Acoustic Representation

Compact acoustic models face a challenging quality-capacity trade-off. We investigate two factors in this regime: encoder context and Mel-spectrogram supervision. A receptive-field-scaling study shows that expanding self-attention beyond 15 phonemes provides no consistent gains in pitch, energy, or duration prediction. Guided by this finding, we introduce a fixed-receptive-field convolutional encoder that reduces the respective prediction errors by 36.0%, 17.3%, and 3.4%. We further show that directly transferring image-domain gradient-variance supervision restores fine-scale variation but degrades predicted quality, motivating a Mel-specific formulation with axis-specific gradients, overlapping local statistics, and log-domain variance matching. GrainSpeech contains only 264.8K parameters and achieves 17.9x real-time Mel generation on a microcontroller (MCU), while attaining UTMOS scores comparable to substantially larger models with less than 1.5% of their parameters. Source code and demos are available at https://github.com/lab-emi/GrainSpeech.

Prompt-conditioned piano MIDI-to-Music rendering aims to faithfully render target notes while reproducing the timbre of a reference recording. Existing approaches primarily follow two paradigms: autoregressive (AR) modeling and flow matching (or diffusion). Discrete-codec AR models provide causal temporal modeling, but quantization can discard acoustic detail. Flow matching better preserves acoustic structure in the cost of full-sequence attention costs and worse semantic structure. Continuous autoregressive models operate directly on continuous representations. It not only combines the condition-following ability of AR models and distribution-modeling capacity of flow matching but also bypasses the quantization bottleneck with lower computational costs. Building on this principle, we present Composer--Performer--Refiner (CPR) framework. Composer autoregressively predicts continuous hidden states, Performer generates 24kHz acoustic latents through local flow matching and Refiner then upsamples the waveform to 48 kHz. We further introduce Bottlenecked Representation Alignment (BREPA) and Modality--Time RoPE (MT-RoPE) to strengthen musical semantic structure in Composer hidden states and temporal alignments across modalities. Codes are available at https://github.com/FEAfeatherTHER/CPR_official

Vocal repertoires can differ in acoustic-event type accumulation and temporal organization, yet direct comparison is difficult because corpora use different native events and unequal amounts of sequence. We compare sperm whale codas, human speech phones, Bengalese finch syllables, and common marmoset calls using the same frozen-audio-encoder procedure while matching event count and local sequence opportunity. Whale shows the fastest type accumulation; Finch shows the strongest immediate dependence and repeated-subsequence recurrence. Physically interpretable acoustics recover complementary parts of this profile, continuous analyses without clustering support broad Whale acoustic coverage, and source- and position-preserving nulls retain both Finch order effects. Extending predictive context shifts the comparison toward Whale. Thus repertoire differences depend on the acoustic property and temporal scale measured rather than forming a single hierarchy.

What did an ancestral bird species sound like? Existing ancestral state reconstruction methods can infer low-dimensional traits such as morphological characters at internal nodes of a phylogenetic tree, but no one has tried to produce rich perceptual signals such as audio. Some of the challenges include inferred representations that are either too low-dimensional to decode or lie in non-generative feature spaces, so no method to date can produce ancestral audio. We introduce the first framework that generates plausible ancestral vocalizations. Our pipeline encodes bird recordings into a VAE latent space, learns a low-dimensional trait projection aligned with phylogenetic distances, performs ancestral inference in this trait space, and recovers decodable latents through an anchored inverse lift before emitting novel waveforms for each ancestral node. Because the entire pipeline stays within a decodable latent space, every internal node receives a genuinely new audio output representing plausible intermediate ancestral sounds unavailable to retrieval-based alternatives. Experiments on two phylogenetically distant bird clades, 21-species Tyrannidae and 19-species Paridae, show that our method is the only approach that simultaneously achieves genuine generation, phylogenetic consistency, and naturalistic audio quality across both datasets.

We introduce StepAudio 3 Gen, a general-purpose audio generation model that supports zero-shot text-to-speech (TTS), voice design, vocal generation, sound effects, music, vibe speech, and mixtures of multiple audio types within a unified framework. At its core, StepAudio 3 Gen is a discrete autoregressive generator that models audio directly over residual vector quantization (RVQ) tokens, departing from the diffusion Transformer-based continuous generation paradigm prevalent in recent general audio models. Its StepAudio Tokenizer represents general audio at 12.5 Hz in a shared $16 \times 2048$ residual code space, jointly quantizing semantic and waveform-level acoustic features so that each code layer preserves both types of information. For generation, the backbone predicts the first codebook along the time axis using autoregressive modeling, while a lightweight causal Transformer completes the remaining fifteen codebooks along the codebook axis. Our study further identifies three key design principles: (1) interference-aware progressive pretraining for acquiring audio capabilities while preserving the textual abilities of the large language model, (2) RVQ Adaptor for effectively incorporating multi-codebook acoustic representations, and (3) discrete autoregressive modeling over a shared representation across general audio domains. With progressive pretraining, multi-task instruction training, and supervised fine-tuning, StepAudio 3 Gen achieves state-of-the-art performance on both TTS and voice design, while retaining strong generation capabilities across speech, vocals, sound effects, and music. Audio samples are available at https://stepaudiollm.github.io/step-audio-3-gen/.

We propose DriftSE, a novel one-step generative framework for speech enhancement formulated as a latent distribution equilibrium problem. During training, the drifting field aligns the generator's pushforward distribution with the clean speech manifold through drifting in a latent domain. During inference, the drifting process is discarded, enabling one-step generation. We establish that its enhancement quality depends fundamentally on the choice of latent representation. Semantic latents preserve phonetic structure but fail to capture physical acoustic cues, whereas acoustic latents reconstruct the physical signal but risk linguistic hallucination. Therefore, we introduce dual-latent drifting, performing parallel drifting in both semantic and acoustic latents to simultaneously preserve phonetic intelligibility and acoustic fidelity. Additionally, we demonstrate that DriftSE enables fully unpaired training by aligning latent distributions rather than exact point-wise targets. Consequently, DriftSE facilitates cross-dataset learning in the absence of paired noisy-clean samples. Moreover, DriftSE exhibits broad architectural flexibility across different generator backbones. Extensive evaluations on additive denoising and convolutive dereverberation demonstrate robust one-step enhancement across both offline and real-time causal settings. Notably, DriftSE achieves state-of-the-art word error rates across all four evaluated datasets while strictly operating at 1 NFE. Code and audio examples are available online.

