Cultural Heritage

The traditional Batak Ulos weaving industry faces growing challenges in producing diverse, innovative motifs due to limitations in conventional, manually driven design methods. This study proposes a multimodal generative framework integrating a fine-tuned Latent Diffusion Model (Stable Diffusion XL v1.0 via LoRA) with a Multimodal Large Language Model (LLaMA 1.5-7B) to enable controllable, culturally faithful Ulos motif generation. Four complementary conditioning mechanisms: text, image, representation, and semantic map (via ControlNet) jointly guide the generation process, each governing a distinct aspect from semantic intent to spatial layout. A five level ablation study across three scenarios (shape transformation, colour variation, and high-complexity input) shows that conditioning effectiveness is not proportional to the number of mechanisms combined: Text + Image + Semantic Map achieved the best FID (270) and CLIP Score (0.65 - 0.70) but the weakest SSIM (0.65), while Text + Image + Representation offered the best overall balance, with stable SSIM (0.84) and competitive FID (280). Combining all four mechanisms yielded the weakest FID (330), indicating conflicting optimization signals. Qualitative evaluation by nine weavers and thirty public participants confirmed statistically significant positive acceptance (Wilcoxon, p=0.007 and p<0.001, respectively). A web-based prototype supporting text-to-image and image-to-image generation was also developed, offering a practical digital design tool for cultural heritage preservation.

Cultural heritage documentation increasingly relies on image-based 3D surface reconstruction, with photogrammetry software making such workflows accessible to archaeologists, conservators, and heritage technicians. These tools have been successful for conventional multi-view acquisition, but they do not routinely exploit richer multi-view, multi-light data, despite its potential for improving fine-scale surface reconstruction. This limitation is particularly relevant in heritage contexts, where controlled-light acquisition devices such as RTI domes are already used to capture illumination-varying image sets. The challenge is therefore to connect these existing acquisition practices with recent computer vision methods in a form that can be used within operational heritage workflows. In this work, we address this need by integrating state-of-the-art components from computer vision for multi-view, multi-light surface reconstruction into Meshroom, an open-source photogrammetry framework. Rather than proposing a new reconstruction algorithm, our contribution is to assemble and expose existing advanced methods, namely a complete photometric stereo ecosystem (calibrated, self-calibrated and universal), automatic object masking, and multi-view normal-and-reflectance integration, within a usable heritage-oriented workflow. The proposed system thus provides an intermediate software layer between computer vision research code and practical cultural heritage applications, making recent techniques easier to use and evaluate.

Cultural-heritage KGs such as the NFDI4Culture-KG contain millions of triples about artworks, music, inscriptions, historical events, and the people and places connected to them. For many users, however, discovering this knowledge can be difficult. While SPARQL can be learned, writing meaningful queries first requires an in-depth understanding of the graph's data model, an investment many domain researchers and practitioners are unwilling to make. Even with existing user interfaces, a starting point and some guidance are usually needed, because the data contained in the graph is highly specialized, heterogeneous, and constantly growing, making it challenging to know what it contains or which questions it can answer. In this paper, we present data stories as a way not only to lower this barrier, but also to turn exploration into data-quality assessment, and thus combine accessible querying with the discovery of issues that remain hidden in aggregate statistics. In this contribution, a data story is understood as a narrative document that integrates explanatory text and images with executable SPARQL queries and their visualized results. It is described how they are authored against the graph and how they serve several purposes: guiding users through an unfamiliar graph, creating reproducible narratives, and surfacing data-quality issues previously hidden in aggregate statistics. The authoring platform LODEON including its Sparnatural and AI-supported authoring assistants is introduced as a proof-of-concept. Within the authoring environment, every claim made about the data can be backed by an explicit query, making these narratives transparent and reproducible. This paper also reflects on lessons learned from hands-on seminars and workshops. Early experience suggests that such data stories make cultural-heritage knowledge graphs more accessible for both exploration and quality assessment.

