels, yet the massive scale of typical longform corpora prohibits comprehensive manual annotation. Meanwhile, automatic speech recognition (ASR)-based transcription faces significant challenges due to the noisy, unconstrained nature of real-world audio. Previous attempts have assumed that ASR must process each longform recording in its entirety. In this work, we present an approach to automatically detect those utterances in longform audio that can be reliably transcribed with modern ASR systems, allowing automatic and relatively accurate transcription of a notable proportion of all speech in typical longform data. We validate the approach on four English longform corpora, showing that it achieves a median word error rate (WER) of 0% and a mean WER of 16% when transcribing 30% of the total speech in the dataset. In contrast, transcribing all speech without any filtering yields a median WER of 52% and a mean WER of 51%. We also compare word log-frequencies derived from the automatic transcripts with those from manual annotations and show that the frequencies correlate at r = 0.94 (Pearson) for all transcribed words and r = 0.99 for words that appear at least five times in the automatic transcripts. Overall, the work provides a concrete step toward increasingly detailed automated linguistic analyses of child-centered longform audio.

Simultaneous machine translation (SiMT) has traditionally relied on offline machine translation models coupled with human-engineered heuristics or learned policies. We propose Hikari, a policy-free, end-to-end model for simultaneous speech-to-text translation and streaming transcription. We also introduce Decoder Time Dilation, a mechanism that counteracts the overrepresentation of WAIT tokens in training. We present a supervised fine-tuning strategy that trains the model to recover from delays, significantly improving the quality-latency trade-off. Despite its modest size, Hikari delivers competitive translation quality at consistently low latency, comparing favorably with published IWSLT 2026 submissions up to 38x larger and with proprietary API systems across en-ja, en-de, and en-ru. We release our model weights and code to facilitate further research.