Passive acoustic monitoring produces far more bat recordings than experts can label. We show that simple model-generated pseudo-labels turn this surplus into effective supervision. We compare pseudo-labeling with other semi-supervised learning methods on an 18-species European corpus using only 10% of its training labels, then transfer the strongest approaches to South African field audio containing nine bat taxa and a nuisance class. Pseudo-labeling outperforms the other semi-supervised learning methods on every European measure, recovering up to 61.5% of the gap to full supervision. It transfers to field audio with gains of 10.69 points in species accuracy and 4.96 points in species macro-F1. We also introduce genus-aware smoothing, which directs uncertain target mass toward congeneric species. Combined with uniform smoothing, it reaches 79.16 species macro-F1, 4.73 points above hard targets. Simple pseudo-labels are therefore highly effective at this ecological data scale, while genus-aware targets inject useful biological structure at no annotation cost. https://code4conservation.github.io/UnlabeledEchoes/

Text-to-speech (TTS) models commonly address text--speech alignment by expanding phone-level encoder states to frame-level decoder inputs using predicted durations. While this length-regulation step resolves alignment structurally, this use of duration typically changes only where and how often latent states appear, not the values of the states themselves. This paper proposes a continuous-time mechanism for duration-aware acoustic modelling in TTS using neural controlled differential equations (CDEs). We formulate the phone representation as a temporally parameterised control path and use a neural acoustic vector field to produce a continuous-time hidden state whose values evolve with phonetic content and duration-derived timing. The resulting trajectory can be sampled at discrete points and integrated into a standard acoustic decoder pipeline. Objective results contrast CDEs and typical recurrent models. Subjective results suggest that CDE-based models evaluating one phone per step can improve rank-order agreement between synthesised and reference emotion intensity while maintaining comparable emotion-expression quality to a strong baseline. Additional experiments with half-phone step-sizes suggest that temporal resolution changes the trade-off between style tracking and absolute calibration. These results position CDEs as a promising design space for continuous-time and duration-aware style-sensitive TTS.

Text-to-speech systems often face a trade-off between natural prosody and efficient inference: higher perceptual quality typically comes at increased computational cost and latency. We present TontaubeV1, a model that preserves natural prosody while enabling streaming from a single consumer GPU. Speech is encoded by the hierarchical DualCodec representation at 12.5 Hz, which separates a semantic stream from successive acoustic refinements. Our design assumes that prosodic structure is largely established when the semantic stream is generated, and allocates capacity accordingly: a Qwen3-1.7B-derived transformer predicts that stream and thereby the utterance duration, while three progressively smaller Qwen3-0.6B-derived transformers each add one acoustic refinement. Text is tokenized per character rather than by subword. Paired text and audio markers at shared positions support long-form generation with bounded context, and overlapping DualCodec reconstructions are mapped into the VibeVoice acoustic latent space and decoded causally, enabling streaming despite DualCodec's noncausal decoder. The model accepts up to one minute of reference audio for voice conditioning and is designed primarily for English and German, with additional multilingual support. The four predictors total 2.9B parameters; on a single RTX 5090 the streaming path reaches approximately 200 ms to first audio. In separate non-streaming measurements, the end-to-end real-time factor (RTF) is 0.08 for one input and the aggregate RTF is 0.02 across eight concurrent inputs. On our LLM-as-a-judge audiobook-reading benchmark, TontaubeV1 matches ElevenLabs Flash v2.5 and outperforms Fish Audio S2 Pro, the April 2026 Gradium API, and Cartesia Sonic 3 on prosody. The model weights are released on Hugging Face under the Tontaube Community Model License 1.0.

Underwater acoustic target recognition has converged on closed-set classification by vessel type, a task that does not answer whether a monitoring system has heard this hull before. We formalise open-set, cross-passage vessel re-identification on public hydrophone data and specify a protocol that removes the two easiest routes to a high score: hull-disjoint splits keyed to MMSI/IMO, galleries and queries from disjoint passages of each hull, source-pure galleries, and an audio-adjudicated transit-deduplication gate. We describe SKANN, a raw-waveform encoder whose front end is a four-scale bank of learned filters fused by selective-kernel attention, trained with an angular-margin objective and an augmentation regime that perturbs recording chain, ambient noise and multipath while preserving the narrowband lines that carry identity. On a 40-hull IARA gallery (96 queries, 98 passage candidates), cross-passage rank-1 is 0.25 for the embedding and 0.26 for an automated narrowband-tonal comparator; the two are statistically indistinguishable at the top of the ranking, the embedding orders the rest of the list more reliably (AUC 0.82 vs 0.76), and their score fusion reaches rank-1 0.35 -- the only contrast that attains nominal significance, presented as evidence of partial complementarity, not as a recommendation. Transit deduplication alone removes a 16-21 point apparent rank-1 advantage, larger than any between-method difference. Two further findings delimit what public data can support: ShipsEar cannot separate hull identity from recording channel under an identity protocol, and cross-network fine-tuning helps vessels seen during fine-tuning but is a null result on unseen ones. The results support analyst triage over a ranked shortlist, not identification. Checkpoint, validation embeddings, transit map and per-query outputs are released under CC-BY-4.0 (doi:10.5281/zenodo.22160138).

Dominant audio classification pipelines rely either on compact handcrafted summaries or on fixed time-frequency frontends such as log-mel representations prior to deep modeling. While highly successful, these representations do not explicitly expose the physical dynamics of the underlying sound-generating event. We introduce MADS (Multi-view Acoustic Descriptor Set), a compact 19-dimensional physics-informed descriptor set de- signed to capture complementary spectral, temporal, mechanical, and stochastic structure in audio signals. Rather than treating sound only as a spectral pattern, MADS encodes properties related to excitation, damping, periodicity, impulsiveness, and structural consistency within a unified multi-view representation. We evaluate MADS using standard classical machine learning models on ESC-10, ESC-50, and MSoS, and compare it against two conventional handcrafted baselines: a compact 26D MFCC- based baseline and an expanded 38D spectral-summary baseline. Across ESC-10 and ESC-50, MADS achieves the strongest peak results overall, reaching 81.00% and 52.78%, respectively, while using roughly half the dimensionality of the 38D baseline. On MSoS, MADS again delivers the strongest top-end performance, reaching 67.48%. These results establish MADS not merely as a competitive standalone descriptor set, but as the foundational descriptor layer of a broader acoustically grounded representation program for future frame-level and deep-learning-compatible audio modeling.

Bioacoustic recordings are often degraded by ambient noise, which complicates the analysis of weak or noise-overlapped vocalizations. Convolutional neural networks, particularly U-Net architectures, have shown a strong denoising performance in speech and music processing. However, their direct application to bioacoustic signals is limited by the scarcity of clean training data. To address this issue, we propose a training set synthesis approach and develop a supervised denoising model that predicts a complex ratio mask in the time-frequency domain. The model leverages ridges, or frequency contours, that represent the fundamental frequency together with one or more harmonic partial components of vocalizations. These ridges are used both for the synthesis of training sets and to design a loss function that assigns higher weights to the ridge regions (ridge-guided loss function). This weighting step helps the network better preserve vocalization details during denoising. As a case study, we evaluate our approach using ultrasonic vocalizations (USVs) recordings of house mice, which are widely studied in behavioral biology and neuroscience. In actual field recordings, the proposed method enhances fundamental and harmonic partial ridge tracking compared to our previous signal-processing approach. In addition, a classifier trained on denoised data improves USV classification on out-of-sample, noisy recordings from wild and domesticated mice compared to classifiers trained on noisy recordings. Our proposed method also substantially improves the scale-invariant signal-to-distortion ratio on synthetic testing data across a wide range of input signal-to-noise ratios. Although we focus on USVs, the proposed approach should be broadly applicable to other bioacoustic signals with trackable ridges, and thus enables ridgebased training set synthesis and denoising.