Cultural heritage collections often contain contemporary and historical visual records of the same physical object. Linking these records is difficult because corresponding images may differ in viewpoint, acquisition conditions, color reproduction, framing, resolution, and degradation, while genuine historical images are frequently scarce. This study investigates whether synthetically aged contemporary images can replace or complement missing historical training data in bidirectional instance-level retrieval. Synthetic old-domain images are generated using degradation-oriented transformations. An EfficientNetV2-M model is evaluated on identity-disjoint training, validation, and test sets across three dataset partitions and three training seeds. Mixed real-synthetic training is compared with real-only baselines using proportionally scaled and fixed 300-batch-per-epoch schedules. Complete replacement of genuine historical images reduced bidirectional mean R@1 from 86.56% to 81.27%, showing that synthetic aging does not reproduce the full genuine old-domain variability. Increasing the number of independently generated synthetic variants provided no consistent improvement. Under controlled scarcity, however, synthetic completion improved mean R@1 by 3.69 percentage points at 25% genuine historical coverage and by 2.92 points at 50%, relative to the proportionally scaled real-only baselines. At 75%, the gain decreased to 2.00 points, while performance remained comparable to the complete-real-data reference. Fixed-schedule real-only controls did not reproduce these improvements. The results indicate that genuine and synthetic observations are complementary. Synthetic completion primarily benefits retrieval by extending cross-domain identity coverage rather than by increasing training exposure, with its contribution gradually decreasing as genuine historical coverage increases.

The Indonesian Digital Library of Culture (Perpustakaan Digital Budaya Indonesia, PDBI; budaya-indonesia.org) is a participatory platform that has collected tens of thousands of entries on Nusantara cultural heritage through public contribution since 2007. Manual contribution faces three structural barriers: coverage (knowledge is scattered across languages and sites), integrity (open sources mix authentic documentation with noise), and completeness (subjects are recorded but their data remain shallow). This paper presents a methodological framework for autonomous, AI-based harvesting of cultural knowledge from the open web, designed to expand corpus coverage while intensifying per-entry data depth. The methodology is organised as a five-stage economic funnel: focused crawling, multilingual extraction and canonicalisation, vector encoding with blocking, agentic decision-making, and idempotent publication, under the principle of deterministic orchestration, agentic decisions. Each stage is formalised: funnel economics and optimal filter ordering; crawl-frontier dynamics as a subcritical branching process that explains the necessity of recurrent re-seeding; fact-level novelty via a containment measure; Bayesian multi-source evidence fusion with elevated publication thresholds for sacred categories; exactly-once effects via idempotent upserts and the transactional outbox; sliding-window inference budgeting with a reservation protocol; statistical quality auditing; and seed selection as submodular coverage maximisation. The framework retains four high-value human roles: curator of direction, escalation approver, quality auditor, and guardian of meaning, while machine autonomy is raised in stages. Ethical, legal, and cultural-sensitivity implications are discussed, including the architectural guarantee that the machine never overwrites human contributions.

Computer vision (CV) and machine learning (ML) offer new tools for cultural heritage (CH) artifact analysis, but the CV/ML pipeline remains largely inaccessible to CH domain experts, who lack the background to configure, train, or assess models. We present AmalthAI, an open-source CV platform that bridges this gap, enabling non-ML CH experts to independently produce and validate archaeologically meaningful findings. The interface covers dataset management, training, and inference for classification, segmentation, and object detection, with Kubeflow and Katib handling scalable training and hyperparameter search. Grad-CAM localizes the image region behind a prediction, and a vision-language model (VLM) adds a text description of it for expert review. Since archaeological data is often state-owned or rights-encumbered and cannot leave institutional custody, AmalthAI's self-hostable deployment ensures sensitive data is kept within premises. We test the platform on an archaeological use case built on a custom dataset of clay textile imprints, where CH experts trained and validated segmentation, and classification models for hypothesis testing. We provide the implementation code at https://github.com/TEXTaiLES/AmalthAI.

The Loggia dei Lanzi in the Piazza della Signoria is one of Florence's most prominent structures visited by millions every year. Its construction history spans multiple centuries of modification. This paper presents the results of a thermal imaging campaign conducted in December 2025, using a FLIR T1020 HD camera, revealing hidden architectural features including walled-up openings and material transitions beneath the plaster surface. The favorable winter ambient conditions provided a feature-rich benchmark upon which to compare the results of enhancement algorithms and artificial intelligence models. We evaluate the application of AI-based image enhancement to thermal heritage documentation through a comparison of three tiers of image resolution in a photogrammetric Structure-from-Motion (SfM) pipeline: native resolution, FLIR's hardware-based pixel-shifted super-resolution (UltraMax), and state of the art AI-upscaled imagery models. We quantify the effect of each resolution tier on feature detection and tie-point generation, assessing whether the additional detail produced by super-resolution, whether hardware or AI-derived, translates into meaningfully denser and more accurate 3D thermal models. Our results contribute to the emerging intersection of artificial intelligence and heritage thermography by providing a direct comparison of hardware microscanning and AI super-resolution within a thermal photogrammetric workflow for cultural heritage. All datasets are made publicly available and accessible within an interactive 3D archival framework, and integrated into a custom citywide extended reality overlay application.