While modern 3D reconstruction excels at modeling object geometry and appearance, it largely ignores the rich acoustic cues revealed through physical interaction. Object impact sounds convey material, stiffness, and structural properties that complement vision, yet existing impact sound modeling approaches either rely on expensive physics-based simulation or require large datasets to generalize in a purely data-driven manner. We introduce Audio-Visual Modal Sound Field (AV-MSF), a novel object-level acoustic representation reconstructed from multi-view images and only a few impact sound recordings. AV-MSF builds on 3D Gaussian Splatting integrated with dense 3D visual feature to provide a strong geometry-aware prior, and represents the impact sound field using compact, physically meaningful modal parameters, enabling robust few-shot reconstruction. Experiments on two real-world datasets show that AV-MSF achieves state-of-the-art impact sound rendering, outperforming both physics-based and data-driven baselines. Furthermore, we demonstrate downstream applications enabled by our representation, including contact localization and object sound editing.

Passive acoustic monitoring is an important tool for biodiversity assessment and wildlife conservation because it supports continuous and non-invasive monitoring of species across large spatial and temporal scales. Robust monitoring remains challenging because many datasets contain sparse positive labels, where species presences may be confirmed while unannotated species cannot be assumed absent. In this work, we study transfer learning under sparse positive labels using BirdCLEF+ 2026 as a target benchmark and BirdCLEF 2021, iNatSounds, WABAD, and BirdSet as external bioacoustic sources. We introduce a multi-source reliability framework that models heterogeneous bioacoustic datasets as distinct supervision sources with differing reliability. Our approach achieves 0.584 macro average precision and 0.860 macro AUC on public BirdCLEF+ 2026 validation labels while outperforming naive source pooling strategies. The strongest gains arise from passive acoustic monitoring datasets and biologically informed source selection. Our findings suggest that transfer learning in bioacoustics is fundamentally a weak supervision and negative transfer problem.

Artificial intelligence offers substantial potential for acoustic monitoring of animals, from welfare assessment in precision livestock farming to wildlife conservation and ecological research, where vocalizations can indicate health, stress, and social states earlier and at lower cost than manual observation. However, recordings in these settings are obtained under uncontrolled conditions, including environmental noise, reverberation, overlapping calls, and sensors that degrade without notice. As a consequence, automated classification of animal vocalizations remains challenging, and the two dominant acoustic representations show complementary limitations: raw waveforms preserve temporal microstructure but degrade under clipping and reverberation, while log-Mel spectrograms capture harmonic organization but lose phase information and are sensitive to broadband noise. To address these challenges, we propose Uncertainty-Aware Fusion (UAF), a dual-stream framework that estimates Gaussian uncertainty for each representation and fuses them via uncertainty weighting. This mechanism assigns greater weight to the more confident representation with no reliability labels required. In a cross-species, identity-based evaluation excluding all individuals seen during training, UAF (mean pooling) achieves 59.4% accuracy / 39.7% macro F1 on the 17-class SoundWel pig vocalization benchmark and 73.1% accuracy / 71.5% macro F1 on the 3-class DogBark dataset, outperforming static-concatenation fusion by 15.7% and 20.4% relative macro F1, respectively. Ablations over four temporal aggregation strategies show that uncertainty fusion, rather than the temporal characteristics of animal calls, is the primary driver of the performance gain.

Aerial robots generate structured aeroacoustic fields during flight, yet these signals have been underexplored as a source of onboard relative perception, particularly under the strong ego-acoustic interference generated during simultaneous flight in various outdoor conditions. We introduce embodied passive aeroacoustic perception, a sensing paradigm in which an aerial robot infers actionable relative-state information from the naturally generated sound of flight while operating within its own evolving aeroacoustic field. We present SonicFly, a passive aeroacoustic perception framework that enables one unmanned aerial vehicle to estimate and follow another using only the leader's intrinsic flight sound, without active acoustic signaling, inter-robot communication, GPS sharing, or external sensing infrastructure. The system uses a lightweight four-microphone array, rotorcraft-informed acoustic representations, a neural bearing-range estimator, and confidence-gated filtering for closed-loop flight. Through acoustic characterization, onboard localization, and outdoor pursuit experiments, we show that multirotor aeroacoustic signals contain sufficient information to support relative perception despite strong ego-acoustic interference, environmental variability, and changing flight geometry. During acoustic-only pursuit, SonicFly achieved a mean distance-maintenance error of 1.34 m across diverse outdoor trajectories and operating conditions. Analysis of the acoustic channel reveals design principles governing embodied passive aeroacoustic perception, including the roles of harmonic structure, spectral separability, and spatial acoustic cues in determining observability. Our results establish the feasibility of embodied passive aeroacoustic perception for aerial robots and suggest that naturally generated behavioral signals can serve as information for robotic perception and coordination.

Existing singing voice synthesis systems often require predefined durations, explicit duration prediction, or time-aligned acoustic guidance, which limits their compatibility with practical composition workflows. We propose VocalRender, a score-native system that directly synthesizes singing from lyrics, pitches, symbolic note values, and tempo. It uses an interleaved lyric--note representation and an autoregressive diffusion model to generate continuous acoustic latents while predicting the output length, eliminating the need for explicit duration prediction. Trained on a 2,300-hour singing dataset, VocalRender achieves strong intelligibility, strong melody control, and high speaker similarity across both in-domain and out-of-domain benchmarks. Notably, it outperforms the strongest baseline by $0.42$ points in naturalness CMOS, demonstrating the effectiveness of our proposed score-native architecture.

Latent Acoustic Mapping (LAM) is a self-supervised learning method that generates high-resolution spherical acoustic maps from multichannel recordings without labelled data, matching supervised baselines on direction-of-arrival benchmarks. However, LAM degrades significantly with sparse 4-channel arrays, as the low-resolution cross-spectral matrix captures far less spatial information than the 32-channel inputs LAM was designed for. We benchmark a diverse set of upsampling architectures, spanning lightweight convolutional networks, iterative back-projection models, physics-informed networks, and generative adversarial approaches. We also study whether aligning these upsamplers with LAM by training them jointly or in different stages helps preserve the spatial structure that LAM depends on. Results show that the original full-resolution LAM is the strongest, that separately trained lightweight models are the most competitive learned approaches, and that representation alignment between the upsampler and LAM matters more than model complexity.

We present a self-supervised acoustic eavesdropping attack that reconstructs typed text solely from keystroke sounds, without requiring labeled data for the target device. The proposed attack enables stealthy eavesdropping in two real-world scenarios-physical spaces (public and semi-public) and online meetings. Our method combines unsupervised acoustic clustering with Transformer-based language model inference and iterative self-training, enabling stable character inference under highly uncertain acoustic-to-character mappings. We demonstrate that the proposed method achieves over 99% reconstruction accuracy with only 100-150 observed keystrokes under a close-proximity recording setup using a smartphone placed near the target device, significantly outperforming prior unsupervised baselines in low-data regimes. We further evaluate robustness across multiple laptop platforms and in realistic acquisition channels, including distance recording from approximately 3 meters away on the same desk, through-the-wall eavesdropping with a contact microphone, and background keyboard noise in online conferencing systems. Across these scenarios, the proposed method achieves high reconstruction accuracy (often exceeding 90%) with approximately 150-250 observed keystrokes. These results indicate that accurate text reconstruction from keystroke sounds is feasible in practice under an audio-only setting, even with limited observed keystrokes and without requiring device-specific labeled data, highlighting a realistic and previously underestimated privacy risk.

Bioacoustic foundation models rely on large-scale citizen science platforms like Xeno-Canto for geographically and ecologically diverse data. Recent work has shown that supervision alone can produce SotA species detection models when trained on this large-scale data -- however, there remains unutilized potential in the form of recording metadata readily available within these community-driven data hubs. In this work, we explore the use of metadata -- such as location and time -- as auxiliary supervision signals, allowing the model to leverage species-metadata correlations in its learned representation. Auxiliary metadata losses provide additional information beyond vocalizations alone that can encourage a richer, more robust representation that generalizes better to species distribution and acoustic domain shifts -- important challenges for deployment in real-world passive acoustic monitoring (PAM) settings. We introduce MetaPerch, a new foundation model that achieves strong species identification performance across multiple challenging domains and present an extensive empirical study of the effects of 9 diverse metadata sources on 17 bioacoustic datasets.

Bioacoustic call-type classification relies on costly expert annotation. Active learning can reduce this burden by selecting a small batch of segments for expert annotation and using the labeled segments for training the classifier. The setting is hard: the target calls are extremely sparse and the call-type distribution is long-tailed, so a tight budget must be spent on the few rare, informative segments. We propose BADGE-Greedy-DPP, a deterministic batch selector that greedily adds the segment whose BADGE gradient embedding most enlarges the volume spanned by the batch; because this log-volume objective is submodular, the greedy rule guarantees a batch value at least a (1-1/e) fraction of the optimum of this objective, a guarantee not provided by BADGE's existing k-means++ and MCMC DPP sampling heuristics. There is also a temporal granularity mismatch in the task. The acquisition function scores whole segments, yet the informative frames inside them are few. Uniform averaging therefore washes them out. We show that the BADGE construction naturally addresses this mismatch when applied frame-wise, as prediction residuals weight the aggregated pseudo-gradient, so confidently predicted no-call frames contribute little while a single uncertain rare-call frame can still set the segment's direction. Across 10 runs on a sparse, imbalanced hyena call-type dataset, BADGE-Greedy-DPP achieves the best overall and rare-call-type performance among all compared query strategies, including MFFT, the strongest non-BADGE baseline, and the two vanilla BADGE traversals.

Generative streaming models for Target Speaker Extraction (TSE) commonly exhibit a quality--intelligibility trade-off, wherein naive optimization for perceptual audio quality tends to degrade speech intelligibility, and conversely. We reveal that this trade-off arises not from the constraints of streaming architectures, but from an inappropriate choice of optimization anchor. Directly optimizing against audio quality metrics induces catastrophic reward hacking, where content critical to pronunciation and intelligibility is systematically erased to maximize a proxy score. To break this bottleneck, we propose two complementary improvements: an enlarged Conformer convolution kernel for richer local spectro-temporal modeling, and WavLM-anchored Direct Preference Optimization (DPO) fine-tuning strategy. DPO preference pairs are ranked by WavLM cosine similarity, a deep acoustic feature encoding both phonetic structure and speaker identity, providing an optimization anchor that resists hacking. Under a 560 ms streaming chunk size, the proposed method achieves a 10.9% relative intelligibility improvement (word error rate: 0.138 to 0.123), with marginal simultaneous gains in audio quality and speaker similarity.

Representation alignment (REPA) has been investigated to accelerate diffusion training, but we observe that regularizing intermediate representations in diffusion Transformers (DiT) may implicitly entangle latents and limit generative capacity. To address this issue, we propose ReGen, a hierarchical multi-prompt representation generation framework that jointly estimates multiple vector fields for both representations and data within a single diffusion model. We further introduce generalized flow matching (GFM) to improve the generalization of conditional flow matching (CFM). We validate ReGen on single-stage waveform diffusion models including neural audio codec and Wave-VAE. ReGen significantly improves waveform generation quality from highly compressed latent representations at 12.5 Hz. We also present ReGenVoice, a latent diffusion model (LDM)-based text-to-speech model that achieves strong speech intelligibility (WER) and speaker similarity (SIM) with a small dataset. Moreover, operating the LDM at 6.25 Hz with rich semantic and acoustic latent representation enables efficient training and sampling, requiring only 1 day of training on 4 GPUs and fast inference with an RTF of 0.08. Audio samples are available at https://regenvoice.github.io/demo/.

Chamber music, as a highly precise multi-part interactive system, contains a logic of "role assignment and dynamic interaction" that provides an extremely valuable blueprint for exploring human-computer collaborative composition paradigms. Addressing the lack of role perception capabilities in existing deep music generation models during polyphonic interactions, this paper conducts an interdisciplinary analysis of Haydn's String Quartet in D Major, The Lark (Op. 64, No. 5). We propose a novel research path: "Classical Morphology Qualitative Analysis-Electroacoustic Quantitative Measurement-Machine Representation Reconstruction." The study first utilizes auditory analysis to dissect the counterpoint morphology of the leading voice and the underlying groove in the first movement. Subsequently, it introduces spectrum and dynamic feature analysis tools from a Digital Audio Workstation (DAW) to translate subjective auditory perception into objective, measurable physical parameters. Building on this, the paper introduces a fundamentally new approach to low-level computer feature extraction: completely abandoning the traditional mechanical quantization grid, introducing Event-based Timestamps to record the duration of micro-timing, and transforming acoustic features into an independent "Role-Aware Encoding" as an aesthetic heuristic mechanism (a phenomenological anchor). This study not only completes the logical loop spanning classical analysis, electronic music mapping, and AI symbolic generation but also establishes a profound theoretical foundation-from the perspectives of interactive aesthetics and media philosophy-for constructing human-computer collaborative music systems imbued with "social attributes" and "otherness awareness."

Audio foundation models are widely adopted as general-purpose feature extractors, yet the internal structure of their learned representations remains insufficiently understood. In this work, we analyze CLAP audio embeddings through a probing framework, studying the encoding of three fundamental perceptual dimensions: reverberation (RT60), loudness (LUFS), and spectral content, measured via spectral centroid (SC) and relative pitch (RP). Probes of increasing complexity are trained to predict each attribute from frozen embeddings across five datasets spanning noise, speech, monophonic musical notes, and music mixtures. Our primary finding is that all of these attributes are reliably recoverable from the CLAP embedding space across the examined datasets. Within this global picture, two encoding regimes emerge: RT60, LUFS, and RP are approximately linearly encoded, while SC requires non-linear probes. Both regimes generalize across eight additional audio foundation models, with the notable exception that amplitude-invariant architectures discard loudness entirely by construction. The identified linear feature directions are geometrically consistent across datasets for RT60 and LUFS, while highly domain-specific for RP. Finally, we provide a qualitative demonstration of cross-modal consistency, showing that text embeddings of acoustic descriptors align geometrically with the identified RT60 feature direction.

Early detection of dementia through speech analysis offers a non-invasive screening alternative, but capturing both acoustic and linguistic biomarkers remains challenging. We propose a multimodal framework leveraging Whisper for dual-purpose extraction: acoustic representations from encoder outputs and transcripts via automatic speech recognition (ASR). For the acoustic pathway, temporal networks with attention pooling aggregate variable-length sequences into fixed-dimensional embeddings. For the linguistic pathway, we prompt a large language model (LLM) to extract interpretable features spanning lexical diversity, syntactic complexity, semantic coherence, and discourse patterns. A gated fusion network integrates both modalities. On ADReSS and ADReSSo, our method achieves F1-scores of 89.47% and 90.14%, demonstrating effective integration of acoustic and LLM-augmented linguistic features. Ablation shows that multimodal fusion consistently outperforms either modality alone.