We present an extension of Triangolazioni (a Cultural Heritage webapp) to enrich curated content with context-dependent, external information provided by Large Language Models (LLMs) within a loosely-coupled architecture agnostic to the LLM. The system supports context-dependent information search and presentation within an architecture agnostic to the exploited LLM.

Digitized musical heritage collections offer new opportunities to examine how stylistic traditions change over historical time, but computational analyses often reduce musical works to static classifications or similarity scores. This article proposes a representation-to-dynamics framework for studying cross-cultural harmonic change in Western art music. Starting from symbolic chord sequences, we derive contextual chord embeddings, project work-level representations into a shared harmonic space, and reconstruct country-level trajectories through temporally causal Kalman filtering. These trajectories are then modeled with DeGroot and Friedkin--Johnsen dynamics, yielding interpretable influence-like networks and estimates of stylistic anchoring. We apply the framework to a curated corpus of 480 dated works from 1875 to 1940 across Russia, France, Germany, Austria, and a heterogeneous ''Others'' group. Models fitted on 1875--1925 are evaluated through recursive forecasts for 1930--1940, testing whether the estimated dependency structure remains informative across a potentially changing historical and stylistic regime. The estimated trajectories and influence patterns are broadly consistent with established music-historical accounts of late Romantic and early modernist exchange, including the close relationship between German and Austrian traditions and historically plausible cross-currents between Russian and French traditions. PCA-variance-weighted estimation provides modest improvements while preserving a single interpretable influence network. Rather than treating the estimated matrices as direct causal evidence, the framework offers a reproducible quantitative layer for cultural heritage research, complementing archival and musicological interpretation.

As Artificial Intelligence (AI) makes inroads into different parts of the Indian subcontinent, there is significant interest in studying how AI impacts the linguistic and cultural foundations of this civilization. AI is seen as a ''double-edged sword'' where on the one hand, it can enable access and inclusion for a large population, on the other, it can homogenize worldviews and exclude underrepresented languages and worldviews. In this paper, we try to characterize this problem by addressing the extensive characteristic nature of Indian linguistics and the way they closely connect to cultural practices and worldview. We then perform a longitudinal survey of how Natural Language Processing (NLP) techniques have evolved in this space, tracing the historical development of Indic NLP, covering key milestones, methodological shifts, and resource creation efforts. In addition, the paper also examines the structural and sociolinguistic characteristics of Indian languages, such as rich morphology, complex scripts and grammar rules, diglossia, and large dialectal variation, and explains how these create unique challenges for building AI foundation models. We then discuss the growing role of Indic foundation models and analyze how these models address these long-standing resource and representation gaps. Finally, we propose a research direction called 'Culture Sensing', which re-imagines AI based on hermeneutic reasoning. Culture Sensing aims to address open problems such as ensuring equitable performance across low-resource languages and producing outputs that are culturally meaningful. By bringing together past work, current techniques, and emerging trends, this paper outlines research directions that can guide the next phase of Indic NLP and contribute to the development of more robust and inclusive Indic foundation models.