This work investigates the interpretability of a Wav2Vec 2.0based speech intelligibility assessment model for oral and oropharyngeal cancer patients through canonical correlation analysis. By measuring the correlation between the model embeddings and eGeMAPS low-level descriptors (LLDs) as an interpretable reference, we analyze how acoustic information is encoded across the model layers. The analysis is conducted at two levels: individual LLDs layer-wise, and group-level: prosodic, spectral, and voice quality. Results show that the learned representations are most strongly correlated with spectral and prosodic features, with the first MFCC coefficient yielding the highest correlations across all layers. At the group level, spectral and prosodic groups achieve correlations of 0.77 and 0.71 respectively, while voice quality reaches 0.65. Beyond model interpretability, this work also offers practical guidance on acoustic feature selection for pathological speech assessment.

We study the limits of CTC-internal scoring for N-best hypothesis selection and locate the information bottleneck separating acoustic confidence from linguistic plausibility. Eleven CTC-internal and acoustic-feature scoring strategies produce no statistically significant WER improvement over greedy decoding on LibriSpeech dev-other at G=16 (all p > 0.05). The exhaustion is systematic: CTC's Spearman $ρ$ between hypothesis score and per-utterance WER degrades from -0.574 at G=4 to -0.270 at G=128, a 53% loss driven by blank-path proliferation. This establishes that the discriminative capacity of CTC-internal representations is saturated: no recombination of acoustic signals can close the oracle gap. Confirming that the bottleneck is linguistic, not acoustic, external linguistic information introduced via MBR decoding breaks through it. MBR-CER decoding with a RoBERTa pseudo-log-likelihood (PLL) posterior ($τ$=10, G=128) achieves 5.42% WER on held-out LibriSpeech test-other (greedy 5.96%, $Δ$=-0.535 pp, p<0.0001, 9.0% relative). RoBERTa PLL $ρ$ degrades only 21% over the same range, retaining discriminating power where CTC loses it. Applied without retuning across two Zipformer architectures, three domains (LibriSpeech, TED-LIUM 3, VoxPopuli), and four MUSAN noise levels, the recipe gives significant gains in 11 of 13 conditions. On the training side, standard MWER training via the CTC forward-backward algorithm implements Rao-Blackwellized REINFORCE at the output projection (variance about 3x below Viterbi). Yet sequence-level fine-tuning fails at near-converged checkpoints: all four MWER configurations on CR-CTC collapse (+6.18 to +8.90 pp WER), as a training oracle gap of 0.007 pp provides no usable reward signal.

Self-supervised learning (SSL) models have become a central component of modern speech processing systems, as they enable the learning of rich acoustic representations without reliance on labeled data. Despite their success on adult speech, it remains unclear how effectively these models capture speaker-related attributes such as age and gender in children's speech, which differs substantially from adult speech due to ongoing physiological and cognitive development. Higher pitch, increased articulatory variability, and age-dependent acoustic changes make children's speech a particularly challenging domain. In this work, we present a comprehensive analysis of how age and gender information is encoded across layers of four widely used SSL models: Wav2Vec2, HuBERT, Data2Vec, and WavLM. Layer-wise features are extracted and evaluated using a lightweight CNN on two benchmark children's speech corpora, PFSTAR and CMU Kids. To analyze feature compactness and redundancy, PCA is applied to identify redundancy and highlight the dimensions that contribute most to classification performance. Experimental results show that age- and gender-related information is unevenly distributed across SSL layers, with early to mid-level layers encoding the strongest paralinguistic cues. HuBERT achieves the best overall performance for age classification, while Wav2Vec2 and HuBERT lead gender classification on PFSTAR and CMU Kids, respectively. Beyond single-split evaluation, we further demonstrate that these findings remain stable under speaker-wise cross-validation, layer aggregation, and cross-database evaluation, indicating robustness to data imbalance and domain mismatch. Finally, we show that reliable age and gender classification is achievable even from short speech segments of 1--3 seconds.

In this paper, we introduce Synthetic Heart Sound Detection (SHAC), a task aimed at identifying phonocardiograms (PCGs) synthesized using neural audio codecs (NACs). To facilitate research in this direction, we release CARDIOFAKE, the first benchmark dataset for SHAC containing both real and codec-synthesized PCGs. We benchmark spectral representations (MFCC, LFCC) and self-supervised learning (SSL) representations (e.g., WavLM) for the task. Furthermore, we propose GROOT, a fusion framework that integrates spectral and SSL features for leveraging their complementary behavior. Experiments show that GROOT, combining MFCC and WavLM, achieves state-of-the-art performance, outperforming individual representations and competitive baselines.

Dysarthria severity assessment is essential for therapy planning and longitudinal monitoring, yet manual perceptual rating is time-consuming and variable across clinicians. Although deep learning models achieve strong performance, their black-box nature limits clinical adoption. Existing speech explainability methods typically provide acoustic feature importance scores that are difficult for end-users to interpret. We propose an influence-based, instance-level explainability framework that explains each decision through supportive and competing training samples. Using gradient-based influence approximations, we compute per-utterance influence scores to identify supportive and competing training samples for each prediction. Controlled deletion experiments from 5 to 20 percent validate the explanations, showing that removing highly influential samples systematically shifts predictions. This approach provides auditable explanations by linking decisions to perceptible reference cases.

The challenge associated with recognizing dysarthric speech primarily arises from pronounced acoustic variability attributed to impaired articulatory precision. Past research has demonstrated improved recognition through the use of hybrid DNN/HMM sequence discriminative training. This paper presents a comprehensive investigation of various combinations of acoustic features tailored to different Acoustic Models, offering suitable feature selections for each. The incorporation of Pitch features notably improved recognition performance, especially for sentence recognition tasks involving dysarthric speech. Through a systematic examination of the TORGO database, we have demonstrated the potential to enhance the performance of the state-of-the-art Factorized Time Delay Neural Network (F-TDNN) model for recognizing dysarthric speech. Our methods, implemented with the F-TDNN model, resulted in a 4.65% relative improvement in isolated word recognition and a 4.63% relative improvement in sentence recognition for dysarthric speech, compared to previous research. This improvement effectively compensates for speech variability, attributable to our deliberate selection of the number of overlapping frames between consecutive training example chunks.

The advancement of speech generation technologies has made artificial speech increasingly realistic. Although modern classification models can achieve high accuracy when it comes to deepfake detection, they do not produce evidences such as indicating where spoof cues appear in the spectrogram and what they imply acoustically, limiting their usefulness in forensic settings. Manual analysis of full spectrograms is resource-intensive, so evidence should narrow attention to the most diagnostic regions. Moreover, existing explainability methods have limited capabilities in connecting contextual attributes to localized evidence, making explanations harder to verify. To overcome this limitation, we propose GRIDEX, a pipeline that, when given a deepfake spectrogram, generates forensic explanations of its anomalies. The pipeline (i) selects top-K anomalous regions in the spectrogram and (ii) produces an explanation for each anomaly. The explanations follow a schema of categorical acoustic fields, including temporal, spectral, phonetic information and interpretation text. To our knowledge, this is the first framework to generate structured forensic explanations using regional grounding for deepfake spectrograms. GRIDEX is trained with a two-stage learning paradigm that combines supervised fine-tuning (SFT) with Group Relative Policy Optimization (GRPO). Experiments on our dataset show improved artifact localization and explanation quality over strong vision-language model (VLM) baselines. The dataset and code will be released upon publication.

Sperm-whale codas are conventionally characterized by click count and inter-click intervals (ICIs), leaving recurring differences in constituent click waveforms unresolved. This study tests whether acoustic organization is nested across two scales: within codas, where recurring click-waveform differences may complement ICI timing, and across codas, where recurring whole-coda forms may themselves carry sequence dependence. Candidate recurring click and whole-coda groupings were identified from 1,483 codas without prespecifying waveform categories, then evaluated with native-rate spectral/envelope measurements, exact nuisance matching, held-out timing contrasts, and sequence controls. At the first tier, recurring click-waveform groups differed in spectral slope, bandwidth, flatness, high/low-band energy, and envelope structure within matched date, social unit, individual, and sample-rate strata. Their composition added information about whole-coda grouping beyond timing, while timing remained informative when click composition was fixed. The richer description also carried held-out social-unit-associated information beyond timing. At the second tier, direct native-rate waveform summaries recovered the recurring whole-coda forms well above context-preserving nulls, whereas conventional timing did not; the forms also cross-cut published timing-defined coda types. The preceding two-coda context then added held-out predictive information beyond the immediately preceding coda, while a third preceding coda provided no reliable further gain. Together, these results support two-tier acoustic organization: recurring waveform differences and ICI timing jointly organize individual codas, and acoustically grounded whole-coda forms in turn show bounded second-order predictive dependence across sequences.

Speech deepfake detection is predominantly treated as an opaque classification task where all temporal frames are aggregated equally. This ignores that different phonetic categories carry vastly different amounts of discriminative information. To address this, we propose a phoneme-guided cross-attention framework that transforms detection into an interpretable, phonetically grounded process. We factorize the spoofing posterior $P(\text{spoofed}\mid X, W)$, conditioned on the acoustic representation $X$ and the phonetic posteriorgram $W$. The resulting factorization can be written as $P(\text{spoofed} \mid X, W) = \sum_{i=1}^{M} w_i \cdot P(\text{spoofed} \mid X, Z = z_i)$, where $M$ denotes the number of phonetic classes, $P(\text{spoofed} \mid X, Z = z_i)$ is the spoofing probability for the $i$-th phonetic class $z_i$ conditioned on $X$, and each $w_i$ is the prevalence of phonetic class $z_i$ in the utterance. Our transformer-based architecture instantiates this through a cross-attention block in which phonetic queries selectively probe information in acoustic keys and values, with softmax-normalized pooling supplying explicit phone-presence weights. Unlike prior approaches that rely heavily on post-hoc explainability methods, our framework offers phonetic-explainability-by-design. We evaluate the framework on an LJSpeech-derived corpus, ASVspoof 2019 LA, and ASVspoof 5 Track 1. Per-phone importance rankings reveal that discriminative power concentrates on articulatory categories that generative models struggle to reproduce faithfully. Stops, fricatives, affricates, nasals, and silence-boundary closures rank most discriminative, while periodic vowels and semivowels rank lower. Beyond competitive performance, our model provides structural interpretability, yielding an inspectable per-articulatory category breakdown of the final verdict.

Pretrained audio embeddings are standard in bioacoustics, yet little is known about which acoustic features these models encode, nor which are useful for a given task. This hinders transparency and limits extension to rare species or data-scarce domains. Here we reveal which speech-like features are encoded in bioacoustic representations. Using the 88~eGeMAPS features across six taxonomic groups, we apply linear and nonlinear regression probes to quantify which acoustic properties each model captures. Results confirm a ``no free lunch'' pattern: no single model captures the full feature space. A concatenated embedding achieves the highest performance, suggesting complementary acoustic space coverage across models. Loudness features are best encoded ($R^2 = 0.76$) while F0 is hardest to recover ($R^2 = 0.33$). By cross-referencing recoverability with per-species feature salience (NMI), we derive data-driven model selection guidance for bioacoustics.

Passive acoustic monitoring holds great promise for ecological inference, yet existing automated tools are typically narrowly trained and non-transferable. We address these limitations with PULSE, a semi-supervised, multi-task framework for Orthoptera bioacoustics, combining weakly-supervised species classification, self-supervised learning on unlabelled field audio, and knowledge distillation from a general-purpose bioacoustic model. Our domain-adapted specialist model outperforms a state-of-the-art general model across all metrics (macro F1: 0.21 vs. 0.07; AUC: 0.74 vs. 0.45; AP: 0.32 vs. 0.19), with active learning further raising F1 to 0.34 and AUC to 0.84. Beyond classification, the learned embeddings encode ecologically meaningful structure, exposed through an interactive visualisation tool for ecological discovery.

Removing intermediate representations and separately trained decoding stages has become an important direction in generative modeling. In text-to-speech, however, high-quality systems are still commonly built through an intermediate acoustic representation before waveform synthesis. In this work, we present BareWave, a fully waveform-native framework for direct text-to-wave generation in flow-matching TTS. We consider this setting to raise three training challenges: raw-waveform modeling lacks a strong pretrained representational scaffold, different stages of training benefit from different noise schedules, and data-space perceptual objectives do not automatically share the temporal structure of the velocity-space flow objective. As a result, direct waveform training is hard to optimize efficiently, hard to push toward a strong final operating point with a fixed recipe, and hard to integrate effective perceptual refinement. Guided by this view, we develop a direct text-to-wave training framework that combines training-time representation alignment, staged noise scheduling, and velocity-aware perceptual alignment (VAPA), while preserving a single waveform-native inference path without pretrained components at test time. Experiments on zero-shot voice cloning show that strong intelligibility, speaker similarity, and naturalness can be achieved under a fully waveform-native inference path, supporting waveform-native flow-matching TTS as a practical direction. Project page with audio demos is available at https://barewave.github.io/.

We analyse error patterns of raw waveform acoustic models on TIMIT phone recognition beyond the overall phone error rate (PER). PER is decomposed across three broad phonetic class (BPC) categorisations, and confusion matrices are constructed from substitution errors. Our models combine parametric (SincNet, Sinc2Net) or non-parametric CNNs with Bidirectional LSTMs, achieving 13.9%/15.3% PER on Dev/Test, the best reported results for raw waveform models on TIMIT. Transfer learning from WSJ reduces PER to 11.3%/12.3%, surpassing the Filterbank baseline. Per-BPC analysis reveals that BLSTM layers benefit transition-dependent classes most, while WSJ transfer learning improves consonants roughly three times more than vowels. Confusion patterns are consistent across raw waveform and Filterbank systems, indicating that the dominant confusions reflect inherent phonetic similarities.

Large audio language models (LALMs) process both speech and environmental acoustic cues, yet struggle to retain non-speech information across multi-turn interactions. The performance gap between semantic (speech) and acoustic (non-speech) understanding remains poorly understood, and the underlying mechanisms of representation and retrieval are still unclear. This work introduces EnvMem, a controlled multi-turn benchmark designed to study this gap and identify the root causes of failures at the representation (i.e., latent embeddings) and retrieval levels (i.e., attention allocation). We further conduct post-hoc interventions to probe representational structure and attention dynamics. Our results reveal representational trajectory drift as the key failure mode, while showing that attention allocation plays a limited role in explaining the observed degradation. Overall, we provide a systematic framework for analyzing and improving non-linguistic memory in long-context LALMs, shedding light on future data and training design for robust acoustic memory modeling.