Vision-language models (VLMs) have made interactive digital museums increasingly feasible by connecting 3D digitization with natural-language artifact exploration. However, in cultural heritage domains such as ancient Greek pottery, reliable VLM assistance is limited by two challenges. First, open-ended interpretation requires grounding fine-grained 2D/3D visual evidence in specialized curatorial knowledge, yet the retrieval process may introduce weak sources and unverifiable references. Second, when the available evidence is incomplete, noisy, or ambiguous, VLMs often produce confident but unsupported answers instead of calibrated uncertainty. To address these challenges, we propose VaseMuseum, a lightweight and modular multimodal agent framework for intelligent digital museums of ancient Greek pottery. VaseMuseum combines an interactive virtual museum with VaseAgent, which supports both 2D images and 3D artifacts through multimodal perception, 3D-aware reasoning, external knowledge retrieval, and inference-time reliability control. Specifically, VaseAgent retrieves evidence from authoritative web and museum knowledge sources, and source-level control selects diverse and verifiable evidence before generation. Meanwhile, response-level control checks generated claims against the evidence pool and encourages neutral, evidence-bounded answers when support is insufficient or conflicting. Moreover, a training-free GRPO-style selection mechanism favors responses with valid references and calibrated confidence without updating the VLM backbone. Experiments in a realistic digital museum simulation show that VaseMuseum improves citation validity, reduces hallucinations on knowledge-intensive queries, and produces more neutral answers under ambiguity compared with search-enabled VLM baselines.

Preserving and revitalising traditional textiles such as Ulos, a cultural heritage of the Batak ethnic group in North Sumatra, Indonesia, requires balancing fidelity to tradition with innovative approaches that meet contemporary design demands. Traditional Ulos weaving faces two key limitations: a narrow range of motifs and a time-intensive design process. This study presents a generative AI framework that fine-tunes two pretrained latent diffusion models: Protogen v3.4 and Stable Diffusion v1.4, on a curated, annotated dataset of high-resolution Ulos motifs to generate culturally consistent yet novel designs. Model performance is evaluated quantitatively using Frechet Inception Distance (FID), Inception Score (IS), and qualitatively through assessments by traditional weavers and members of the public. Protogen v3.4 consistently outperforms Stable Diffusion v1.4, achieving substantially lower FID (~10.5x) and higher IS (2.0x), indicating superior visual fidelity, diversity, and closer alignment with the real Ulos motif distribution. We further examine the effects of strength and guidance scale on generation quality across both models. Lower strength values consistently yield higher fidelity (lower FID), while higher strength values increase generative diversity at the cost of realism, revealing a clear fidelity-diversity tradeoff for both models. Across all tested configurations, a guidance scale of 5-9 provides the most effective balance between fidelity and diversity, stabilising FID, KID, and IS, and is recommended as the operating range for high-quality, diverse Ulos motif generation. These findings demonstrate that carefully fine-tuned generative AI can support the creative renewal of intangible cultural heritage while preserving its stylistic and symbolic integrity.

This paper presents the development and evaluation of a collaborative system for real-time reconstruction of fragmented paper documents in the context of cultural heritage preservation. The developed system includes a collaborative robot, or cobot, that can fully manage the positioning of paper fragments using a specially designed vacuum-based suction attachment. This attachment enables gentle and precise positioning, ensuring the preservation of fragile materials. With this device, we are able to achieve a positioning repeatability of 0.57mm for fragments of 8cm^2. The system offers users the flexibility to choose between manual positioning, with visual guidance, or fully automated positioning performed by the cobot. To further improve the reconstruction process, AI methods for image interpretation, specifically for segmentation and positioning tasks, were applied and evaluated for their applicability to template-based reconstruction of damaged paper fragments. Our investigation provides critical insights into the performance of different local feature matching methods under different document types, taking into account rotation, scale robustness, and the degree of damage to the fragments. With a focus on the reconstruction of damaged and optically altered archival material, SE2-LoFTR, a detector-free local feature matching method, was chosen as the preferred method for the system due to its robust performance in our experiments.

Evaluating Multimodal Large Language Models (MLLMs) in Chinese Cultural Heritage (CCH) requires fine-grained reasoning over visual, textual, stylistic, and historical clues. However, existing CCH benchmarks mainly emphasize final-answer accuracy, while the accuracy and completeness of reasoning processes remain underexplored. To address this gap, we introduce CulMind and CulMind-R: a high-quality benchmark for multimodal CCH covering 50 tasks from collections of more than 100 museums, and a 24-task reasoning subset that adaptively defines task-specific dimensions for reasoning process evaluation. To evaluate reasoning quality, we propose ReaScore, a task-adaptive metric that evaluates reasoning by automatically weighting task-relevant dimensions. Experiments on 14 leading MLLMs reveal a substantial gap between answers and reasoning, especially on challenging tasks. Further analysis shows that task-adaptive dimension selection and weighting better align evaluation results with expert judgments. Overall, our benchmark and metric support a more expert-aligned assessment of CCH understanding and offer a transferable reference for broader evaluations of cultural heritage. We publicly release the data, code, and evaluation scripts at https://github.com/ZevTsao/CulMind to facilitate reproducible research.