Speech and audio systems operate in inherently non-stationary environments, yet continual learning (CL) research in this domain, especially in the foundation model era, remains fragmented that fail to account for the coupled, geometry-sensitive nature of acoustic representations. Modern speech foundation models operate over highly entangled, continuous representations that jointly encode linguistic, speaker, and paralinguistic factors within a shared latent space. CL is therefore fundamentally about preserving and evolving shared representation structure rather than retaining isolated task knowledge. In this work, we revisit CL for speech from a representation-centered perspective, and introduce a new taxonomy that organizes CL according to how underlying representation geometry evolves under non-stationary acoustic conditions. We further identify key mismatches between current CL assumptions and speech foundation model behavior, and finally outline a set of open challenges and future research directions.

The integration of audio modality into Large Audio Language Models (LALMs) significantly expands their attack surface. Existing jailbreak paradigms predominantly treat audio as a carrier for malicious payloads, relying on semantic optimization, acoustic parameter control, or additive perturbation to embed harmful content into the audio signal. In this work, we challenge this necessity and propose a new paradigm in which the role of audio shifts from content injection to safety alignment interference. We reveal that LALM safety alignment can be compromised solely by specific Acoustic Latent Semantics (ALS), the underlying paralinguistic features intrinsic to the priors of audio generative models. Distinct from previous works that leverage explicit acoustic parameters to merely style malicious audio, we demonstrate that interference audio, benign in content but infused with specific ALS, can serve as a universal jailbreak trigger. Leveraging this insight, we propose the Acoustic Interference Attack (AIA), which decouples the attack payload from the audio. Specifically, AIA employs a set of universal, instruction-neutral interference audio, enabling standard malicious text queries to bypass safety alignment without instance-specific optimization. Extensive experiments on 10 LALMs across five datasets demonstrate that AIA achieves the state-of-the-art attack success rate. Furthermore, our interpretability analysis uncovers the inference path drift induced by AIA and identifies the inherent effective patterns within ALS, revealing the fundamental vulnerability of cross-modal alignment in LALMs.

While existing text-to-speech (TTS) models exhibit high expressiveness, fine-grained control over composite instructions remains challenging due to the structural mismatch between discrete textual intents and continuous acoustic realizations. Inspired by human cognitive decoupling, we introduce AgentSteerTTS, a multi-agent closed-loop framework designed for intent-faithful expressive control of composite instructions. First, in our framework, an adversarial disentanglement agent mitigates speaker-emotion leakage by learning separable identity and emotion-prosody subspaces with leakage-suppressing regularization. Next, a Dual-Stream Anchoring Controller grounds abstract intents using a large-scale acoustic prototype library: a Retrieval Agent selects expressive anchors, while a Synthesis Agent fuses them into continuous control vectors via gated attention. Finally, a Fast-Slow Feedback Agent refines output intensity through latent gradient correction and resolves semantic-acoustic mismatches using high-level perceptual critique. Experiments on a composite-instruction benchmark and public test sets show that AgentSteerTTS yields consistent and significant improvements to the baselines, demonstrating the effectiveness of the proposed method.

Bioacoustic recognition requires fine-grained acoustic understanding to distinguish similar-sounding species. However, many large-scale data repositories such as iNaturalist are weakly annotated, often with only a single positive species label per recording, making supervised learning particularly challenging. Inspired by advances in computer vision, recent approaches have shifted toward self-supervised learning to capture the underlying structure of audio without relying on exhaustive annotations. In particular, masked autoencoders (MAE) have shown strong transferability on massive audio corpora, yet their effectiveness in more modest bioacoustic settings remains underexplored. In this work, we conduct a systematic study of MAE pretraining for species classification on iNatSounds, analyzing the impacts of pretraining data scale, domain specificity, data curation, and transfer strategies. Consistent with prior work, we find that models pretrained on diverse general audio data achieve the best transfer performance on iNatSounds. Contrary to observations from large-scale audio benchmarks, we find that (1) additional masked reconstruction pretraining on domain-specific data provides limited benefits and may even degrade performance relative to off-the-shelf models, and (2) selective data filtering offers a negligible advantage when the overall data scale is limited. Our results indicate that, in moderate-sized fine-grained bioacoustic settings, pretraining scale dominates objective design. These findings further clarify when MAE-based pretraining is effective and provide practical guidance for model selection under limited supervision.

Automatic detection of speaker confidence is critical for adaptive computing but remains constrained by limited labelled data and the subjectivity of paralinguistic annotations. This paper proposes a semi-supervised hybrid framework that fuses deep semantic embeddings from the Whisper encoder with an interpretable acoustic feature vector composed of eGeMAPS descriptors and auxiliary probability estimates of vocal stress and disfluency. To mitigate reliance on scarce ground truth data, we introduce an Uncertainty-Aware Pseudo-Labelling strategy where a model generates labels for unlabelled data, retaining only high-quality samples for training. Experimental results demonstrate that the proposed approach achieves a Macro-F1 score of 0.751, outperforming self-supervised baselines, including WavLM, HuBERT, and Wav2Vec 2.0. The hybrid architecture also surpasses the unimodal Whisper baseline, yielding a 3% improvement in the minority class, confirming that explicit prosodic and auxiliary features provide necessary corrective signals which are otherwise lost in deep semantic representations. Ablation studies further show that a curated set of high confidence pseudo-labels outperforms indiscriminate large scale augmentation, confirming that data quality outweighs quantity for perceived confidence detection.

Audio deepfake detection systems are increasingly deployed in high-stakes security applications, yet their fairness across demographic groups remains critically underexamined. Prior work measures gender disparity but does not investigate where it comes from or how to fix it systematically. We present the first diagnosis-first framework that identifies bias source before applying targeted mitigation, evaluated on two models, AASIST and Wav2Vec2+ResNet18, on ASVSpoof5. Our diagnosis shows that bias does not stem from imbalanced training data but from acoustic representation differences, gender leakage in learned features, and structural evaluation asymmetry. We test mitigation strategies across in-processing, post-processing and combined families, including novel methods introduced in this work. Adjusting the decision threshold separately per gender reduces unfairness by 54% to 75% at no cost to detection accuracy, and our new epoch-level fairness regularisation method outperforms existing per-batch approaches. Adversarial debiasing succeeds only when gender leakage is localised, and fails when it is diffuse, an outcome correctly predicted by our diagnosis before training. No single method fully closes the fairness gap, confirming that bias sources must be identified before fixes are applied and that fairer benchmark design is equally important

Natural language is widely used to describe, prompt, and control audio systems, but rarely serves as the representation carrying audio itself. We introduce lexical acoustic coding (LAC), a framework in which pre-trained LLM sender and receiver agents transmit sound through natural language. Under fixed system prompts, the agents write their own analysis and synthesis code, communicating only through a lexical sentence, shared vocabulary, and optional symbolic music structure. The sender analyzes an input waveform into interpretable, non-learned acoustic descriptors, quantizes each with a feature-specific interval vocabulary, and verbalizes the lexical code as English. The receiver parses the sentence back into lexical-acoustic constraints and renders a waveform through closed-loop refinement. The transmitted text serves as both a rich caption and as the transport representation itself. We frame LAC as a finite-rate lossy quantizer, exposing trade-offs between vocabulary size, rate, and fidelity. Experiments on short sounds and symbolic music transfer show that plain text preserves measurable acoustic structure while remaining interpretable, editable, and native to LLM-mediated communication.

Discovering structure in biological signals without supervision is a fundamental problem in computational intelligence, yet existing bioacoustic methods assume vocal production models or predefined semantic units, leaving non-vocal species poorly served. This work introduces BeeVe, an unsupervised framework for acoustic state discovery in collective honey bee buzzing. BeeVe uses the self-supervised Patchout Spectrogram Transformer (PaSST) as a frozen feature extractor, then trains a Vector-Quantized Variational Autoencoder (VQ-VAE) without labels on those embeddings, learning a finite discrete codebook of acoustic tokens directly from unlabelled hive audio. No labels, pretext tasks, or contrastive objectives are used at any stage. Post-hoc evaluation against known queen status reveals that the learned tokens separate queenright and queenless conditions with Jensen-Shannon Divergence values between 0.609 and 0.688, and that the queenless condition further decomposes into three internally coherent sub-states stable across experiments with different codebook sizes and random seeds. Token transition analysis confirms non-random sequential structure (p << 0.001) across all experiments. Generalisation to unseen recordings preserves both token overlap (Jaccard = 0.947) and global manifold topology. These results demonstrate that unsupervised discrete codebook learning can recover repeatable acoustic structure from a non-vocal biological signal without annotation, opening a path toward non-invasive acoustic hive health monitoring.

Training data for bioacoustics is scattered across taxa, regions, and institutions. Centralizing it all is often infeasible. We show that independently fine-tuned BEATs encoders can be composed into a unified 661-species classifier via task vector arithmetic without sharing data. We find that bioacoustic task vectors are near-orthogonal (cosine 0.01-0.09). Their separation aligns closely with spectral distribution distance, a gradient consistent with the acoustic niche hypothesis. This geometry makes simple averaging optimal while sign-conflict methods reduce accuracy by one to six percentage points. Composition also creates an asymmetric gap: species-rich groups lose accuracy relative to joint training while underrepresented taxa gain, a redistribution useful for equitable biodiversity monitoring. We verify linear mode connectivity across all taxonomic pairs, demonstrate zero-shot transfer to new regions, and identify domain negation as a boundary condition where composition fails. These results enable a collaborative paradigm for bioacoustics where institutions share only task vectors to assemble multi-taxa classifiers, preserving data privacy.

A common design pattern in high-quality music generation is to handle structure and fidelity in different representation spaces: a generator first models high-level structure, followed by diffusion-based or neural decoding stages that reconstruct fine details. In this work, we explore an alternative view: both may be progressively modeled within a single deep acoustic-token hierarchy. To study this, we build a 64-layer residual vector quantization (RVQ) acoustic representation and propose a two-stage coarse-to-fine generation framework. A backbone model first generates coarse acoustic tokens for the full track, and a super-resolution model then completes finer tokens within the same acoustic token space. The super-resolution stage works at full-track scale and refines tokens layer by layer while running in parallel over time, leading to a fixed 62-step inference process. To jointly improve lyric alignment and fine-detail reconstruction, we further introduce hybrid-attention training: the alignment objective uses causal attention, while layer-wise refinement uses full attention. A key finding is that text-vocal alignment can emerge within pure acoustic-token language modeling, without requiring a separate semantic token stage. Moreover, initializing the super-resolution model from the trained backbone significantly improves convergence and final quality. Taken together, our results suggest that high-quality music generation can be effectively pursued without separating structure and fidelity into heterogeneous representation spaces. Instead, both can be progressively modeled within a unified acoustic-token hierarchy, pointing toward a simpler and more unified path to high-quality music generation.

Accurate 3D reconstruction of vertebral anatomy from ultrasound is important for guiding minimally invasive spine interventions, but it remains challenging due to acoustic shadowing and view-dependent signal variations. We propose an occupancy-based shape completion method that reconstructs complete 3D anatomical geometry from partial ultrasound observations. Crucially for intra-operative applications, our approach extracts the anatomical surface directly from the image, avoiding the need for anatomical labels during inference. This label-free completion relies on a coupled latent space representing both the image appearance and the underlying anatomical shape. By leveraging a Neural Implicit Representation (NIR) that jointly models both spatial occupancy and acoustic interactions, the method uses acoustic parameters to become implicitly aware of the unseen regions without explicit shadowing labels through tracking acoustic signal transmission. We show that this method outperforms state-of-the-art shape completion for B-mode ultrasound by 80% in HD95 score. We validate our approach both in-silico and on phantom US images with registered mesh models from CT labels, demonstrating accurate reconstruction of occluded anatomy and robust generalization across diverse imaging conditions. Code and data will be released on publication.

In recent years, Text-to-Audio Generation has achieved remarkable progress, offering sound creators powerful tools to transform textual inspirations into vivid audio. However, existing models predominantly operate directly in the acoustic latent space of a Variational Autoencoder (VAE), often leading to suboptimal alignment between generated audio and textual descriptions. In this paper, we introduce SemanticAudio, a novel framework that conducts both audio generation and editing directly in a high-level semantic space. We define this semantic space as a compact representation capturing the global identity and temporal sequence of sound events, distinct from fine-grained acoustic details. SemanticAudio employs a two-stage Flow Matching architecture: the Semantic Planner first generates these compact semantic features to sketch the global semantic layout, and the Acoustic Synthesizer subsequently produces high-fidelity acoustic latents conditioned on this semantic plan. Leveraging this decoupled design, we further introduce a training-free text-guided editing mechanism that enables precise attribute-level modifications on general audio without retraining. Specifically, this is achieved by steering the semantic generation trajectory via the difference of velocity fields derived from source and target text prompts. Extensive experiments demonstrate that SemanticAudio surpasses existing mainstream approaches in semantic alignment. Demo available at: https://semanticaudio1.github.io/

Bioacoustic data from Passive Acoustic Monitoring (PAM) generates large datasets where obtaining detailed auditing and labelling is often impractical, resulting in weak annotations (e.g., presence/absence of species over several minutes of recording). In order to effectively capture the complex temporal patterns and key features of long audio segments, we propose a framework comprising dataset standardisation, feature extraction, and classification via Temporal Convolutional Networks (TCN). This approach eliminates the necessity for setting heuristic decision rules or creating time-consuming strong labels. To demonstrate the effectiveness of our approach, we use sperm whale (\textit{Physeter macrocephalus}) click trains in 4-minute recordings as a case study, from a dataset comprising diverse sources and deployment conditions to maximise generalisability. Our TCN classifiers achieve recall rates exceeding 0.83 at a 0.13 false positive rate, comparable to agreement rates between expert annotators. We compare two methods of feature extraction, Variational AutoEncoders (VAEs) and traditional handpicking of features, and found them to yield similar performance results, with the VAE-based classifiers seeing a more stable performance across datasets and recording conditions. These results offer a way forward in leveraging numerous existing annotated bioacoustic datasets to train automatic classification models, effectively overcoming previous limitations associated with weak labels.