This paper presents Custom ZeroCLIP, a retrieval-augmented vision-language framework for zero-shot captioning of Indonesian traditional garments. The dataset contains 3,800 expert-annotated images from all 38 Indonesian provinces. Using a province-level inductive zero-shot protocol, the model is trained on 24 seen provinces, validated on 6 seen provinces, and evaluated on 8 unseen provinces. The framework combines a frozen CLIP ViT-B/32 image encoder, a CLIP text encoder, a BERT text encoder, and an LSTM caption decoder. During inference, unseen-province labels and captions are unavailable, and retrieval uses only captions from training provinces. No unseen-province image, label, or caption is used during training, validation, or retrieval-bank construction. Custom ZeroCLIP achieves a CLIPScore of 0.8536, BLEU-4 of 0.3342, and METEOR of 0.4859, outperforming existing baselines. Ablation results show that retrieval improves cultural vocabulary recovery with a 19.3% METEOR gain, while human evaluation confirms stronger cultural accuracy and fluency. The results demonstrate the effectiveness of retrieval-augmented domain adaptation for culturally grounded caption generation in low-resource heritage settings. The dataset is publicly available at https://github.com/AnugrahAidinYotolembah/Traditional-Indonesian-Clothing-Captioning-Dataset.

Research on artificial intelligence in education (AIED) is rapidly expanding, yet technical progress often lacks human-centered grounding and adequate attention to cultural context. Community-Based Learning, a pedagogy rooted in social work, remains underrepresented in AIED research, particularly within Asia-Pacific contexts. This paper reports on cross-boundary Community-Based Learning where undergraduate students develop AI-enabled solutions for cultural heritage preservation and sustainable development. We examine how community-engaged computing operationalizes human-centered AIED across three dimensions: education, technology, and culture. We contribute a collaborative framework for culturally-aware AIED that fosters multi-stakeholder collaboration while widening participation by dissolving disciplinary silos between social work and computational science.

We introduce ChinaHeritaQA, a multimodal benchmark dataset for evaluating the cultural reasoning abilities of vision-language models (VLMs) on UNESCO World Heritage sites in China. The dataset comprises 2,279 in-the-wild images paired with 14,133 bilingual (Chinese/English) multiple-choice QA pairs spanning seven cognitive dimensions, from basic identity recognition to historical periodization and architectural analysis. Guided by a UNESCO-aligned heritage ontology and verified through rigorous human annotation, the dataset ensures linguistic quality and factual consistency. Evaluations of state-of-the-art VLMs reveal that while top models exceed human performance on average, substantial task-level variation emerges: models excel at visual recognition but struggle with culturally grounded reasoning. Performance also varies by dynasty and region. ChinaHeritaQA reveals that strong visual retrieval does not extend to cultural and historical understanding. We release the dataset to support future research on culturally aware multimodal learning.

The preservation and interpretation of cultural heritage increasingly rely on digital technologies, among which Knowledge Graphs (KGs) stand out for their ability to structure vast amounts of data. However, the construction and expansion of these KGs often face challenges due to the diverse and complex nature of cultural heritage information. In this paper, we propose a novel approach for extending KG resources in the domain of cultural heritage, which we applied to French data. First, we introduce a new knowledge graph in the domain of French cultural heritage, WJoconde, which is distinguished by its multimodality as it integrates both textual and image information of the entities. We further introduce three variants of WJoconde to facilitate downstream research, such as Knowledge Graph Completion (KGC). We also built a comprehensive benchmark for KGC methods on our dataset. Second, we propose a new framework for extending cultural heritage KGs using multi-modal approaches leveraging Large Language Models (LLMs) and Vision-Language Models (VLMs), which includes automated data extraction from unstructured resources combined with a special validation pipeline for grounding the output of both models, to further extend WJoconde. Our results show that by integrating the rich text and image information in cultural heritage data, we can efficiently enhance KGs with high reliability. We open-source all code and benchmark datasets with text and images, as well as the original data with an interactive access point

Cultural heritage exhibitions often struggle to sustain attention and support reflective engagement. Physical exhibitions rely on fixed interpretive aids that lack adaptability to individual backgrounds or curiosity, and their effectiveness depends heavily on a visitor's Personal Context, prior knowledge, and cultural literacy. Meanwhile, digital exhibitions prioritize convenience and accessibility but risk weakening the Physical and Social Contexts that define embodied cultural experience. WhiteTesseract addresses this gap by enabling in-situ interpretation through high-resolution XR and conversational AI. The system integrates spatial intelligence via artwork recognition to allow visitors to selectively reduce environmental distractions (via diminished reality) and engage in context-aware dialogue (via large language models). The goal is to preserve the richness of the physical and social environment while providing a flexible space for personal reflection, enhancing Personal Context without compromising physical authenticity. We deployed the system in a Claude Monet exhibition and conducted a controlled user study with 26 participants. Quantitative results showed that WhiteTesseract modulation significantly increased average viewing duration from 35.3 to 98.3 seconds (p < 0.001). Analysis of 529 visitor-AI interactions revealed that 60% extended beyond factual queries to include analytical, emotional, and comparative inquiries. These findings demonstrate how XR and AI can enrich the physical exhibition experience by supporting deeper, more personalized engagement without displacing the embodied value of cultural heritage. We discuss technical and social constraints for real-world deployment and limitations of our controlled setting.

Cultural heritage institutions increasingly disseminate research and interpretive materials globally, but multilingual dissemination is constrained by limited budgets and staffing. In terminology-dense domains such as rock art, translation quality depends on accurate, consistent specialised terms, and small lexical errors can mislead non-specialists and reduce reuse. We compare three English MT setups for a Spanish academic rock art text, focusing on simple, operationally feasible interventions rather than complex model-side modifications: (1) DeepL as a strong NMT baseline, (2) Gemini-Simple (LLM with a basic prompt), and (3) Gemini-RAG (the same LLM with glossary-augmented prompting via term-pair retrieval). Using PEARMUT, we conduct a human evaluation via (i) multi-way Direct Assessment (0--100) and (ii) targeted terminology auditing with a restricted MQM taxonomy. Gemini-RAG yields the highest exact-match terminology accuracy (81.4%), versus Gemini-Simple (69.1%) and DeepL (64.4%), while preserving overall quality (mean DA 85.3 Gemini-RAG vs. 85.2 Gemini-Simple), outperforming DeepL (80.3). These results show that glossary-augmented prompting is a low-overhead way to improve terminology control in cultural-heritage translation if institutions maintain minimal terminology resources and lightweight evaluation procedures.

Monitoring archaeological sites at scale is vital for protecting cultural heritage, yet pinpointing when disturbances occur remains difficult because visual cues are subtle and ground-truth data are sparse. We introduce WATCH, a framework for month-level change-event localization over PlanetScope satellite mosaics (2017-2024, 4.7 m/px) that supports three complementary scoring approaches: (i) Temporal Embedding Distance (TED), a training-free method that scores month-to-month deviations from a local temporal reference; (ii) Self-Supervised Change Detection (SSCD), an ensemble of reconstruction, forecasting, and latent-novelty signals; and (iii) a Weakly Supervised (WS) temporal localization model trained with sparse event-month labels. We benchmark WATCH on 1,943 archaeological sites in Afghanistan using embeddings from six foundation models (CLIP, GeoRSCLIP, SatMAE, Prithvi-EO-2.0, DINOv3, and Satlas-Pretrain) alongside a handcrafted spectral and texture baseline, and assess cross-regional generalization on sites in Syria, Turkey, Pakistan, and Egypt. The unsupervised approaches (TED, SSCD) consistently outperform the weakly supervised alternative. TED with SatMAE achieves the highest exact-month recall (55% at m=0), while TED with GeoRSCLIP, CLIP, or Satlas-Pretrain reaches 92.5% within a three-month tolerance (m=3). Handcrafted features remain competitive for exact-month detection under weak supervision. Our directional margin analysis reveals systematic temporal biases: SSCD paired with GeoRSCLIP or Prithvi-EO-2.0 exhibits the strongest early-warning profile, detecting anomalies before the recorded event, while TED favors confirmation-oriented detection after a change has materialized. These results show that satellite imagery combined with foundation-model embeddings enables scalable, decision-relevant heritage monitoring. Code: https://github.com/microsoft/WATCH